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Clown (Harlequinade)
''Harlequinade'' is an English comic theatrical genre, defined by the ''Oxford English Dictionary'' as "that part of a pantomime in which the harlequin and clown play the principal parts". It developed in England between the 17th and mid-19th centuries. It was originally a slapstick adaptation or variant of the ''commedia dell'arte'', which originated in Italy and reached its apogee there in the 16th and 17th centuries. The story of the Harlequinade revolves around a comic incident in the lives of its five main characters: Harlequin, who loves Columbine; Columbine's greedy and foolish father Pantaloon (evolved from the character Pantalone), who tries to separate the lovers in league with the mischievous Clown; and the servant, Pierrot, usually involving chaotic chase scenes with a bumbling policeman. Originally a mime (silent) act with music and stylised dance, the harlequinade later employed some dialogue, but it remained primarily a visual spectacle. Early in its development, ...
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Warne Pantomine 1890
Warne may refer to: * Warne (car), British 4-wheeled cyclecar made 1913–1915 * Warne (river), a river of Lower Saxony, Germany * Warne, North Carolina, an unincorporated community of North Carolina, United States * Warne, Victoria, a town in Victoria, Australia *Frederick Warne & Co, book publishers People with the surname * Baz Warne (born 1964), English musician * Bill Warne (1914–1945), Australian rules footballer * Charles Warne (1802–1887), English antiquarian and archæologist * Colston Warne, (1900–1987), professor of economics and one of the founders of Consumers Union * Frank Warne (1906–1994), Australian cricketer * Frank Julian Warne (1874–1948), American journalist, economist and statistician *Frederick Warne (1825–1901), British publisher * George Warne (organist) (1792–1868), English organist * George Warne (1881–1928), British politician * Helene Warne, British film editor who worked on American films during the 1920s and early 1930s * H. Rus Warne ( ...
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John Rich (producer)
John Rich (1692–26 November 1761) was an important director and theatre manager in 18th-century London. He opened Lisle's Tennis Court, The New Theatre at Lincoln's Inn Fields in 1714, which he managed until he built the Royal Opera House#First theatre, Theatre Royal, Covent Garden in 1732. He managed Covent Garden until 1761, putting on ever more lavish productions. He popularised pantomime on the English stage and played a dancing and mute Harlequin himself from 1717 to 1760 under the stage name of "Lun.", PeoplePlayUK Theatre Museum, retrieved 2 July 2007 Rich's version of the servant character, Arlecchino, moved away from the poor, dishevelled, loud, and crude character, to a colourfully-dressed, silent Harlequin, performing fanciful tricks, dances and magic. Rich's decision to be a silent character was influenced by his unappealing voice, of which he was well aware, and the British idea of the Harlequin character was heavily inspired by Rich's performances. Biography ...
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William Shakespeare
William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of River Avon, Warwickshire, Avon" or simply "the Bard". His extant works, including William Shakespeare's collaborations, collaborations, consist of some Shakespeare's plays, 39 plays, Shakespeare's sonnets, 154 sonnets, three long narrative poems and a few other verses, some of uncertain authorship. His plays List of translations of works by William Shakespeare, have been translated into every major modern language, living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18 ...
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Humpty Dumpty
Humpty Dumpty is a character in an English nursery rhyme, probably originally a riddle, and is typically portrayed as an anthropomorphic egg, though he is not explicitly described as such. The first recorded versions of the rhyme date from late eighteenth-century England and the tune from 1870 in James William Elliott's ''National Nursery Rhymes and Nursery Songs''. Its origins are obscure, and several theories have been advanced to suggest original meanings. The rhyme is listed in the Roud Folk Song Index as No. 13026. As a figure in nursery culture, the character appears under a variety of near-rhyming names, such as Lille Trille (Danish), Wirgele-Wargele (German), Hümpelken-Pümpelken (German) and Hobberti Bob (Pennsylvania Dutch). As a character and literary allusion, Humpty Dumpty was referred to in several works of literature and popular culture in the 19th century. Lewis Carroll in particular made him an animated egg in his 1871 book ''Through the Looking-Glass'' ...
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George L
George may refer to: Names * George (given name) * George (surname) People * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Papagheorghe, also known as Jorge / GEØRGE * George, stage name of Giorgio Moroder * George, son of Andrew I of Hungary Places South Africa * George, South Africa, a city ** George Airport United States * George, Iowa, a city * George, Missouri, a ghost town * George, Washington, a city * George County, Mississippi * George Air Force Base, a former U.S. Air Force base located in California Computing * George (algebraic compiler) also known as 'Laning and Zierler system', an algebraic compiler by Laning and Zierler in 1952 * GEORGE (computer), early computer built by Argonne National Laboratory in 1957 * GEORGE (operating system), a range of operating systems (George 1–4) for the ICT 1900 range of computers in the 1960s * GEORGE (programming language), an autocode system invented by Charles Leo ...
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Sadler's Wells Theatre
Sadler's Wells Theatre is a London performing arts venue, located in Rosebery Avenue, Islington. The present-day theatre is the sixth on the site. Sadler's Wells grew out of a late 17th-century pleasure garden and was opened as a theatre building in the 1680s. Lacking the requisite licence to perform straight drama, the house became known for dancing, performing animals, pantomime, and spectacular entertainments such as sea battles in a huge water tank on the stage. In the mid-19th century, when the law was changed to remove restrictions on staging drama, Sadler's Wells became celebrated for the seasons of plays by Shakespeare and others presented by Samuel Phelps between 1844 and 1862. From then until the early 20th century the theatre had mixed fortunes, eventually becoming abandoned and derelict. The philanthropist and theatre owner Lilian Baylis bought and rebuilt the theatre in 1926. Together with Baylis's Old Vic, Sadler's Wells became home to dance, drama and opera ...
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Charles Dibdin The Younger
Charles Isaac Mungo Dibdin (17 October 1768  – 15 January 1833), or Charles Pitt or Charles Dibdin the younger, as he was professionally known, was an English dramatist, composer, writer and theatre proprietor. He was perhaps best known for his proprietorship of the Sadler's Wells Theatre and for the pantomimes and satirical farces that he wrote, and which were staged at many theatres across London. He employed Joseph Grimaldi at Sadler's Wells where Grimaldi appeared in many of his most successful pantomimes. He was the son of Charles Dibdin, brother of Thomas John Dibdin and godson of David Garrick. Biography Early life and career Born in Russell Court, Covent Garden, London as the illegitimate son of composer Charles Dibdin and the actress Harriett Pitt, Dibdin was named after his father's friend and librettist Isaac Bickerstaffe and their character Mungo in an afterpiece entitled ''The Padlock''. Dibdin made his theatrical debut opposite his younger brother Thomas ...
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Payne Brothers
Harry Payne (25 November 1833 – 27 September 1895) and Frederick Payne (January 1841 – 27 February 1880) were members of a popular Victorian era, Victorian era of British pantomime entertainers. They were billed as The Payne Brothers. Fred Payne became known for portraying Harlequin, and Harry became famous as Harlequinade#Clown, Clown in the Harlequinade that followed Victorian pantomimes. Together, the brothers appeared in Gilbert and Sullivan's first collaboration, ''Thespis (opera), Thespis'', in 1871. Gilbert made references to the brothers in two of his ''Bab Ballads''. Biography Henry Edward Payne and Frederick Alexander Payne were the sons of William Payne (pantomimist), William Payne, a classic pantomime artist, who invented much of the 19th-century Harlequinade action. Known as "the King of Pantomime", he trained with Joseph Grimaldi and the great Harlequinade#Harlequin, Harlequin, Jack Bologna, at Sadler's Wells Theatre, and starred at Royal Opera House, Covent G ...
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Lyceum Theatre, London
The Lyceum Theatre ( ) is a West End theatre located in the City of Westminster, on Wellington Street, just off the Strand in central London. It has a seating capacity of 2,100. The origins of the theatre date to 1765. Managed by Samuel Arnold, from 1794 to 1809 the building hosted a variety of entertainments including a circus produced by Philip Astley, a chapel, and the first London exhibition of waxworks by Madame Tussauds. From 1816 to 1830, it served as The English Opera House. After a fire, the house was rebuilt and reopened on 14 July 1834 to a design by Samuel Beazley. The building is unique in that it has a balcony overhanging the dress circle. It was built by the partnership of Peto & Grissell. The theatre then played opera, adaptations of Charles Dickens novels and James Planché's "fairy extravaganzas", among other works. From 1871 to 1902, Henry Irving appeared at the theatre, especially in Shakespeare productions, usually starring opposite Ellen Terry. In ...
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Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to ''opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, Operetta#Operetta in French, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Operetta#Austria–Hungary, Viennese operetta, Spanish ''zarzuela'', Russian comic opera, English ballad opera, ballad and Savoy opera, North American operetta and musical comedy. Italian ...
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Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian England and in the New York theatre of the mid-19th century. It is a form of parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces were staged as extravaganzas. Many o ...
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