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Classical Music Of Pakistan
Hindustani classical music is the classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu, Kannada, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj, Avadhi, Bhojpuri, Bengali, Rajasthani, Marathi and Punjabi. Knowledge of Hindustani classical music is taught through a network of classical music schools, called ''gharana''. Hindustani classical music is an integral part of the culture of India and is performed across the country and internationally. Exponents of Hindustani classical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Music
Indian classical music is the art music, classical music of the Indian subcontinent. It is generally described using terms like ''Shastriya Sangeet'' and ''Marg Sangeet''. It has two major traditions: the North Indian classical music known as ''Hindustani classical music, Hindustani'' and the South Indian expression known as ''Carnatic classical music, Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal Empire, Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. Another unique classical music tradition from the eastern part of India is ''Odissi music'', which has evolved over the last two thousand years. The roots of the classical music of India are found ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhojpuri Language
Bhojpuri (IPA: ; Devanagari: , Kaithi: ) is an Indo-Aryan language native to the Bhojpuri region, Bhojpur-Purvanchal region of India and the Terai region of Nepal.:ethnologue:bho, Bhojpuri Ethnologue World Languages (2009) It is chiefly spoken in eastern Uttar Pradesh, western Bihar, and northwestern Jharkhand in India, as well as western Madhesh Province, Madhesh, eastern Lumbini Province, Lumbini. It is also a minority language in Fiji, Mauritius, Suriname and historically primarily in the Natal (province), Natal province of South Africa. Fiji Hindi, an official language of Fiji, is a dialect of Bhojpuri spoken by the Indo-Fijians. Caribbean Hindustani is spoken by the Indo-Caribbean people in Guyana, Suriname, Jamaica and Trinidad and Tobago. In Mauritius, it is a recognised by the government and taught in university as well. Bhojpuri language is listed as potentially vulnerable language, vulnerable in the UNESCO World Atlas of Languages. Name The oldest presence of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala (IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to Metre (music), musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedas, Vedic era texts of Hinduism, such as the ''Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct until about the 16th century. There on, during the tumultuous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar (raga), Bahar and Sahana (raga), Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa (raga), Marwa, the primary development of which has been going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Mode
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. ( Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and Gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their medieval/modern counterparts. Previously, in the Middle Ages the term modus was used to describe intervals, individual notes, and rhythms (see ). Modal rhythm was an essential ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Classical Music
Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is one of three main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. (The other two are Hindustani music and Odissi music.) The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulae), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani music. Although improvisation plays an important role, Carnatic music is mainly sung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharat Ratna
The Bharat Ratna (; ) is the highest Indian honours system, civilian award of the Republic of India. Instituted on 2 January 1954, the award is conferred in recognition of "exceptional service/performance of the highest order", without distinction of race, occupation, position or gender. The award was originally limited to achievements in the arts, literature, science, and public services, but the Government of India expanded the criteria to include "any field of human endeavor" in December 2011. The recommendations for the award are made by the Prime Minister of India, prime minister to the President of India, president. The recipients receive a ''Sanad'' (certificate) signed by the president and a peepal leaf-shaped medallion. Bharat Ratna recipients rank seventh in the Indian order of precedence. The first recipients of the Bharat Ratna were: the former Governor-General of India, governor-general of the Union of India C. Rajagopalachari, the former president of the Republic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ravi Shankar
Ravi Shankar (; born Robindro Shaunkor Chowdhury, sometimes spelled as Rabindra Shankar Chowdhury; 7 April 1920 – 11 December 2012) was an Indian sitar, sitarist and composer. A sitar virtuoso, he became the world's best-known expert of Hindustani classical music, Indian classical music in the second half of the 20th century, and influenced many musicians in India and throughout the world. Shankar was awarded India's highest civilian honour, the Bharat Ratna, in 1999. He is also the father of American singer Norah Jones and British-American musician and sitar player Anoushka Shankar. Shankar was born to a Bengalis, Bengali family in India, and spent his youth as a dancer touring India and Europe with the dance group of his brother Uday Shankar. At age 18, he gave up dancing to pursue a career in music, studying the sitar for seven years under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the ''Apu Tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhimsen Joshi
Bhimsen Gururaj Joshi (; ; 4 February 1922 – 24 January 2011), also known by the honorific prefix Pandit, was one of the greatest Indian vocalists in the Hindustani classical tradition from the Indian subcontinent. He is known for the ''khayal'' form of singing, as well as for his popular renditions of devotional music (''bhajans'' and ''abhangs''). Joshi belongs to the Kirana gharana tradition of Hindustani Classical Music. He is noted for his concerts, and between 1964 and 1982 Joshi toured Afghanistan, Italy, France, Canada and USA. He was the first musician from India whose concerts were advertised through posters in New York City. Joshi was instrumental in organising the Sawai Gandharva Music Festival annually, as homage to his guru, Sawai Gandharva. In 1998, he was awarded the Sangeet Natak Akademi Fellowship, the highest honour conferred by Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama. Subsequently, he received the Bharat Ratna, Indi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bismillah Khan
Ustad Bismillah Khan (born Qamaruddin Khan, 21 March 1916 – 21 August 2006), often referred to by the title ''Ustad'', was an Indian musician credited with popularizing the shehnai, a reeded woodwind instrument. His virtuosity made him a leading Hindustani classical music artist, indelibly linking his name with the woodwind instrument. While the shehnai had importance as a folk instrument played primarily by musicians schooled in traditional ceremonies, Khan elevated its status and brought it to the concert stage. Khan was a devout Muslim but performed at both Hindu and Muslim ceremonies, and was considered a symbol of religious harmony. Owing to his fame, he was selected to perform for the ceremony at Delhi's historic Red Fort as the Indian flag unfurled at the hour of India's independence on 15 August 1947. His music was played (''in Raag Kafi'') on television every Independence Day. Khan turned down invitations to perform in other countries before 1966, when the Indian go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gharana
In Hindustani music (North Indian classical music), a ''gharānā'' is a system of social organisation in the Indian subcontinent, linking musicians or dancers by lineage or apprenticeship, and more importantly by adherence to a particular musical style. The word gharana comes from the Hindi word 'ghar' which means 'house'. It typically refers to the place where the musical ideology originated; for example, some of the gharanas well known for singing khyals are: Gwalior, Delhi, Agra, Indore, Kashmiri, Atrauli-Jaipur, Kirana and Patiala. Four famous kathak gharanas are: Lucknow, Atrauli-Jaipur, Benares and Raigarh. Vocal gharanas Khyal gharanas The gharana system in khyal was rooted in the '' guru–shishya tradition'' and was similar to the Dhrupad ''Bani'' system. The gharana system was greatly influenced by the gradual fall of the Mughal Empire, which forced musicians to move from Delhi to princely states such as Gwalior, Lucknow, Hyderabad, Patiala and Rampur. The ghara ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punjabi Language
Punjabi, sometimes spelled Panjabi, is an Indo-Aryan languages, Indo-Aryan language native to the Punjab region of Pakistan and India. It is one of the most widely spoken native languages in the world, with approximately 150 million native speakers. Punjabi is the most widely-spoken first language in Pakistan, with 88.9 million native speakers according to the 2023 Pakistani census, and the 11th most widely-spoken in India, with 31.1 million native speakers, according to the 2011 Census of India, 2011 census. It is spoken among a Punjabi diaspora, significant overseas diaspora, particularly in Canada, the United Kingdom, the United States, Australia, and the Arab states of the Persian Gulf, Gulf states. In Pakistan, Punjabi is written using the Shahmukhi alphabet, based on the Persian alphabet, Perso-Arabic script; in India, it is written using the Gurmukhi, Gurmukhi alphabet, based on the Brahmic scripts, Indic scripts. Punjabi is unusual among the Indo-Aryan languages and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
