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Cliff (album)
''Cliff'' is the 1959 debut album of British singer Cliff Richard and his band the Drifters (later known as the Shadows). The album is a live-in-the-studio recording of Richard's and the Shadows' early rock and roll in front of an invited audience of several hundred fans. It was recorded over two nights during February 1959 in Studio 2 at EMI Recording Studios (later known as Abbey Road Studios) with Norrie Paramor as producer. The album contains renderings of Richard's hit single "Move It", both tracks of the yet to be released Drifters' instrumental single "Jet Black" and "Driftin'" and covers of rock 'n' roll standards made famous by Elvis Presley, Buddy Holly, Little Richard, Jerry Lee Lewis, Roy Orbison, Ricky Nelson, Ritchie Valens and Gene Vincent. The album reached number 4 in the UK album chart and spent 31 weeks on the chart - a time when the chart was only a top ten. Release The album was released originally in mono only ( Columbia 33 SX 1147) but was also relea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Vincent
Vincent Eugene Craddock (February 11, 1935 – October 12, 1971), known as Gene Vincent, was an American rock and roll musician who pioneered the style of rockabilly. His 1956 top ten hit with his backing band the Blue Caps, "Be-Bop-a-Lula", is considered a significant early example of rockabilly. His chart career was brief, especially in his home country of the US, where he notched three top 40 hits in 1956 and 1957, and never charted in the top 100 again. In the UK, he was a somewhat bigger star, racking up eight top 40 hits from 1956 to 1961. Vincent was inducted into the Rock and Roll Hall of Fame and the Rockabilly Hall of Fame. He is sometimes referred to by his somewhat unusual nickname/moniker the "Screaming End". Biography Early life Craddock was born February 11, 1935, in Norfolk, Virginia, to Mary Louise and Ezekiah Jackson Craddock. His musical influences included country music, country, rhythm and blues, and gospel music, gospel. His favorite composition was Egmon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leiber And Stoller
Leiber and Stoller were an American songwriting and record production duo, consisting of lyricist Jerome Leiber (; April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933). As well as many R&B and pop hits, they wrote numerous standards for Broadway. Leiber and Stoller found success as the writers of such crossover hit songs as " Hound Dog" (1952) and " Kansas City" (1952). Later in the 1950s, particularly through their work with the Coasters, they created a string of ground-breaking hits—including " Young Blood" (1957), " Searchin'" (1957), "Yakety Yak" (1958), and " Charlie Brown" (1959) — that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including " Love Me" (1956), " Jailhouse Rock" (1957), " Loving You", " Don't", and " King Creole". They also collaborated with other writers on such songs as " On Broadway", written with Barry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(You're So Square) Baby I Don't Care
"(You're So Square) Baby I Don't Care" is a 1957 song recorded by Elvis Presley and performed in the MGM film '' Jailhouse Rock''. It was written by Jerry Leiber and Mike Stoller for the film. Presley plays electric bass on the song. Background Elvis Presley's version, one of the few songs in which he plays the electric bass, was recorded on May 3, with the vocal track added on May 9, 1957, and released on his '' Jailhouse Rock'' EP. It reached number 14 on the R&B charts. A notable version was performed by Buddy Holly, who included the song on his second album ''Buddy Holly'', and his version made the British singles chart in 1961, reaching number 12. A 1983 re-release of the Elvis Presley version reached number 61 on the UK singles chart. The song's narrator addresses the object of their affection, and points out all the ways that the addressee is square, how they are out of touch with modern trends in music and romance. Then the narrator tells the subject of the song th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jet Harris
Terence "Jet" Harris (6 July 1939 – 18 March 2011) was an English rock and roll musician. He was an original member of Cliff Richard's backing band the Shadows, serving as the bass guitarist from the group's inception until April 1962, after which he had success as a soloist and as a duo with that band's drummer Tony Meehan. Early life Terence Harris, the only child of Bill and Winifred Harris, was born at Kingsbury Maternity Hospital, Honeypot Lane, Kingsbury, North West London, England. His prowess as a sprinter at Dudden Hill secondary modern school earned him the nickname Jet. Although he learned to play clarinet as a teenager, he made his own four-string double bass to play in a jazz group and later graduated to a professionally made double bass. In 1958, while playing jazz with drummer Tony Crombie and his group the Rockets, Harris received a Framus bass guitar from Crombie and became one of the first British exponents of the instrument. He played in several ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baker Knight
Thomas Baker Knight Jr. (July 4, 1933 – October 12, 2005) was an American songwriter and musician. His best known compositions were " Lonesome Town", "The Wonder of You", and " Don't the Girls All Get Prettier at Closing Time". His songs have been recorded by Ricky Nelson, Paul McCartney, Dean Martin, The Cramps, Elvis Presley, Frank Sinatra, Perry Como, Mickey Gilley, Sammy Davis Jr. and Jerry Lee Lewis.Baker Knight at AllMusic - accessed January 11, 2016 Life and career He was born in , to Thomas Baker Knight Sr. and his wife Mary (Obear) Knight. His father died in 1939 at the age of 32, and because of his mother's poo ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Got A Feeling (Ricky Nelson Song)
"I Got a Feeling" is a song written by Baker Knight and recorded by Ricky Nelson. The song reached No. 10 on the ''Billboard'' Hot 100 and No. 27 on the UK Singles Chart in 1958. The song is ranked No. 67 on ''Billboard A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertis ...'' magazine's Top 100 Songs of 1958. References 1958 songs 1958 singles Ricky Nelson songs Songs written by Baker Knight Imperial Records singles {{1950s-single-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go Go Go (Down The Line)
"Go Go Go (Down the Line)" (often credited as "Down the Line") is a song by Roy Orbison, released in 1956. According to the authorised biography of Roy Orbison, this was the B-side to Orbison's first Sun Records release "Ooby Dooby". This was the first song written by Orbison. Background The song was released as a Sun Records single in May, 1956, Sun 242, Matrix # U-193, as the B side to "Ooby Dooby" with the backup group The Teen Kings. The song was later released under the title "Down the Line" by Jerry Lee Lewis and Ricky Nelson. Sam Phillips, the owner and founder of Sun Records, bought out Orbison's songs on Sun Records and placed his name on the songwriting credits although Orbison was the actual songwriter. The song was re-recorded by Orbison with the Art Movement in 1969, for the album ''The Big O'' released in 1970, and was called "Down the Line". Orbison performed the song on his Cinemax cable concert special '' Roy Orbison and Friends, A Black and White Night'' in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues. Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", "I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and were performed by Muddy Waters, Howlin' Wolf, Little Walter, and Bo Diddley; they influenced a generation of musicians wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aaron Schroeder
Aaron Harold Schroeder (September 7, 1926 – December 2, 2009) was an American songwriter and music publisher. Early years Born in Brooklyn, Schroeder graduated from the school now known as the Fiorello H. LaGuardia High School of Music & Art and Performing Arts in New York City. Songwriter Having become an ASCAP member in 1948, Schroeder had his first success with "At a Sidewalk Penny Arcade", one of the songs to introduce Rosemary Clooney as a solo recording artist. He proceeded to write more than 1500 songs seeking the varied talent of many collaborators. His chart record in the United Kingdom, as a writer, is 27 hits, 3 number ones, 9 top tens and 225 weeks on the chart. He wrote seventeen songs for Elvis Presley including five that reached number one: *"A Big Hunk o' Love" *"Good Luck Charm" *"I Got Stung" *"Stuck on You (Elvis Presley song), Stuck on You" *"It's Now or Never (song), It's Now or Never" "It's Now or Never (song), It's Now or Never" as recorded by Presley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George David Weiss
George David Weiss (April 9, 1921 – August 23, 2010) was an American songwriter and arranger, who was a president of the Songwriters Guild of America. He is an inductee in the Songwriters Hall of Fame. Biography Weiss was born in a Jewish family and originally planned a career as a lawyer or accountant; however, out of a love for music, he was led to attend the Juilliard School of Music, developing his skills in writing and arranging. After leaving school, he became an arranger for such big bands as those of Stan Kenton, Vincent Lopez, and Johnny Richards. He was a prolific songwriter during the 1940s, 1950s, and 1960s, with many of his songs attaining high rankings on the charts. Although he worked with many collaborators, the largest proportion of his well-known songs were written with Bennie Benjamin. Weiss contributed to a number of film scores: '' Murder, Inc.'' (1960), '' Gidget Goes to Rome'' (1963), ''Mediterranean Holiday'' (1964), and '' Mademoiselle'' (1966). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereophonic
Stereophonic sound, commonly shortened to stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeakers (or stereo headphones) in such a way as to create the impression of sound heard from various directions, as in natural hearing. Because the multi-dimensional perspective is the crucial aspect, the term ''stereophonic'' also applies to systems with more than two channels or speakers such as quadraphonic and surround sound. Binaural sound systems are also ''stereophonic''. Stereo sound has been in common use since the 1970s in entertainment media such as broadcast radio, recorded music, television, video cameras, cinema, computer audio, and the Internet. Etymology The word ''stereophonic'' derives from the Greek (''stereós'', "firm, solid") + (''phōnḗ'', "sound, tone, voice") and it was coined in 1927 by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
