Clarinet Sonatas (Brahms)
The Clarinet Sonatas, Op. 120, Nos. 1 and 2, are a pair of works written for clarinet and piano by the Romantic composer Johannes Brahms. They were written in 1894 and are dedicated to the clarinetist Richard Mühlfeld. The sonatas stem from a period late in Brahms's life where he discovered the beauty of the sound and tonal colour of the clarinet. The form of the clarinet sonata was largely undeveloped until after the completion of these sonatas, after which the combination of clarinet and piano was more readily used in composers’ new works. These were the last chamber pieces Brahms wrote before his death and are considered two of the great masterpieces in the clarinet repertoire. Brahms also produced a frequently performed transcription of these works for viola with alterations to better suit the instrument. Background By 1890, Brahms vowed to retire from composing, but his promise was short lived. In January 1891 he made a trip to Meiningen for an arts festival and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Johannes Brahms
Johannes Brahms (; ; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of the mid-Romantic period (music), Romantic period. His music is noted for its rhythmic vitality and freer treatment of dissonance, often set within studied yet expressive contrapuntal textures. He adapted the traditional structures and techniques of a wide historical range of earlier composers. His includes four symphony, symphonies, four concertos, a Requiem, much chamber music, and hundreds of folk-song arrangements and , among other works for symphony orchestra, piano, organ, and choir. Born to a musical family in Hamburg, Brahms began composing and concertizing locally in his youth. He toured Central Europe as a pianist in his adulthood, premiering many of his own works and meeting Franz Liszt in Weimar. Brahms worked with Ede Reményi and Joseph Joachim, seeking Robert Schumann's approval through the latter. He gained both Robert and Clara Schumann's strong support ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Introduction Of Brahms Clarinet Sonata No
Introduction, The Introduction, Intro, or The Intro may refer to: General use * Introduction (music), an opening section of a piece of music * Introduction (writing), a beginning section to a book, article or essay which states its purpose and goals ** Foreword, a beginning section * Introduction (British House of Commons), a ceremonial seating for members elected in by-elections * Introduction (House of Lords), a ceremonial seating for some new members * Intro (demoscene), in the demoscene, a short computer program produced for promotion or to meet competition requirements * Introduced species or introduction, a species established by humans outside its natural range * Right of initiative (legislative), the ability of an entity to introduce a bill or other proposed legislation before a Legislature. * Product launch, the introduction of a new product to market Music Performers *Introduction (band), a Swedish rock group *Intro (group), an American R&B trio Albums * ''Introduct ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Richard Stoltzman
Richard Leslie Stoltzman (born July 12, 1942) is an American clarinetist. Born in Omaha, Nebraska, he spent his early years in San Francisco, California, and Cincinnati, Ohio, graduating from Woodward High School in 1960. Today, Stoltzman is part of the faculty list at the New England Conservatory and Boston University. Stoltzman is perhaps the best-known clarinetist who primarily plays classical music. He has played with over 100 orchestras, as well as with many chamber groups and in many solo recitals. One of them, "Maid with Flaxen Hair", was used by Microsoft as "sample music" on Windows 7 to demonstrate the system's Windows Media Player in 2009. Stoltzman has received numerous awards and has produced an extensive discography. His virtuosity and musicianship have made him a highly sought-after concert artist. In addition to classical repertoire, Stoltzman also plays jazz. Some of his recordings, such as his album ''New York Counterpoint'', feature both jazz and modern musi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
E-flat Minor
E-flat minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature consists of six flats. Its relative key is G-flat major (or enharmonically F-sharp major) and its parallel key is E-flat major. Its enharmonic equivalent, D-sharp minor, contains six sharps. The E-flat natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E-flat harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of E-flat minor are: * Tonic – E-flat minor * Supertonic – F diminished * Mediant – G-flat major * Subdominant – A-flat minor * 'Dominant – B-flat minor * Submediant – C-flat major * Subtonic – D-flat major Music in E-flat minor In the 24 canonic keys, most of the composers preferred E-flat minor, while Johann Sebastian Bach, Sergei Lyapunov, and Manuel Ponce preferred D-sharp minor. In Book 1 of ''The ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Luciano Berio
Luciano Berio (24 October 1925 – 27 May 2003) was an Italian composer noted for his experimental music, experimental work (in particular his 1968 composition ''Sinfonia (Berio), Sinfonia'' and his series of virtuosic solo pieces titled ''Sequenza''), and for his pioneering work in electronic music. His early work was influenced by Igor Stravinsky and experiments with serial and electronic techniques, while his later works explore indeterminacy and the use of spoken texts as the basic material for composition. Biography Berio was born in Oneglia (now part of Imperia (City), Imperia), on the Ligurian coast of Italy. He was taught piano by his father and grandfather, who were both organ (music), organists. During World War II, he was conscripted into the army, but on his first day, he injured his hand while learning how a gun worked and spent time in a military hospital. Following the war, Berio studied at the Milan Conservatory under Giulio Cesare Paribeni and Giorgio Federic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Rondo Form
The rondo or rondeau is a musical form that contains a principal theme (sometimes called the "refrain") which alternates with one or more contrasting themes (generally called "episodes", but also referred to as "digressions" or "couplets"). Some possible patterns include: ABACA, ABACAB, ABACBA, or ABACABA (with the letter 'A' representing the refrain). The rondo form emerged in the Baroque period and became increasingly popular during the Classical period. The earliest examples of compositions employing rondo form are found within Italian operatic arias and choruses from the first years of the 17th century. These examples use a multi-couplet rondo or "chain rondo" (ABACAD) known as the Italian rondo. Rondo form, also known in English by its French spelling rondeau, should not be confused with the unrelated but similarly-named forme fixe rondeau, a 14th- and 15th-century French poetic and chanson form. While the origins of rondo form are to be found in Italian opera, it was ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Intro To Last Movement Of Brahms Sonata 1
Introduction, The Introduction, Intro, or The Intro may refer to: General use * Introduction (music), an opening section of a piece of music * Introduction (writing), a beginning section to a book, article or essay which states its purpose and goals ** Foreword, a beginning section * Introduction (British House of Commons), a ceremonial seating for members elected in by-elections * Introduction (House of Lords), a ceremonial seating for some new members * Intro (demoscene), in the demoscene, a short computer program produced for promotion or to meet competition requirements * Introduced species or introduction, a species established by humans outside its natural range * Right of initiative (legislative), the ability of an entity to introduce a bill or other proposed legislation before a Legislature. * Product launch, the introduction of a new product to market Music Performers *Introduction (band), a Swedish rock group *Intro (group), an American R&B trio Albums * ''Introduct ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Alla Breve
''Alla breve'' also known as cut time or cut common timeis a Meter (music), musical meter notated by the time signature symbol (a C) with a vertical line through it, which is the equivalent of . The term is Italian language, Italian for "on the breve", originally meaning that the beat was counted on the double whole note, breve (double whole note). ''Alla breve'' is a "Meter (music)#Simple meter, simple-duple meter with a half-note pulse (music), pulse".Duckworth, William (2009). ''A Creative Approach to Music Fundamentals'', p. 38. . The note denomination that represents one beat is the minim (music), minim or half-note. There are two of these per bar, so that the time signature may be interpreted as "two minim beats per bar". Alternatively this is read as two beats per measure, where the half note gets the beat. The name Time signature#common time, "common time" refers to , which has four beats to the bar, each of a quarter note (or crotchet). Modern usage In contempora ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
F Major
F major is a major scale based on F, with the pitches F, G, A, B, C, D, and E. Its key signature has one flat.Music Theory'. (1950). United States: Standards and Curriculum Division, Training, Bureau of Naval Personnel. 28. Its relative minor is D minor and its parallel minor is F minor. The F major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F harmonic major and melodic major scales are: F major is the home key of the English horn, the basset horn, the horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. These instruments sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher. Scale degree chords The scale degree chords of F major are: * Tonic – F major * Supertonic – G minor * Mediant – A minor * Subdominant – B-flat majo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
E-flat Major
E-flat major is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E-flat harmonic major and melodic major scales are: Scale degree chords The scale degree chords of E-flat major are: * Tonic – E-flat major * Supertonic – F minor * Mediant – G minor * Subdominant – A-flat major * Dominant – B-flat major * Submediant – C minor * Leading-tone – D diminished Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Ludwig van Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. B ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Ternary Form
Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples include the da capo aria "The trumpet shall sound" from Handel's '' Messiah'', Chopin's Prelude in D-Flat Major "Raindrop", ( Op. 28) and the opening chorus of Bach's '' St John Passion''. Simple ternary form In ternary form each section is self-contained both thematically as well as tonally (that is, each section contains distinct and complete themes), and ends with an authentic cadence. The B section is generally in a contrasting but closely related key, usually a perfect fifth above or the parallel minor of the home key of the A section (V or i); however, in many works of the Classical period, the B section stays in tonic but has contrasting thematic material. It usually also has a contrasting character; for example section A might ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Second Movement
''Second Movement'' is an album by American jazz saxophonist Eddie Harris and pianist/vocalist Les McCann recorded in 1971 and released on the Atlantic Records, Atlantic label.Atlantic Records discography accessed May 15, 2012 accessed June 22, 2017 The album was a follow-up to the duo's highly successful live collaboration ''Swiss Movement'' (Atlantic, 1969). Reception Though panned on its release, today Allmusic calls the album "a gem that continues to inspire a new generation of soul/jazz musicians".Edelstein, P[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |