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Clotilde Mafleuroy
Clotilde Mafleuroy (1 March 177615 December 1826), known professionally as Clotilde, was an 18th century French ballet dancer who performed as a principal dancer at the Opéra de Paris. Early life Clotilde Auguste (or Augustine) Mafleuroy was born on 1 March 1776 in Paris, France. Entertainment life Studying in Paris, she was a pupil of Auguste Vestris and performed in the early ballets of Pierre Gardel. Clotilde's debut at the Académie royale de musique (known as the Paris Opéra) took place in the 1790s. Playing "Calypso" in '' Télémaque dans l'île de Calypso'', she was joined by Marie Miller as "Eucharis" and Armand Vestris as "Télémaque." In 1793, she was cast in Pierre Gardel's ''Le Jugement de Pâris''.Pitou, Spire. “Clotilde.” In (Ed.), The Paris Opéra: An encyclopedia of operas, ballets, composers, and performers (2016–). Article first published 1985. Retrieved from https://rme.rilm.org/rme/stable/526321 She starred in the pantomime ballet as "Venus" on 5 M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, largest city of France. With an estimated population of 2,048,472 residents in January 2025 in an area of more than , Paris is the List of cities in the European Union by population within city limits, fourth-most populous city in the European Union and the List of cities proper by population density, 30th most densely populated city in the world in 2022. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, culture, Fashion capital, fashion, and gastronomy. Because of its leading role in the French art, arts and Science and technology in France, sciences and its early adoption of extensive street lighting, Paris became known as the City of Light in the 19th century. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an official estimated population of 12,271,794 inhabitants in January 2023, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galatea (mythology)
Galatea (; ) is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology. Galatea is also the name of a sea-nymph, one of the fifty Nereids (daughters of Nereus) mentioned by Hesiod and Homer. In Theocritus ''Idylls VI'' and ''XI'' she is the object of desire of the one-eyed giant Polyphemus and is linked with Polyphemus again in the myth of Acis and Galatea in Ovid's ''Metamorphoses''. She is also mentioned in Virgil's ''Eclogues'' and ''Aeneid''. Etymology Though the name "Galatea" has become so firmly associated with Pygmalion's statue as to seem antique, its use in connection with Pygmalion originated with a post-classical writer. No extant ancient text mentions the statue's name, Reinhold notes that the first edition of Lemprière's '' Bibliotheca Classica'' (1788), does not have an entry for "Galatea", which was inserted in later editions. although Pausanias mentions a statue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noblewoman
A noblewoman is a female member of the nobility. Noblewomen form a disparate group, which has evolved over time. Ennoblement of women has traditionally been a rare occurrence; the majority of noblewomen were linked to the nobility by either their father or their husband. However, women of the nobility assumed political functions, participated in the art of war, were cultural patrons, and took on religious responsibilities. Titles of nobility for women Within nobility, noblewomen are often heiresses who transmit titles or property. They are distinguished by titles of nobility and by appellations to which they are entitled by their birth, marriage, or both when there is accumulation of functions. Common titles of nobility for European women include lady, dame, princess, baroness, countess, queen, duchess, archduchess, and empress. In Asia, some noble titles for women include Adi (Fiji), Ashi, (Bhutan), Khanum and the Imperial Chinese titles of Gege, Mingfu, and Xiangjun. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'oriflamme (opera)
''L'oriflamme'' (''The Oriflamme'') is an opera in one act with music by Étienne Méhul, Henri Montan Berton, Rodolphe Kreutzer and Ferdinando Paer. It was first staged at the Académie Impériale de Musique (the Paris Opera) on 1 February 1814. The libretto is by Charles-Guillaume Étienne and Pierre-Marie-François Baour-Lormian.Bartlet, p.xiv Background and performance history The opera is a ''pièce de circonstance'' (a work written for a special occasion) intended to arouse French patriotism during the Campaign of France when Allied armies were invading the country, intent on defeating Napoleon. Amaury Duval, the Inspecteur des Beaux-Arts, encouraged such propaganda works, writing to the Interior Minister: "The police have ordered ''pièces de circonstance'' to be composed and played in every theatre in Paris. It's a bit of a hackneyed way of arousing enthusiasm; but we must neglect nothing at such a critical conjuncture." The opera compares Napoleon to Charles Martel, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étienne Méhul
Étienne Nicolas Méhul (; 22 June 1763 – 18 October 1817) was a French composer of the late Classical period (music), classical and early Romantic period (music), romantic periods. He was known as "the most important opera composer in France during the French Revolution, Revolution". He was also the first composer to be called a "Romanticism, Romantic". He is known particularly for his operas, written in keeping with the reforms introduced by Christoph Willibald Gluck and Wolfgang Amadeus Mozart. Life Méhul was born at Givet in Ardennes to Jean-François Méhul, a wine merchant, and his wife Marie-Cécile (née Keuly). His first music lessons came from a blind local organist. When he showed promise, he was sent to study with a German musician and organist, , at the monastery of Lavaldieu, a few miles from Givet. Here Méhul developed his lifelong love of flowers. In 1778 or 1779 he went to Paris and began to study with Jean-Frédéric Edelmann, a harpsichord player and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Ballet
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal De Paris
The (1777–1840) was the first daily French newspaper.(7 October 2014)The first French daily: Journal de Paris History of JournalismAndrews, ElizabethBetween Auteurs and Abonnés: Reading the Journal de Paris, 1787–1789 ''Journal of the Western Society for French History'', Vol. 37 (2009) The paper was founded by Antoine-Alexis Cadet de Vaux, Jean Romilly, Olivier de Corancez, and Louis d'Ussieux, in 1777, following the model of the '' London Evening Post''. The four-page daily paper eschewed politics in favor of popular culture, the weather, and other light-hearted culture, which made it the subject of jesting in its day. Nevertheless, the model proved popular. In 1784, the paper famously published an anonymous satirical letter by Benjamin Franklin encouraging Parisians to rise earlier in the day, which has been credited (though an overreach) with promoting the concept of daylight saving time. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor-Joseph Étienne De Jouy
Victor-Joseph Étienne, called de Jouy (; 19 October 17644 September 1846), was a French dramatist who abandoned an early military career for a successful literary one. Life De Jouy was born at Versailles in 1764. At the age of eighteen he received a commission in the army, and sailed for South America in the company of the governor of Guiana. He returned almost immediately to France to complete his studies, and re-entered the service two years later. He was sent to India, and many of the events there were afterwards turned to literary account. His literary contemporary Stendhal records in his book ''Memoirs of an Egoist'' one such violent action, of rape. He writes, "One day in India he e Jouyand two or three friends went into a temple to escape the dreadful heat. There they found the priestess, a kind of Vestal Virgin. M. de Jouy found it amusing to maker her unfaithful to Brahma on the very altar of her god. The Indians realised what had happened, came running up in arms, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Vestale (Spontini)
''La vestale'' (''The Vestal Virgin'') is an opera composed by Gaspare Spontini to a French libretto by Étienne de Jouy. It takes the form of a ''tragédie lyrique'' in three acts. It was first performed on 15 December 1807 by the Académie Impériale de Musique (Paris Opera) at the Salle Montansier and is regarded as Spontini's masterpiece. The musical style shows the influence of Gluck and anticipates the works of Berlioz, Wagner, and French Grand opera. Composition history Spontini had finished ''La vestale'' by the summer of 1805 but had faced opposition from leading members of the Opéra and rivalry from fellow composers.Del Teatro The premiere was made possible with the help of Spontini's patron, the Empress Joséphine, but only after being rearranged by Jean-Baptiste Rey and Louis-Luc Loiseau de Persuis. ''La vestale'' was an enormous success, enjoying over two hundred performances by 1830. Performance history Its fame soon spread abroad; it appeared in Naples and in Vie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaspare Spontini
Gaspare Luigi Pacifico Spontini (14 November 177424 January 1851) was an Italian opera composer and conductor from the classical era. During the first two decades of the 19th century, Spontini was an important figure in French ''opera'', and composed over twenty works. Biography Born in Maiolati, Papal State (now Maiolati Spontini, Province of Ancona), he spent most of his career in Paris and Berlin, but returned to his place of birth at the end of his life. During the first two decades of the 19th century, Spontini was an important figure in French ''opera''. In his more than twenty operas, Spontini strove to adapt Gluck's classical '' tragédie lyrique'' to the contemporary taste for melodrama, for grander spectacle (in '' Fernand Cortez'' for example), for enriched orchestral timbre, and for melodic invention allied to idiomatic expressiveness of words. As a youth, Spontini studied at the Conservatorio della Pietà de' Turchini, one of four active music conservatorie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander I Of Russia
Alexander I (, ; – ), nicknamed "the Blessed", was Emperor of Russia from 1801, the first king of Congress Poland from 1815, and the grand duke of Finland from 1809 to his death in 1825. He ruled Russian Empire, Russia during the chaotic period of the Napoleonic Wars. The eldest son of Emperor Paul I and Sophie Dorothea of Württemberg, Alexander succeeded to the throne after his father was murdered. As prince and during the early years of his reign, he often used liberal rhetoric but continued Russian absolutism, Russia's absolutist policies in practice. In the first years of his reign, he initiated some minor social reforms and (in 1803–04) major liberal educational reforms, such as building more universities. Alexander appointed Mikhail Speransky, the son of a village priest, as one of his closest advisors. The over-centralized Collegium (ministry), Collegium ministries were abolished and replaced by the Committee of Ministers of the Russian Empire, Committee of Ministers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conservatoire De Paris
The Conservatoire de Paris (), or the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (; CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
