|
Colinet De Lannoy
Colinet de Lannoy (died before 6 February 1497) was a French composer of the Renaissance. He was one of the composers/singers working at the Milan chapel at the time of the assassination of Duke Galeazzo Maria Sforza in 1476, and he possibly also worked in France. Life Very little is known for certain about his life, and some details have been confused with other musicians named "Lannoy" or "Lanoy". Two other singers named Lannoy, Jehan and David, were known to be active at the French court in the middle of the 15th century, and may have been related; in addition, a "Karolus de Launoy", active at Bourges and later in France, was previously confused with him.Fitch, Grove online In 1477, Lannoy, along with Jean Japart, Johannes Martini, and Loyset Compère, was given a pass to leave Milan following the murder of Duke Galeazzo Maria Sforza. The singing group at the chapel had been one of the most distinguished in Europe, and the compositional style which developed there in the 14 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco-Flemish School
The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers to the style of polyphonic vocal music composition originating from France and from the Burgundian Netherlands in the 15th and 16th centuries as well as to the composers who wrote it. The spread of their technique, especially after the revolutionary development of printing, produced the first true international style since the unification of Gregorian chant in the 9th century. Franco-Flemish composers mainly wrote sacred music, primarily masses, motets, and hymns. Term and controversy Several generations of Renaissance composers from the region loosely known as the Low Countries (Imperial and French fiefs ruled in personal union by the House of Valois-Burgundy in the period from 1384 to 1482)—i.e. present-day Northern France, Belgium and the Southern Netherlands—are grouped under "Franco-Flemish Sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Low Countries
The Low Countries (; ), historically also known as the Netherlands (), is a coastal lowland region in Northwestern Europe forming the lower Drainage basin, basin of the Rhine–Meuse–Scheldt delta and consisting today of the three modern "Benelux" countries: Belgium, Luxembourg, and the Netherlands (, which is singular). Geographically and historically, the area can also include parts of France (such as Nord (French department), Nord and Pas-de-Calais) and the Germany, German regions of East Frisia, Geldern, Guelders and Cleves. During the Middle Ages, the Low Countries were divided into numerous semi-independent principalities. Historically, the regions without access to the sea linked themselves politically and economically to those with access to form various unions of ports and hinterland, stretching inland as far as parts of the German Rhineland. Because of this, nowadays not only physically low-altitude areas, but also some hilly or elevated regions are considered part of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Male Classical Composers
French may refer to: * Something of, from, or related to France ** French language, which originated in France ** French people, a nation and ethnic group ** French cuisine, cooking traditions and practices Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), a 2008 film * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a type of military jacket or tunic * French's, an American brand of mustard condiment * French (catheter scale), a unit of measurement * French Defence, a chess opening * French kiss, a type of kiss See also * France (other) * Franch, a surname * French Revolution (other) * French River (other), several rivers and other places * Frenching (other) Frenching may refer to: * Frenching (automobile), recessing or moul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Reese
Gustave Reese ( ; November 29, 1899 – September 7, 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on November 29, 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Rena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyclic Mass
In Renaissance music, the cyclic mass was a musical setting of the Ordinary of the Roman Catholic Mass, in which each of the movements – Kyrie, Gloria, Credo, Sanctus, and Agnus Dei – shared a common musical theme, commonly a cantus firmus, thus making it a unified whole. The cyclic mass was the first multi-movement form in western music to be subject to a single organizing principle. The period of composition of cyclic masses was from about 1430 until around 1600, although some composers, especially in conservative musical centers, wrote them after that date. Types of cyclic masses include the "motto" mass (or "head-motif" mass), cantus-firmus mass or ''tenor mass'', soggetto cavato mass, paraphrase mass, parody mass, as well as masses based on combinations of these techniques. History Prior to complete settings of the Mass Ordinary by a single composer, which had become the norm by around the middle of the 15th century, composers often set pairs of movements. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Obrecht
Jacob Obrecht (also Hobrecht; 1457/8 – late July 1505) was a Flemish composer of masses, motets and songs. He was the most famous composer of mass (music), masses">Rob C. Wegman. "Obrecht, Jacob." In Grove Music Online. Oxford Music Online, (accessed 24 September 2020). – late July 1505) was a Flemish composer of masses, motets and songs. He was the most famous composer of mass (music), masses in Europe of the late 15th century and was only eclipsed after his death by Josquin des Prez. Life What little is known of Obrecht's origins and early childhood comes mostly from his motet ''Mille quingentis''. He was the only son of Ghent city trumpeter Willem Obrecht and Lij ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Ockeghem
Johannes Ockeghem ( – 6 February 1497) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was a significant European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colleague Antoine Busnois—a prominent European composer in the second half of the 15th century. He was an important proponent of the early Franco-Flemish School. Ockeghem was well associated with other prominent composers of the time, and spent most of his career serving the French royal court under Charles VII, Louis XI and Charles VIII. Numerous poets and musicians lamented his death, including Erasmus, Guillaume Crétin, Jean Molinet and Josquin, who composed the well-known '' Nymphes des bois'' for him. It is thought that Ockeghem's extant works represent only a small part of his entire ''oeuvre'', including around 14 masses, 20 chansons and fewer than 10 motets—though the exact numbers vary due to attribution uncertainties. His be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Crétin
Guillaume Cretin (c. 1460 – 30 November 1525) was a French coterie poet who is considered to belong to the network of the Grands Rhétoriqueurs ("rhetoricians"). He is sometimes mistakenly referred to as Guillaume Dubois, but this is a wordplay found in an epistle addressed to Jean Martin. Cretin wrote in a wide variety of literary genres, including fixed-form lyrics (''chants royaux'', ''ballades'', and ''rondeaux'') as well as narrative verse. Cretin's poetic oeuvre was edited by Kathleen Chesney in 1932. Life Cretin was treasurer of the Sainte-Chapelle de Vincennes, then cantor of the Sainte-Chapelle, Sainte-Chapelle de Paris and ordinary almoner to Francis I of France. Throughout his life, he composed numerous works for circulation at the royal court. Works Cretin's works include many ''chants royaux'' which were composed for the ''puys'', Northern French poetry competitions in honour of the Virgin Mary. These were praised by his contemporaries and often won awards. He wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferrara
Ferrara (; ; ) is a city and ''comune'' (municipality) in Emilia-Romagna, Northern Italy, capital of the province of Ferrara. it had 132,009 inhabitants. It is situated northeast of Bologna, on the Po di Volano, a branch channel of the main stream of the Po (river), Po River, located north. The town has broad streets and numerous palaces dating from the Renaissance, when it hosted the court of the House of Este. For its beauty and cultural importance, it has been designated by UNESCO as a World Heritage Site. History Antiquity and Middle Ages The first documented settlements in the area of the present-day Province of Ferrara date from the 6th century BC. The ruins of the Etruscan civilization, Etruscan town of Spina, established along the lagoons at the ancient mouth of Po river, were lost until modern times, when drainage schemes in the Valli di Comacchio marshes in 1922 first officially revealed a necropolis with over 4,000 tombs, evidence of a population centre that in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ''ars nova'', the music of the Trecento, Trecento music was treated by musicology as a coda to medieval music and the new era dated from the rise of triad (music), triadic harmony and the spread of the ''contenance angloise'' style from the British Isles to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque music, Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410s or '20s–1497) and Josquin des Prez (late 1450s–1521), and culminating during the Counter-Reformat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet-chanson
The motet-chanson was a specialized musical form of the Renaissance, developed in Milan during the 1470s and 1480s, which combined aspects of the contemporary motet and chanson. Many consisted of three voice parts, with the lowest voice, a tenor or a contra, singing a sacred text in Latin, drawn from chant, while the two upper voices sang a secular text in French. Some were written for four to five voices, with the ''bassus'' taking the Latin part. Generally, the French text was either a commentary on the Latin text or had some symbolic relation to it. The lowest voice served as a cantus firmus, and usually sang in long notes, with phrases separated by long rests, while the upper voices, singing more quickly, followed the rigid formal structure of the contemporary '' formes fixes'', particularly the rondeau and the bergerette. The three most prominent composers of motet-chansons were Josquin des Prez, Loyset Compère, and Alexander Agricola, all of whom were in Milan, Italy, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
