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Completion Stage
The fundamental practice of Vajrayana and Tibetan tantra is deity yoga (''devatayoga''), a form of Buddhist meditation centered on a chosen deity or "cherished divinity" (Skt. ''Iṣṭa-devatā,'' Tib. '' yidam''). This involves the recitation of mantras and prayers alongside the detailed visualization of the deity and their mandala—a sacred configuration that includes their Buddha field, consorts, and attendant figures. The 14th-century scholar Tsongkhapa stated that deity yoga is the distinctive feature that sets Tantra apart from the Sutra-based path. In the highest class of Tantras, the Unsurpassed Yoga Tantras, deity yoga is typically practiced in two stages: the generation stage (''utpatti-krama'') and the completion stage (''nispanna-krama''). In the generation stage, practitioners dissolve ordinary perception into emptiness and then re-imagine reality through the form of a fully enlightened deity, understood as an expression of ultimate truth. The deity is visual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dream Yoga
Dream yoga or ''milam'' (; , ''svapnadarśanayoga'')—the Yoga of the Dream State—is a suite of advanced tantric sadhana of the entwined Mantrayana lineages of Dzogchen ( Nyingmapa, Ngagpa, Mahasiddha, Kagyu and Bönpo). Dream yoga consists of tantric processes and techniques within the trance Bardos of Dream and Sleep () Six Dharmas of Naropa. In the tradition of the tantra, the dream yoga method is usually passed on by a qualified teacher to his/her students after necessary initiation. Various Tibetan lamas are unanimous that it is more of a passing of an enlightened experience rather than any textual information. The 'dream body' and the 'bardo body' have been identified with the 'vision body' (Tibetan: ''yid lus''): In the yoga of dreaming (''rmi lam, *svapna''), the yogi learns to remain aware during the states of dreaming (i.e. to lucid dream) and uses this skill to practice yoga in the dream. Bon Nyingma lineage The Nyingma lineage holds that there are 'Seven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phurba
The phurba (; alternate transliterations: ''phurpa'', ''phurbu'', ''purbha'', or ''phurpu'') or ''kīla'' (Sanskrit Devanagari: कील; IAST: kīla) is a three-sided peg, stake, knife, or nail-like ritual implement deeply rooted in Indo-Tibetan Buddhism and Bön traditions. Its primary association is with the meditational deity Vajrakīlaya (Dorje Phurba), embodying the essence of transformative power. The etymology and historical context of the term reveal some debate. Both the Sanskrit word ''kīla'' and the Tibetan ''phurba'' are used interchangeably in sources. The construction of the phurba is diverse, featuring a pommel, handle, and a blade with three triangular facets. The composition often revolves around the numerological significance of three and nine, with materials ranging from wood and metal to bone and crystal. Phurba blades can be made from meteoric iron, which holds symbolic importance. The pommel typically displays faces of Vajrakīlaya or other sacred m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Damaru
A damaru (, ; Tibetan languages, Tibetan ཌ་མ་རུ་ or རྔ་ཆུང) is a small two-headed drum, used in Hinduism and Tibetan Buddhism. In Hinduism, the damaru is known as the instrument of the Hindu deity Shiva, associated with Tantra, Tantric traditions. It is said to be created by Shiva to produce spiritual sounds by which the whole universe has been created and regulated. In Tibetan Buddhism, the damaru is used as an instrument in meditation practices. Description The damaru is typically made of wood, metal with leather damaru heads at both ends. The resonator is made of brass. Its height ranges from a few inches to a little over one foot. It is played single-handedly. The strikers are typically beads fastened to the ends of leather cords around the waist of the damaru. Knots in the leather can also be used as strikers; crocheted material is also common. As the player waves the drum using a twisting wrist motion, the strikers beat on the drumhead. In Hindu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodhisattvas
In Buddhism, a bodhisattva is a person who has attained, or is striving towards, ''Enlightenment in Buddhism, bodhi'' ('awakening', 'enlightenment') or Buddhahood. Often, the term specifically refers to a person who forgoes or delays personal nirvana or ''bodhi'' in order to compassionately help other individuals reach Buddhahood. In the Early Buddhist schools, as well as modern Theravada, Theravāda Buddhism, bodhisattva (or bodhisatta) refers to someone who has made a resolution to become a Buddha (title), Buddha and has also received a confirmation or prediction from a living Buddha that this will come to pass. In Theravāda Buddhism, the bodhisattva is mainly seen as an exceptional and rare individual. Only a few select individuals are ultimately able to become bodhisattvas, such as Maitreya. In Mahayana, Mahāyāna Buddhism, a bodhisattva refers to anyone who has generated ''bodhicitta'', a spontaneous wish and compassionate mind to attain Buddhahood for the benefit of al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandalas
A mandala (, ) is a geometric configuration of symbols. In various spiritual traditions, mandalas may be employed for focusing attention of practitioners and adepts, as a spiritual guidance tool, for establishing a sacred space and as an aid to meditation and trance induction. In the Eastern religions of Hinduism, Buddhism, Jainism and Shinto it is used as a map representing deities, or especially in the case of Shinto, paradises, kami or actual shrines. Hinduism In Hinduism, a basic mandala, also called a '' yantra'', takes the form of a square with four gates containing a circle with a centre point. Each gate is in the general shape of a T. Mandalas often have radial balance. A '' yantra'' is similar to a mandala, usually smaller and using a more limited colour palette. It may be a two- or three-dimensional geometric composition used in '' sadhanas'', puja or meditative rituals, and may incorporate a mantra into its design. It is considered to represent the abode of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thangka
A ''thangka'' (; Tibetan: ཐང་ཀ་; Nepal Bhasa: पौभा) is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front. So treated, thangkas can last a long time, but because of their delicate nature, they have to be kept in dry places where moisture will not affect the quality of the silk. Most thangkas are relatively small, comparable in size to a Western half-length portrait, but some are extremely large, several metres in each dimension; these were designed to be displayed, typically for very brief periods on a monastery wall, as part of religious festivals. Most thangkas were intended for personal meditation or instruction of monastic students. They often have elaborate compositions including many very small fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murti
In the Hinduism, Hindu tradition, a ''murti'' (, ) is a devotional image, such as a statue or icon, of a Hindu deities, deity or Hindu saints, saint used during ''Puja (Hinduism), puja'' and/or in other customary forms of actively expressing devotion or reverence – whether at Hindu temples or shrines. A ''mūrti'' is a symbolic icon representing divinity for the purpose of devotional activities. Thus, not all icons of gods and saints are ''mūrti''; for example, purely decorative depictions of divine figures often adorn Hindu temple architecture in intricately carved doorframes, on colourfully painted walls, and ornately sculpted rooftop domes. A ''mūrti'' itself is not God, but it is merely a representative shape, symbolic embodiment, or iconic manifestation of God. ''Murti'' are also found in some nontheistic Jainism, Jain traditions, where they serve as symbols of revered mortals inside Jain temples, and are worshiped in ''murtipujaka'' rituals. A ''murti'' is typically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chöd Practitioners At Boudhanath Stupa
Chöd ( lit. 'to sever') is a spiritual practice found primarily in the Yundrung Bön tradition as well as in the Nyingma and Kagyu schools of Tibetan Buddhism (where it is classed as Anuttarayoga Tantra in Kagyu and Anuyoga in Nyingma). Also known as "cutting through the ego," the practices are based on the Prajñāpāramitā or "Perfection of Wisdom" sutras, which expound the "emptiness" concept of Buddhist philosophy. According to Mahayana Buddhists, emptiness is the ultimate wisdom of understanding that all things lack inherent existence. Chöd combines prajñāpāramitā philosophy with specific meditation methods and tantric ritual. The chod practitioner seeks to tap the power of fear through activities such as rituals set in graveyards, and visualisation of offering their bodies in a tantric feast in order to put their understanding of emptiness to the ultimate test. Definition and Sanskrit ''chedasādhanā'' both literally mean "cutting practice". In Standard Tibeta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
