Concertante Works By Ralph Vaughan Williams
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Concertante Works By Ralph Vaughan Williams
Sinfonia concertante (; also called ''symphonie concertante'') is an orchestral work, normally in several movements, in which one or more solo instruments contrast with the full orchestra.Collins: ''Encyclopedia of Music'', William Collins Sons & Company Ltd., 1976 504. o. It emerged as a musical form during the Classical period of Western music from the Baroque concerto grosso. Sinfonia concertante encompasses the symphony and the concerto genres, a concerto in that soloists are on prominent display, and a symphony in that the soloists are nonetheless discernibly a part of the total ensemble and not preeminent. Sinfonia concertante is the ancestor of the double and triple concerti of the Romantic period corresponding approximately to the 19th century. Classical era In the Baroque period, the differences between a concerto and a ''sinfonia'' (also "symphony") were initially not all that clear. The word ''sinfonia'' would, for example, be used as the name for an overture to a st ...
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Classical Period (music)
The Classical period was an era of classical music between roughly 1750 and 1820. The classical period falls between the Baroque music, Baroque and Romantic music, Romantic periods. It is mainly Homophony, homophonic, using a clear melody line over a subordinate chordal accompaniment,Friedrich Blume, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of ''Galant music, style galant'' which emphasizes light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before, and the orchestra increased in size, range, and power. The harpsichord declined as the main keyboard instrument and superseded by the piano (or fortepiano). Unlike the harpsichord, which plucks strings with quills, pianos s ...
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Sinfonia Concertante For Oboe, Clarinet, Horn, Bassoon And Orchestra K
Sinfonia (; plural ''sinfonie'') is the Italian word for symphony, from the Latin ''symphonia'', in turn derived from Ancient Greek συμφωνία ''symphōnia'' (agreement or concord of sound), from the prefix σύν (together) and Φωνή (sound). In English it most commonly refers to a 17th- or 18th-century orchestral piece used as an introduction, interlude, or postlude to an opera, oratorio, cantata, or suite (, who gives the origin of the word as Italian) . The word is also found in other Romance languages such as Spanish or Portuguese. In the Middle Ages down to as late as 1588, it was also the Italian name for the hurdy-gurdy . Johann Sebastian Bach used the term for his keyboard compositions also known as '' Three-part Inventions'', and after about 1800, the term, when in reference to opera, meant "Overture" . In George Frideric Handel's oratorio Messiah (HWV 56), "Overture to the Messiah" (French Overture in E minor) was originally titled "Sinfony". In the 20th and ...
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Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic music, Romantic period. Mendelssohn's compositions include symphony, symphonies, concertos, piano music, organ music and chamber music. His best-known works include the Overture#Concert overture, overture and incidental music for ''A Midsummer Night's Dream (Mendelssohn), A Midsummer Night's Dream'' (which includes his "Wedding March (Mendelssohn), Wedding March"), the ''Symphony No. 4 (Mendelssohn), Italian'' and ''Symphony No. 3 (Mendelssohn), Scottish'' Symphonies, the oratorios ''St. Paul (oratorio), St. Paul'' and ''Elijah (oratorio), Elijah'', the ''The Hebrides (overture), Hebrides'' Overture, the mature Violin Concerto (Mendelssohn), Violin Concerto, the Octet (Mendelssohn), String Octet, and the melody used in the Christmas carol "Hark! The Herald Angels Sing". Mendelssohn's ''Songs W ...
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Triple Concerto (Beethoven)
Ludwig van Beethoven's Concerto for Violin, Cello, and Piano in C major, Op. 56, commonly known as the Triple Concerto, was composed from 1803 to 1804, or beyond, and published in 1807 by Breitkopf & Härtel. The choice of the three solo instruments effectively makes this a concerto for piano trio, and it is the only concerto Beethoven ever completed for more than one solo instrument, also being the only concerto he wrote for cello. A typical performance takes approximately thirty-seven minutes. History Beethoven's early biographer Anton Schindler claimed that the Triple Concerto was written for Beethoven's royal pupil, the Archduke Rudolf of Austria. The Archduke, who became an accomplished pianist and composer under Beethoven's tutelage, was only in his mid-teens at this time, and it seems plausible that Beethoven's strategy was to create a showy but relatively easy piano part that would be backed up by two more mature and skilled soloists. However, there is no record of Rud ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ...
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Viola
The viola ( , () ) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth higher) and the cello (which is tuned an octave lower). The strings from low to high are typically tuned to C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word ''viola'' originates from the Italian language. The Italians often used the term '' viola da braccio'', meaning, literally, 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyday of five-part ...
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Harold En Italie
(''Harold in Italy, symphony with viola obbligato''), as the manuscript describes it, is a four-movement orchestral work by Hector Berlioz, his Opus 16, H. 68, written in 1834. Throughout, the unusual viola part represents the titular protagonist, without casting the form as a concerto. The movements have these titles, alluding to a programme: # ''Harold in the mountains'' # ''March of the pilgrims'' # ''Serenade of an Abruzzo mountaineer'' # ''Orgy of bandits'' Creation The Italian composer Niccolò Paganini encouraged Hector Berlioz to write . The two first met after a concert of Berlioz's works conducted by Narcisse Girard on 22 December 1833, three years after the premiere of Berlioz's . According to Berlioz' , Paganini had acquired a "superb viola", a Stradivarius (the so-called "Paganini-Mendelssohn") — "But I have no suitable music. Would you like to write a solo for viola? You are the only one I can trust for this task." ("") Berlioz began "by writing a solo for v ...
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Hector Berlioz
Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic music, Romantic composer and conductor. His output includes orchestral works such as the ''Symphonie fantastique'' and ''Harold en Italie, Harold in Italy'', choral pieces including the Requiem (Berlioz), Requiem and ''L'Enfance du Christ'', his three operas ''Benvenuto Cellini (opera), Benvenuto Cellini'', ''Les Troyens'' and ''Béatrice et Bénédict'', and works of hybrid genres such as the "dramatic symphony" ''Roméo et Juliette (Berlioz), Roméo et Juliette'' and the "dramatic legend" ''La Damnation de Faust''. The elder son of a provincial physician, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style ...
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Antoine-Frédéric Gresnick
Antoine-Frédéric Gresnick (2 March 1755 – 16 October 1799) was a classical composer. He was born in Liège. He studied music in Naples. By 1780 Gresnick was working in Lyons and, after visiting Berlin and London, he moved in 1794 to Paris where he died in 1799. He is chiefly remembered for writing ''opera buffa Opera buffa (, "comic opera"; : ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramma bernesc ...,'' of which he wrote at least twenty-three. Famous works *''Alceste'', a 1786 opera *''L'amour de Cythère exilé'', a 1793 opera External links * 1755 births 1799 deaths Classical-period composers Male opera composers Prince-Bishopric of Liège musicians 18th-century classical composers 18th-century male musicians {{Europe-composer-stub ...
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François-Joseph Gossec
François-Joseph Gossec (; 17 January 1734 – 16 February 1829) was a French composer of operas, string quartets, symphonies, and choral works. Life and work The son of a small farmer, Gossec was born at the village of Vergnies, then a French exclave in the Austrian Netherlands, now an '' ancienne commune'' in the municipality of Froidchapelle, Belgium. Showing an early taste for music, he became a choir-boy in Antwerp. He went to Paris in 1751 and was taken on by the composer Jean-Philippe Rameau. He followed Rameau as the conductor of a private orchestra kept by the '' fermier général'' Le Riche de La Poupelinière, a wealthy amateur and patron of music. Gradually he became determined to do something to revive the study of instrumental music in France. Gossec's own first symphony was performed in 1754, and as conductor to the Prince de Condé's orchestra he produced several operas and other compositions of his own. He imposed his influence on French music with remarkabl ...
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Leopold Kozeluch
Leopold may refer to: People * Leopold (given name), including a list of people named Leopold or Léopold * Leopold (surname) Fictional characters * Leopold (''The Simpsons''), Superintendent Chalmers' assistant on ''The Simpsons'' * Leopold Bloom, the protagonist of James Joyce's ''Ulysses'' * Leopold "Leo" Fitz, on the television series ''Agents of S.H.I.E.L.D.'' * Leopold "Butters" Stotch, on the television series ''South Park'' * General Leopold von Flockenstuffen, on the BBC sitcom Allo 'Allo!'' * Leopold the Cat, the protagonist of a Soviet/Russian animated short film series * Leopold, 3rd Duke of Albany, a lead character of '' Kate & Leopold'', a 2001 romantic comedy film * Leopold Slikk, an alias of Norman Kochanowski known for Angry German Kid Businesses *Leopold (publisher), a Netherlands-based publishing company *Leopold Bros., an American micro-distiller * Leopold Cafe, Colaba, Mumbai, India (attacked during the 26 November 2008 Mumbai attacks) * Leopold's Ic ...
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Ignaz Pleyel
Ignaz (Ignace) Joseph Pleyel (; ; 18 June 1757 – 14 November 1831) was an Austrian composer, music publisher and piano builder of the Classical period. He grew up in Austria (then part of the Holy Roman Empire), and was educated there; in his mid-twenties he moved to France, and was based in France for the rest of his life. Life Early years He was born in in Lower Austria, the son of a schoolmaster named Martin Pleyl. Despite the fact that some sources claim that he had 37 siblings, he was the eighth and last child of his father's first marriage to Anna Theresia née Forster and he had eight more half siblings from his father's second marriage to Maria Anna née Placho. While still young, he probably studied with Johann Baptist Wanhal, and from 1772 he became the pupil of Joseph Haydn in Eisenstadt. As with Beethoven, born 13 years later, Pleyel benefited in his study from the sponsorship of aristocracy, in this case Count Ladislaus Erdődy (1746–1786). Pleyel evidently had ...
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