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Codice Di Staffarda
The Codice di Staffarda is a musical codex from Staffarda Abbey (Santa Maria di Staffarda), a Cistercian monastery located near Saluzzo in north-west Italy. The codex includes works by composers including the otherwise unknown Engarandus Juvenis and Antoine Brumel. In all, there are 48 pieces in the manuscript, including eight masses, eleven Magnificat The Magnificat (Latin for " y soulmagnifies he Lord) is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Byzantine tradition, the Ode of the Theotokos (). It is traditionally incorporated into the liturgical service ... settings, fourteen motets of various types and twelve chansons. The composers of only nineteen of these works have been identified, mostly by comparison with other sources. References Renaissance music manuscript sources {{medieval-music-stub ...
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Staffarda Abbey
Staffarda Abbey (''Abbazia Santa Maria di Staffarda'') is a Cistercian monastery located near Saluzzo in north-west Italy; it was founded as a daughter house of Tiglieto Abbey in 1135 by Manfred I, Marquis of Saluzzo. The abbey became an important local centre for agriculture and held a flourishing market. It was placed ''in commendam'' to the Order of Saints Maurice and Lazarus in 1750. A portrait of Cesare Alessandro Scaglia di Verrua, abbot of Staffarda, painted by Antony van Dyck in about 1634, is now in the National Gallery in London. An important musical manuscript, the Codex Staffarda, dating to the 1480s or 1490s and containing reference to the commandatory abbot Brixianus Taparelli, is now in the National University Library of Turin.Cristina Santarelli Essay Il manoscritto musicale dell'abbazia di Staffarda. in Studi piemontesi - Volume 27 - Page 509 Centro studi piemontesi - 1998 "Conservato presso la Biblioteca Nazionale Universitaria di Torino sotto la segnatura Ris ...
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Cistercian
The Cistercians, () officially the Order of Cistercians ( la, (Sacer) Ordo Cisterciensis, abbreviated as OCist or SOCist), are a Catholic religious order of monks and nuns that branched off from the Benedictines and follow the Rule of Saint Benedict, as well as the contributions of the highly-influential Saint Bernard of Clairvaux, known as the Latin Rule. They are also known as Bernardines, after Saint Bernard himself, or as White Monks, in reference to the colour of the "cuculla" or cowl (choir robe) worn by the Cistercians over their habits, as opposed to the black cowl worn by Benedictines. The term ''Cistercian'' derives from ''Cistercium,'' the Latin name for the locale of Cîteaux, near Dijon in eastern France. It was here that a group of Benedictine monks from the monastery of Molesme founded Cîteaux Abbey in 1098, with the goal of following more closely the Rule of Saint Benedict. The best known of them were Robert of Molesme, Alberic of Cîteaux and the Engl ...
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Saluzzo
Saluzzo (; pms, Salusse ) is a town and former principality in the province of Cuneo, in the Piedmont region, Italy. The city of Saluzzo is built on a hill overlooking a vast, well-cultivated plain. Iron, lead, silver, marble, slate etc. are found in the surrounding mountains. On January 1, 2017 it had a population of 16,968. Saluzzo was the birthplace of the writer Silvio Pellico and of typographer Giambattista Bodoni. History Saluzzo (Salusse in Piedmontese) was a ''civitas'' (tribal city state) of the Vagienni, or mountain Ligures, and later of the Salluvii. This district was brought under Roman control by the Consul Marcus Fulvius circa 125BC. In the Carolingian age it became the residence of a count; later, having passed to the Marquesses of Susa, Manfred I, son of Marquess Bonifacio del Vasto, on the division of that principality became Marquess of Saluzzo; this family held the marquisate of Saluzzo from 1142 to 1548. The marquisate embraced the territory lying be ...
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Engarandus Juvenis
Engarandus Juvenis, "Enguerrand the Younger" (fl. 1480s-90s) is a composer, presumed to be of French origin, whose three known works are all preserved in a single codex – the Codice di Staffarda – in the Cistercian monastery of Staffarda, Italy. He is notable as the composer of the earliest surviving example of a polyphonic setting of a Requiem mass complete with Dies Irae section. Lost records No biographical information about the composer survives. The epithet "'' juvenis''" "the Younger" suggests a connection to an older Engarandus (Latin), or Enquerrand (French), but no older composer of this name is recorded. Possible non-composer Enguerrands as fathers, or simply as comparison, in the previous generation include the chronicler Enguerrand de Monstrelet (c. 1400-1453) in Burgundy, and the painter Enguerrand Quarton (c. 1412-1466) of Laon in Provence. The fact that no other works survive by the composer suggest a local composer known to the point of origin of the ''Codex ...
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Antoine Brumel
Antoine Brumel (c. 1460 – 1512 or 1513) was a French composer. He was one of the first renowned French members of the Franco-Flemish school of the Renaissance, and, after Josquin des Prez, was one of the most influential composers of his generation. Life Little is known about his early life, but he was probably born west of Chartres, perhaps in the town of Brunelles, near to Nogent-le-Rotrou, making him one of the first of the Netherlandish composers who was actually French. He sang at Notre-Dame de Chartres from 9 August 1483 until 1486, and subsequently held posts at St Peter's in Geneva (until 1492) and Laon (around 1497) before becoming choirmaster to the boys at Notre-Dame de Paris from 1498 to 1500, and choirmaster to Alfonso I d'Este at Ferrara from 1506, replacing the famous composer Jacob Obrecht who had died of the plague there the previous year. The chapel there was disbanded in 1510, after which he evidently stayed in Italy; several documents connect him w ...
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Magnificat
The Magnificat (Latin for " y soulmagnifies he Lord) is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Byzantine tradition, the Ode of the Theotokos (). It is traditionally incorporated into the liturgical services of the Catholic Church, the Eastern Orthodox churches, and the Anglican Communion. Its name comes from the incipit of the Latin version of the text. The text of the canticle is taken from the Gospel of Luke () where it is spoken by Mary upon the occasion of her Visitation to her cousin Elizabeth. In the narrative, after Mary greets Elizabeth, who is pregnant with John the Baptist, the latter moves within Elizabeth's womb. Elizabeth praises Mary for her faith (using words partially reflected in the Hail Mary), and Mary responds with what is now known as the Magnificat. The Magnificat is one of the eight most ancient Christian hymns and perhaps the earliest Marian hymn. Within the whole of Christianity, the canticle is most frequentl ...
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