Clari Batra 110829-16992 Jtg
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Clari Batra 110829-16992 Jtg
''Clari'' is an opera semiseria in three acts by Fromental Halévy, to an Italian libretto by Pietro Giannone. It was first produced at the Théâtre-Italien in Paris on 19 December 1828. ''Clari'' was based on a popular novella, the storyline of which had already been set as an opera by Henry Bishop in London in 1823 (''Clari, or the Maid of Milan'' – it included what came to be Bishop's most famous song, ''Home! Sweet Home!''). There had also been a production of the story as ''Clari ou la promesse de mariage'' as a 'ballet-pantomime' in three acts at the Paris Opéra in 1820, with music by Rodolphe Kreutzer and designs by Cicéri and Louis Daguerre. Composition history Halévy was ''chef de chant'' (vocal coach) at the Théâtre-Italien when he wrote the opera, his first in the Italian language. Clari's entrance aria in Act I, ''Come dolce a me favelli'', had been in fact written by him in Italy some five or six years earlier as a fulfilment of his requirements when he h ...
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Opera Semiseria
Opera semiseria ('semi-serious opera') is an Italian genre of opera, popular in the early and middle 19th century. Related to the opera buffa, opera semiseria contains elements of comedy but also of pathos, sometimes with a pastoral setting. It can usually be distinguished from tragic operas or melodramas by the presence of a basso buffo. One of the better-known examples is Gaetano Donizetti's '' Linda di Chamounix''. Another example is Gioacchino Rossini's ''La gazza ladra''. Vincenzo Bellini's '' La sonnambula'' has all the characteristics of the genre except the presence of the required basso buffo and is regarded as both opera seria ''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abou ... and opera semiseria. References See also * :Opera semiseria {{Opera genres Opera genre ...
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Italian Language
Italian (, , or , ) is a Romance language of the Indo-European language family. It evolved from the colloquial Latin of the Roman Empire. Italian is the least divergent language from Latin, together with Sardinian language, Sardinian. It is spoken by about 68 million people, including 64 million native speakers as of 2024. Italian is an official language in Languages of Italy, Italy, Languages of San Marino, San Marino, Languages of Switzerland, Switzerland (Ticino and the Grisons), and Languages of Vatican City, Vatican City; it has official Minority language, minority status in Minority languages of Croatia, Croatia, Slovene Istria, Romania, Bosnia and Herzegovina, and the municipalities of Santa Teresa, Espírito Santo, Santa Tereza, Encantado, Rio Grande do Sul, Encantado, and Venda Nova do Imigrante in Languages of Brazil#Language co-officialization, Brazil. Italian is also spoken by large Italian diaspora, immigrant and expatriate communities in the Americas and Austral ...
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1828 Operas
Eighteen or 18 may refer to: * 18 (number) * One of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Science * Argon, a noble gas in the periodic table * 18 Melpomene, an asteroid in the asteroid belt Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. * ''18'' (Jeff Beck and Johnny Depp album), 2022 Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * ...
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Operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, si ...
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Carlo Zucchelli
Carlo is a given name. It is an Italian form of Charles. It can refer to: *Carlo (name) *Monte Carlo *Carlingford, New South Wales, a suburb in north-west Sydney, New South Wales, Australia *A satirical song written by Dafydd Iwan about Prince Charles. *A former member of Dion and the Belmonts best known for his 1964 song, Ring A Ling. *Carlo (submachine gun), an improvised West Bank gun. * Carlo, a fictional character from Animal Crossing: Pocket Camp * It can be confused with Carlos * Carlo means “man” (from Germanic “karal”), “free man” (from Middle Low German “kerle”) and “warrior”, “army” (from Germanic “hari”). See also *Carl (name) *Carle (other) *Carlos (given name) Carlos is a masculine given name, and is the Maltese, Portuguese and Spanish variant of the English name ''Charles'', from the North Germanic '' Carl''. Royalty *Carlos I of Portugal (1863–1908), second to last King of Portugal *Charles V, ... {{disambig Italian ...
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Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for a ...
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Domenico Donzelli
Domenico Donzelli (2 February 1790 – 31 March 1873) was an Italian tenor with a robust voice who enjoyed an important career in Paris, London and his native country during the 1808-1841 period. Biography Donzelli can be regarded as an offshoot of the so-called Bergamo tenor school which had originated with Giacomo David and Gaetano Crivelli, and which also included Giovanni David, Andrea Nozzari, Marco Bordogni, and Giovanni Battista Rubini. Donzelli made his debut in his home town, in 1808, as a second tenor in an opera by Johann Simon Mayr. He soon moved to Naples and performed many roles there, including that of Cinna in a revival of Gaspare Spontini's '' La Vestale''. He became well known in 1815 when Rossini wrote for him the role of Torvaldo in ''Torvaldo e Dorliska'', and when, the following year, he made his first appearance at the ''Teatro alla Scala'' as the protagonist of Ferdinando Paër's ''Achille''. His career made subsequent headway in major Itali ...
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Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ...
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Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano"
''Encyclopædia Britannica''
as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ...
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Opernhaus Zürich
The Zurich Opera House () is an opera house in the Swiss city of Zurich. Located at the Sechseläutenplatz, it has been the home of the Zurich Opera since 1891, and also houses the Bernhard-Theater Zürich. It is also home to Ballett Zürich. It received the "Opera Company of the Year" award at the 2014 International Opera Awards. History The first permanent theatre in Zurich, the , was built in 1834 and it became the focus of Richard Wagner’s activities during his period of exile from Germany. The burnt down in 1890. The new (municipal theatre) was built by the Viennese architects Fellner & Helmer, who changed their previous design for the theatre in Wiesbaden only slightly. It was built in only 16 months and was opened in 1891 and became the first opera house in Europe to have electrical lighting. It was the city's main performance space for drama, opera, and musical events until 1925, when the Bernhard Theater was built for separate plays. Opening in 1941, the Es ...
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Cecilia Bartoli
Cecilia Bartoli Order of Merit of the Italian Republic, OMRI (; born 4 June 1966) is an Italian mezzo-soprano widely known in the music of Vincenzo Bellini, Bellini, George Frideric Handel, Handel, Wolfgang Amadeus Mozart, Mozart, Gioachino Rossini, Rossini and Antonio Vivaldi, Vivaldi and for lesser-known music of the Baroque music, Baroque and Classical period (music), Classical periods. She has also sung soprano and alto repertory. Bartoli is considered a singer with an unusual timbre. According to Nicholas Wroe in 2001, her voice was known for its "fully developed sumptuousness of the lower register, the vibrancy of the middle range...the top was limpid and powerful", and she was one of the most popular opera singers of recent years. Early life Bartoli was born in Rome. Her parents, Silvana Bazzoni and Pietro Angelo Bartoli, were professional singers and gave her her first music lessons. She first performed publicly at age nine as the shepherd boy in ''Tosca''. Bartoli lat ...
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Maria Malibran
Maria Felicia Malibran (; 24 March 1808 – 23 September 1836) was a Spanish singer who commonly sang both contralto and soprano parts, and was one of the best-known opera singers of the 19th century. Malibran was known for her stormy personality and dramatic intensity, becoming a legendary figure after her death in Manchester, England, at age 28. Contemporary accounts of her voice describe its range, power and flexibility as extraordinary. Early life María Felicitas García Sitches was born into a famous Spanish musical family in Paris. Her mother was Joaquina Sitches, an actress and operatic singer. Her father Manuel García was a celebrated tenor much admired by Rossini, having created the role of Count Almaviva in his ''The Barber of Seville''. García was also a composer and an influential vocal instructor, and he was her first voice teacher. He was described as inflexible and tyrannical; the lessons he gave his daughter became constant quarrels between two powerful egos. ...
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