Codex Magliabechiano (folio 35r)
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Codex Magliabechiano (folio 35r)
The Codex Magliabechiano is a pictorial Aztec codex created during the mid-16th century, in the early Spanish colonial period. It is representative of a set of codices known collectively as the ''Magliabechiano Group (others in the group include the Codex Tudela and the Codex Ixtlilxochitl).'' The Codex Magliabechiano is based on an earlier unknown codex, which is assumed to have been the prototype for the Magliabechiano Group. It is named after Antonio Magliabechi, a 17th-century Italian manuscript collector, and is held in the Biblioteca Nazionale Centrale, Florence, Italy. It was created on European paper, with drawings and Spanish language text on both sides of each page. The Codex Magliabechiano is primarily a religious document. Various deities, indigenous religious rites, costumes, and cosmological beliefs are depicted. Its 92 pages are almost a glossary of cosmological and religious elements. The 52-year cycle is depicted, as well as the 20 day-names of the '' tonalpohua ...
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Codex Magliabechiano 11R
The codex (: codices ) was the historical ancestor format of the modern book. Technically, the vast majority of modern books use the codex format of a stack of pages Bookbinding, bound at one edge, along the side of the text. But the term ''codex'' is now reserved for older manuscript books, which mostly used sheets of vellum, parchment, or papyrus, rather than paper. By convention, the term is also used for any Aztec codex (although the earlier examples do not actually use the codex format), Maya codices and other Pre-Columbian era, pre-Columbian manuscripts. Library practices have led to many European manuscripts having "codex" as part of their usual name, as with the Codex Gigas, while most do not. Modern books are divided into paperback (or softback) and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuo ...
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University Of California Press
The University of California Press, otherwise known as UC Press, is a publishing house associated with the University of California that engages in academic publishing. It was founded in 1893 to publish scholarly and scientific works by faculty of the University of California, established 25 years earlier in 1868. As the publishing arm of the University of California system, the press publishes over 250 new books and almost four dozen multi-issue journals annually, in the humanities, social sciences, and natural sciences, and maintains approximately 4,000 book titles in print. It is also the digital publisher of Collabra and Luminos open access (OA) initiatives. The press has its administrative office in downtown Oakland, California, an editorial branch office in Los Angeles, and a sales office in New York City, New York, and distributes through marketing offices in Great Britain, Asia, Australia, and Latin America. A Board consisting of senior officers of the University of Cali ...
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Ehecatl
Ehecatl ( , ) is a pre-Columbian deity associated with the wind, who features in Aztec mythology and the mythologies of other cultures from the central Mexico region of Mesoamerica. He is most usually interpreted as the aspect of the Feathered Serpent deity ( Quetzalcoatl in Aztec and other Nahua cultures) as a god of wind, and is therefore also known as Ehecatl-Quetzalcoatl. Ehecatl also figures prominently as one of the creator gods and culture heroes in the mythical creation accounts documented for pre-Columbian central Mexican cultures.Miller and Taube (1993, pp. 70,84) Since the wind blows in all directions, Ehecatl was associated with all the cardinal direction The four cardinal directions or cardinal points are the four main compass directions: north (N), south (S), east (E), and west (W). The corresponding azimuths ( clockwise horizontal angle from north) are 0°, 90°, 180°, and 270°. The ...s. His temple was built as a cylinder in order to reduce the air ...
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Centzon Tōtōchtin
In Mexica mythology, the Centzon Tōtōchtin ( "four-hundred rabbits"; also Centzontōtōchtin) are a group of divine rabbits who meet for frequent drunken parties. They include Tepoztecatl, Texcatzonatl, Colhuatzincatl, Macuiltochtli ("five-rabbit"), and Ometochtli ("two-rabbit"). Their parents are Patecatl and MayahuelAmoxaltepetl by Christian Aboytes, Mexico, 2006 and they may be brothers of Ixtlilton. References Bibliography

* * * * * {{Mesoamerica-myth-stub Aztec pulque gods Legendary creatures in Aztec mythology Rabbit deities ...
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Tzitzimitl
A Tzitzimītl (plural Tzitzimīmeh) is a type of celestial deity associated with stars in Aztec mythology. They were depicted as skeletal female figures wearing skirts often with skull and crossbones designs. In post-conquest descriptions they are often described as "demons" or "devils", but this does not necessarily reflect their function in the prehispanic belief system of the Aztecs. The Tzitzimimeh were female deities and related to fertility. They were associated with the Cihuateteo and other female deities such as Tlaltecuhtli, Cōātlīcue, Citlālicue and Cihuacōātl, and they were worshipped by midwives and parturient women. The leader of the tzitzimimeh was the goddess Itzpapalotl, who was the ruler of Tamoanchan, the paradise where the Tzitzimimeh resided. The Tzitzimimeh were also associated with the stars and especially the stars that can be seen around the Sun during a solar eclipse. This was interpreted as the Tzitzimimeh attacking the Sun, thus causing the be ...
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Toltecatl
Tōltēcatl (Nahuatl for "the Toltec The Toltec culture () was a Pre-Columbian era, pre-Columbian Mesoamerican culture that ruled a state centered in Tula (Mesoamerican site), Tula, Hidalgo (state), Hidalgo, Mexico, during the Epiclassic and the early Post-Classic period of Mesoam ..." or "the artisan"; ) means skilled craftsman or artisan. References {{Mesoamerica-stub Aztec pulque gods ...
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Cannibalism In The Americas
Cannibalism in the Americas has been practiced in many places throughout much of the history of North America and South America. The modern term "Human cannibalism, cannibal" is derived from the name of the Kalinago language, Island Caribs (Kalinago), who were encountered by Christopher Columbus in The Bahamas. While numerous cultures in the Americas were reported by European explorers and colonizers to have engaged in cannibalism, some of these claims may be unreliable since the Spanish Empire used them to justify conquest. At least some cultures have been archeologically proven beyond any doubt to have undertaken institutionalized cannibalism. This includes human bones uncovered in a cave hamlet confirming accounts of the Xiximes undertaking ritualized raids as part of their agricultural cycle after every harvest. Also proven are the Aztecs, Aztec ritual ceremonies during the Spanish conquest at Tecoaque. The Ancestral Puebloans, Anasazi in the 12th century have also been demo ...
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Aztec Codex
Aztec codices ( , sing. ''codex'') are Mesoamerican Codices, Mesoamerican manuscripts made by the pre-Columbian Aztecs, Aztec, and their Nahuatl-speaking descendants during the New Spain, colonial period in Mexico. Most of their content is pictorial in nature and they come from the multiple Indigenous groups from before and after Spanish contact. Differences in styles indicate regional and temporal differences. The types of information in manuscripts fall into several broad categories: calendar or time, history, genealogy, cartography, economics/tributes, census and cadastral, and property plans. Codex Mendoza and the Florentine Codex are among the important and popular colonial-era codices. The Florentine Codex, for example is known for providing a Nahuatal narrative of the Spanish Conquest from the viewpoint of the Indigenous people, instead of Europeans. History Before the start of the Spanish colonization of the Americas, the Mexica and their neighbors in and around th ...
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Codex Magliabechiano (folio 30)
The Codex Magliabechiano is a pictorial Aztec codex created during the mid-16th century, in the early Spanish colonial period. It is representative of a set of codices known collectively as the ''Magliabechiano Group (others in the group include the Codex Tudela and the Codex Ixtlilxochitl).'' The Codex Magliabechiano is based on an earlier unknown codex, which is assumed to have been the prototype for the Magliabechiano Group. It is named after Antonio Magliabechi, a 17th-century Italian manuscript collector, and is held in the Biblioteca Nazionale Centrale, Florence, Italy. It was created on European paper, with drawings and Spanish language text on both sides of each page. The Codex Magliabechiano is primarily a religious document. Various deities, indigenous religious rites, costumes, and cosmological beliefs are depicted. Its 92 pages are almost a glossary of cosmological and religious elements. The 52-year cycle is depicted, as well as the 20 day-names of the '' tonalpohua ...
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