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Claramae Turner
Claramae Turner (née Haas; October 28, 1920 – May 18, 2013) was an American operatic contralto, perhaps best known for her appearance in the film ''Carousel'' (1956), adapted from the Rodgers and Hammerstein stage musical of the same name. Early life Born in the great Central Valley, outside Dinuba, California, she began her career at the Bush Street Music Hall in San Francisco, where she sang the contralto leads in Gilbert and Sullivan operettas; at the same time she joined the chorus of San Francisco Opera."Claramae Turner, 92, Great American Contralto, Has Died" ''Opera News'', May 31, 2013 Career She made her San Francisco Opera principal debut as The Voice in '' |
Dinuba, California
Dinuba is a city in Tulare County, California, United States. The population was 24,563 at the 2020 census, up from 21,453 at the 2010 census. It is part of the Visalia-Porterville metropolitan statistical area. The Alta District Museum is located in Dinuba in a restored railroad station; the museum has a collection of materials that illustrate local history. The name of the city is of unknown origin. Various theories about the origin exist, including that it is a misspelled reference to the Danubian people, who resisted the Romans in antiquity. It may instead be a fanciful name applied by railroad construction engineers at the time the branch line was built in this area. The city's original name was Sibleyville, named for James Sibley, who deeded 240 acres to the Pacific Improvement Company (Southern Pacific Company). In the first quarter of the 20th century Dinuba had a sufficient Korean-American population to organize a parade supporting Korean independence from Japan on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ezio Pinza
Ezio Fortunato Pinza (May 18, 1892May 9, 1957) was an Italian opera singer. Pinza possessed a rich, smooth and sonorous voice, with a flexibility unusual for a bass. He spent 22 seasons at New York's Metropolitan Opera, appearing in more than 750 performances of 50 operas. At the San Francisco Opera, Pinza sang 26 roles during 20 seasons from 1927 to 1948. Pinza also sang to great acclaim at La Scala, Milan, and at the Royal Opera House, Covent Garden, London. After retiring from the Metropolitan Opera in 1948, Pinza enjoyed a fresh career on Broadway in musical theatre, most notably in '' South Pacific'', in which he created the role of Emile de Becque. He was less successful in his appearances in Hollywood films. Biography Early years Ezio Fortunato Pinza was born in modest circumstances in Rome in 1892. The seventh child born to his parents, he was the first to live past infancy. Pinza grew up on Italy's east coast, in the ancient city of Ravenna. He studied singing at Bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lily Pons
Alice Joséphine Pons (April 12, 1898 – February 13, 1976), known professionally as Lily Pons, was a French-American operatic lyric coloratura soprano and actress who had an active career from the late 1920s through the early 1970s. As an opera singer, she specialized in the coloratura soprano repertoire and was particularly associated with the title roles in '' Lakmé'' and ''Lucia di Lammermoor''. In addition to appearing as a guest artist with many opera houses internationally, Pons enjoyed a long association with the Metropolitan Opera in New York City, where she performed nearly 300 times between 1931 and 1960. She also had a successful and lucrative career as a concert singer, which continued until her retirement from performance in 1973. From 1935 to 1937, she made three musical films for RKO Pictures. She also made numerous appearances on radio and on television, performing on variety programs such as ''The Ed Sullivan Show'', ''The Colgate Comedy Hour'', and '' The D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Valdengo
Giuseppe Valdengo (May 24, 1914, Turin – October 3, 2007, Aosta) was an Italian operatic baritone. '' Opera News'' said that, "Although his timbre lacked the innate beauty of some of his baritone contemporaries, Valdengo's performances were invariably satisfying — bold and assured in attack but scrupulously musical." Biography Valdengo first studied the cello and oboe before turning to vocal studies with Accoriti in his native Turin. He made his operatic debut as Figaro in '' Il barbiere di Siviglia'', at the Teatro Regio di Parma in 1936. Shortly thereafter he made his Teatro alla Scala debut, as Germont in '' La traviata''. He was drafted into military service in 1939 by the Italian government and did not appear on the stage for the next three years. His opera career recommenced in 1942 with a lauded performance of Marcello in ''La bohème'' at Parma. Valdengo made his American debut at the New York City Opera as Sharpless in ''Madama Butterfly'' in 1946. He remained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( ) is an ''opera buffa'' (comic opera) in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy '' The Barber of Seville'' (1775). The premiere of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' is considered to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two centuries, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera '' The Marriage of Figaro,'' composed 30 years earlier in 178 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalleria Rusticana
''Cavalleria rusticana'' (; ) is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 Cavalleria rusticana (short story), short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic ''verismo'' operas, it premiered on 17 May 1890 at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome. Since 1893 in music, 1893, it has often been performed in a so-called ''Cav/Pag'' double-bill with ''Pagliacci'' by Ruggero Leoncavallo. Composition history In July 1888 the Milanese music publisher Edoardo Sonzogno announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense. Mascagni heard about the competition only two months before the closing da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Astrid Varnay
Ibolyka Astrid Maria Varnay (25 April 1918 – 4 September 2006) was a Swedish-born American dramatic soprano of Hungarian descent. She spent most of her career in the United States and Germany. She was one of the leading Wagnerian heroic sopranos of her generation. Background Both her parents were Hungarian and born in small towns in the Austro-Hungarian Empire, but she was born in Stockholm, where her parents were living during part of World War I. During a Da Capo interview in 1988 Varnay claimed that although she was born in Stockholm, her ancestry was Hungarian, French and German. Her mother, Maria Junghans (who changed her name to Javor when she took to the stage as a singer), born October 15, 1889, was a noted coloratura soprano with acoustic recordings to her credit. Her father was Alexander Varnay (born September 11, 1889), a spinto tenor. Opera was the family business, and Varnay grew up backstage at the world's opera houses. Her father founded, and both parents ran, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lauritz Melchior
Lauritz Melchior (20 March 1890 – 18 March 1973) was a Danish-American opera singer. He was the preeminent Wagnerian heldentenor of the 1920s through the 1940s and has come to be considered the quintessence of his voice type. Late in his career, Melchior appeared in movie musicals and on radio and television. He also made numerous recordings. Biography Early years Born Lauritz Lebrecht Hommel Melchior in Copenhagen, Denmark, the young Melchior was a treble and amateur singer before starting his first operatic vocal studies under Paul Bang at the Royal Opera School in Copenhagen at the age of 18 in 1908. His sister, Agnes Melchior (1883–1945), was a blind Danish Esperantist. In 1913, Melchior made his debut as a baritone in the secondary role of Silvio in Ruggero Leoncavallo's ''Pagliacci'' at the Royal Theatre (Det Kongelige Teater) in Copenhagen. He sang mostly secondary baritone and bass roles for the Royal Danish Opera and provincial Scandinavian opera companies fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siegfried (opera)
''Siegfried'' (), Wagner-Werk-Verzeichnis, WWV 86C, is the third of the four epic poetry, epic music dramas that constitute Richard Wagner's Literary cycle, cycle ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of ''The Ring'' cycle. The autograph manuscript of the work is preserved in the Richard Wagner Foundation. Background and context The libretto of ''Siegfried'' was drafted by Wagner in November–December 1852, based on an earlier version he had prepared in May–June 1851 and originally entitled ''Jung-Siegfried'' (''Young Siegfried''), later changed to ''Der junge Siegfried''. The musical composition was commenced in 1856, but not finally completed until 1871.Millington, (n.d.) The libretto arose from Wagner's gradual reconception of the project he had initiated with his libretto ''Siegfrieds Tod'' (''Siegfried's Death'') which was eventually t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' (, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of the 20 operas featured, with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bidu Sayão
Balduína "Bidú" de Oliveira Sayão (11 May 1902 – 12 March 1999) was a Brazilian opera soprano. One of Brazil's celebrated musicians, Sayão was a leading artist of the Metropolitan Opera in New York City from 1937 to 1952. Life and career Bidu Sayão was born on 11 May 1902 to a family of Portuguese, French and Swiss heritage, in Itaguaí, Rio de Janeiro. Her father died when she was age 5, and her mother struggled to support her daughter's pursuit of a singing career. At age 18, Sayão made her major opera debut in Rio de Janeiro. Her performance led to an opportunity to study with the famous Elena Teodorini, first in Brazil, then in Romania; and then to study with Polish tenor Jean de Reszke in Nice. During the mid-1920s and early 1930s, she performed in Rome, Buenos Aires, and Paris as well as in her native Brazil. While at the Teatro Costanzi in Rome, she met impresario Walter Mocchi (1870–1955). After his wife, soprano Emma Carelli, died in 1928, the two became ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jussi Björling
Johan Jonatan "Jussi" Björling ( , ; 5 February 19119 September 1960) was a Swedish tenor. One of the leading operatic singers of the 20th century, Björling appeared for many years at the Metropolitan Opera in New York City and less frequently at the major European opera houses, including the Royal Opera House in London and La Scala in Milan. He sang the Italian, French and Russian opera repertory with taste. Bjorling was ranked the greatest singer of the 20th century by a poll of music critics in ''Classic CD'' magazine (UK) in July 1999. Early life Björling (surname also spelled as "Bjoerling" and "Bjorling" in English-language sources) was born in Stora Tuna, Borlänge, Dalarna, Sweden, in February 1911. The midwife's register shows he was born on 5 February, but the church baptism records erroneously show 2 February, and that was the day on which he celebrated his birthday throughout his whole life. He was known throughout his life by the name Jussi, which he received as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
