|
Columbine (stock Character)
Columbine (Italian: Colombina; French: Colombine; ) is a stock character in the commedia dell'arte. She is Harlequin's mistress, a comic servant playing the tricky slave type, and wife of Pierrot. Rudlin and Crick use the Italian spelling Colombina in ''Commedia dell'Arte: A Handbook for Troupes''. History The role of the female servant was originally that of an entr'acte dancer. Women were not allowed to be part of the story that was being played out on stage, but they were allowed to have a dance in-between the action. Eventually these women became the buxom and gossipy servants of characters that were already allowed on stage, and then, later, the counterparts to the Zanni characters. Columbine was very down to earth and could always see the situation for what it actually was. She was also sometimes portrayed as a prostitute. She was very infrequently without something to say to or about someone. She is dressed in a very short ragged and patched dress, appropriate to a maste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SAND Maurice Masques Et Bouffons 03
Sand is a granular material composed of finely divided mineral particles. Sand has various compositions but is usually defined by its grain size. Sand grains are smaller than gravel and coarser than silt. Sand can also refer to a textural class of soil or soil type; i.e., a soil containing more than 85 percent sand-sized particles by mass. The composition of sand varies, depending on the local rock sources and conditions, but the most common constituent of sand in inland continental settings and non-tropical coastal settings is silica (silicon dioxide, or SiO2), usually in the form of quartz. Calcium carbonate is the second most common type of sand. One such example of this is aragonite, which has been created over the past 500million years by various forms of life, such as coral and shellfish. It is the primary form of sand apparent in areas where reefs have dominated the ecosystem for millions of years, as in the Caribbean. Somewhat more rarely, sand may be composed of ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagliacci
''Pagliacci'' (; literal translation, 'Clowns') is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. ''Pagliacci'' premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London (with Nellie Melba as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio). ''Pagliacci'' is the best-known of Leoncavallo's ten operas and remains a staple of the repertoire. ''Pagliacci'' is often staged with ''Cavalleria rusticana'' by Pietro Mascagni, a double bill known colloquially as "Cav/Pag". Origin and disputes Leoncavallo was a little-known composer when Pietro Masc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commedia Dell'arte Female Characters
Commedia may refer to: * ''Divine Comedy'', a 1321 epic poem by Dante Alighieri, sometimes called the ''Commedia'' * ''Commedia dell'arte'', a professional form of theatre that began in Italy in the mid-16th century * ''La Commedia ''La Commedia'' is an opera in five parts composed by Louis Andriessen. A retelling of Dante's ''Divine Comedy'', the multi-language libretto was constructed by Andriessen using extracts from Dante's poem as well as several other sources includin ...'', an early theatre in Naples * ''Deceit'' (1999 film) (working title ''Commedia''), an Italian mystery * ''Commedia'' (2023 film), an Italian-English romantic drama See also * Comedia (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fictional Tricksters
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary or in ways that are imaginary. Fictional portrayals are thus inconsistent with fact, history, or plausibility. In a traditional narrow sense, fiction refers to written narratives in prose often specifically novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition and theory Typically, the fictionality of a work is publicly expressed, so the audience expects a work of fiction to deviate to a greater or lesser degree from the real world, rather than presenting for instance only factually accurate portrayals or characters who are actual people. Because fiction is generally understood as not adhering to the real world, the th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Female Stock Characters
An organism's sex is female (symbol: ♀) if it produces the ovum (egg cell), the type of gamete (sex cell) that fuses with the male gamete (sperm cell) during sexual reproduction. A female has larger gametes than a male. Females and males are results of the anisogamous reproduction system, wherein gametes are of different sizes (unlike isogamy where they are the same size). The exact mechanism of female gamete evolution remains unknown. In species that have males and females, sex-determination may be based on either sex chromosomes, or environmental conditions. Most female mammals, including female humans, have two X chromosomes. Characteristics of organisms with a female sex vary between different species, having different female reproductive systems, with some species showing characteristics secondary to the reproductive system, as with mammary glands in mammals. In humans, the word ''female'' can also be used to refer to gender in the social sense of gender role or g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commedia Dell'arte
Commedia dell'arte was an early form of professional theatre, originating from Theatre of Italy, Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by Theatre mask, masked "types", was responsible for the rise of actresses such as Isabella Andreini and Improvisational theatre, improvised performances based on Sketch comedy, sketches or scenarios. A , such as ''The Tooth Puller'', contains both scripted and improvised portions; key plot points and characters' entrances and exits are scripted, but the actors may otherwise be expected to improvise new gags on stage. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is Mime artist, pantomime, which is mostly used by the character Harlequin, Arlecchino, now better known as H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Geiger
Richard Geiger (29 June 1870 – 9 February 1945) was an Austrian painter. Life and work Geiger was born in Vienna, into a Hungarian Jewish family. His parents were Antal Geiger and Jozefin Wahringer. He first attended a drawing school and then studied at the Academy of Fine Arts Vienna, where he studied under Christian Griepenkerl and August Eisenmenger. He studied sculpture with Fritz Klimsch at the Academy of Arts, Berlin, Academy of Arts in Berlin. There he took part in the exhibitions of the Academy with his portrait busts and sculptures. In Paris he studied at the Julian Academy and worked in the studio of François Flameng. While at the Julian Academy, he focused on painting scenes from the life of the clochards. From 1893 Geiger worked as a genre painter in Budapest. He worked for the ''Izidor Kner'' publishing house in Gyomaendrőd, among others. From 1906 Geiger illustrated twenty Hungarian editions of the works of Karl May for the Budapest ''Athenaeum'' publishing hou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Antoine Quillard
Pierre-Antoine Quillard, (; – 25 November 1733) was a French portrait painter and engraver who worked in Portugal. Biography Quillard's father was a woodworker. He began to study art at a very early age, possibly with Antoine Watteau, or at least some of his close associates. When he was ten or eleven, his paintings were deemed such perfect copies of Watteau's style that Cardinal Fleury presented some to King Louis XV, who granted Quillard a pension. After twice failing to win the Prix de Rome, in 1724 and 1725, and despite having won second place both times, he accepted an offer of work from Charles Frédéric de Merveilleux (d. 1749), a Swiss doctor who was attached to the Royal Court in Lisbon. The position involved drawing illustrations to accompany a herbarium the doctor was preparing. Upon Quillard's arrival, Crown Prince (later King) Joseph awarded him a pension of 80 cruzados per month. After spending some time working on Merveilleux's ''Flora'', he was able to o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comédie-Italienne
Comédie-Italienne () or Théâtre-Italien () are French names which have been used to refer to Italian-language theatre and opera when performed in France. The earliest recorded visits by Italian players were ''commedia dell'arte'' companies employed by the French court under the Italian-born queens Catherine de' Medici and Marie de' Medici. These troupes also gave public performances in Paris at the theatre of the Hôtel de Bourgogne, probably the earliest public theatre to be built in France. The first official use of the name Comédie-Italienne was in 1680, when it was given to the ''commedia dell'arte'' troupe at the Hôtel de Bourgogne, to distinguish it from the French troupe, the Comédie-Française, which was founded that year, and just as the name Théâtre-Français was commonly applied to the latter, Théâtre-Italien was used for the Italians. Over time French phrases, songs, whole scenes, and eventually entire plays were incorporated into the Comédie-Italienne's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, ; ), was a French playwright, actor, and poet, widely regarded as one of the great writers in the French language and world literature. His extant works include comedies, farces, Tragicomedy, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caterina Biancolelli
Caterina Biancolelli (1665–1716) was an Italian actress in the commedia dell'arte style of theater. She was one of the earliest actresses to play the role of Colombina, and one of the most famous. Biancolelli was the daughter of actors Domenico Biancolelli (1636–1688), famous for playing Harlequin, and Orsola Cortesi (1637–1718), who played an '' innamorata'' named Eularia. Her grandmother was the actress Isabella Franchini Biancolelli, who had also played Colombina. Biancolelli and her family were members of the Comédie-Italienne troupe ''Ancienne Troupe de la Comedia Italienne'', which performed in France. Biancolelli began playing Colombina in her family's troupe in 1683. In that same year, she and the rest of the troupe received positive reviews from Donneau de Visé in the journal ''Mercure galant''. In 1695, she played Arlecchina, a female version of Harlequin, in ''Le Retour de la foire de Bezons'' by Evaristo Gherardi. Along with acting, she was known for her sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
