Circus Maximus (Mérida)
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Circus Maximus (Mérida)
The Circus Maximus (Latin for "largest circus"; Italian language, Italian: ''Circo Massimo'') is an ancient Roman chariot racing, chariot-racing stadium and mass entertainment venue in Rome, Italy. In the valley between the Aventine Hill, Aventine and Palatine Hill, Palatine hills, it was the first and largest stadium in ancient Rome and its later Roman Empire, Empire. It measured in length and in width and could accommodate over 150,000 spectators. In its fully developed form, it became the model for Circus (building), circuses throughout the Roman Empire. The site is now a public park. Events and uses The Circus was Rome's largest venue for ''ludi'', public games connected to Religion in ancient Rome, Roman religious Roman festival, festivals. ''Ludi'' were sponsored by leading Romans or the Roman state for the benefit of the SPQR, Roman people (''populus Romanus'') and List of Roman deities, gods. Most were held annually or at annual intervals on the Roman calendar. Oth ...
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Ludi
''Ludi'' (Latin:games; plural of "ludus") were public games held for the benefit and entertainment of the Roman people (''populus Romanus''). ''Ludi'' were held in conjunction with, or sometimes as the major feature of, Roman religious festivals, and were also presented as part of the cult of state. The earliest ''ludi'' were horse races in the circus (''ludi circenses''). Animal exhibitions with mock hunts ('' venationes'') and theatrical performances (''ludi scaenici'') also became part of the festivals. Because some of these entertainments are not competitive "games", ''ludi'' may also be translated more generally as "shows". Days on which ''ludi'' were held were public holidays, and no business could be conducted—"remarkably," it has been noted, "considering that in the Imperial era more than 135 days might be spent at these entertainments" during the year. Although their entertainment value may have overshadowed religious sentiment at any given moment, even in lat ...
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Gladiator
A gladiator ( , ) was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalized, and segregated even in death. Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world. The origin of gladiatorial combat is open to debate. There is evidence of it in funeral rites during the Punic Wars of the 3rd century BC, and thereafter it rapidly became an essential feature of politics and social life in the ...
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Venationes
Venatio (, "hunting", plural ''venationes'') was a type of entertainment in Roman amphitheaters involving the hunting and killing of wild animals. History Venatio was first introduced by Marcus Fulvius Nobilior, who celebrated his Greek campaign by hosting games where gladiators would fight lions and panthers. Exotic wild beasts from the far reaches of the Roman Empire were brought to Rome and hunts were held in the morning prior to the afternoon main event of gladiatorial duels. The hunts were held in the Roman Forum, the Saepta, and in the Circus Maximus, though none of these venues offered protection to the crowd from the wild animals on display. Special precautions were taken to prevent the animals from escaping these venues, such as the erection of barriers and the digging of ditches. Very few animals survived these hunts though they did sometimes defeat the " bestiarius", or hunter of wild beast. Thousands of wild animals would be slaughtered in one day. During the Ina ...
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Theatre Of Ancient Rome
The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to a period of time in which theatrical practice and performance took place in Rome. The tradition has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times. 'Spectacle' became an essential part of an everyday Romans expectations when it came to theatre. Some works by Plautus, Terence, and Seneca the Younger that survive to this day, highlig ...
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Suessa Pometia
Suessa Pometia (; also Pometia) was an ancient city of Latium, which had ceased to exist in historical times. Although the modern city of Pomezia is named after it, the exact location of the ancient city is unknown. It bordered on the Pomptinus ager or Pomptinae Paludes, which supposedly took its name. Virgil reckons it among the colonies of Alba, and must therefore have considered it as a Latin city: it is found also in the list of the same colonies given by Diodorus; but it seems certain that it had at a very early period become a Volscian city. It was taken from that people by Tarquinius Superbus, the first of the Roman kings who is mentioned as having made war on the Volsci: Strabo indeed calls it the metropolis of the Volsci, for which we have no other authority; and it is probable that this is a mere inference from the statements as to its great wealth and power. These represent it as a place of such opulence, that it was with the booty derived from thence that Tarqui ...
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Roman Kingdom
The Roman Kingdom, also known as the Roman monarchy and the regal period of ancient Rome, was the earliest period of Ancient Rome, Roman history when the city and its territory were King of Rome, ruled by kings. According to tradition, the Roman Kingdom began with the Founding of Rome, city's founding , with settlements around the Palatine Hill along the river Tiber in central Italy, and ended with the Overthrow of the Roman monarchy, overthrow of the kings and the establishment of the Republic . Little is certain about the kingdom's history as no records and few inscriptions from the time of the kings have survived. The accounts of this period written during the Roman Republic, Republic and the Roman Empire, Empire are thought largely to be based on oral tradition. Origin The site of the founding of the Roman Kingdom (and eventual Roman Republic, Republic and Roman Empire, Empire) included a ford (crossing), ford where one could cross the river Tiber in central Roman Italy ...
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Tarquin The Proud
Lucius Tarquinius Superbus (died 495 BC) was the legendary seventh and final king of Rome, reigning 25 years until the popular uprising that led to the establishment of the Roman Republic.Livy, '' ab urbe condita libri'', I He is commonly known as Tarquin the Proud, from his cognomen ''Superbus'' (Latin for "proud, arrogant, lofty"). Ancient accounts of the regal period mingle history and legend. Tarquin was said to have been either the son or grandson of Lucius Tarquinius Priscus, the fifth king of Rome, and to have gained the throne through the murders of both his wife and his elder brother, followed by the assassination of his predecessor, Servius Tullius. His reign has been described as a tyranny that justified the abolition of the monarchy. Background The most ancient sources, such as that of Quintus Fabius Pictor, assert Tarquin was the son of Tarquinius Priscus, but modern historians believe that to be impossible under the traditional chronology, indicating eith ...
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Roman Triumph
The Roman triumph (') was a civil ceremony and religious rite of ancient Rome, held to publicly celebrate and sanctify the success of a military commander who had led Roman forces to victory in the service of the state or, in some historical traditions, one who had successfully completed a foreign war. On the day of his triumph, the general wore a crown of laurel and an all-purple, gold-embroidered triumphal '' toga picta'' ("painted" toga), regalia that identified him as near-divine or near-kingly. In some accounts, his face was painted red, perhaps in imitation of Rome's highest and most powerful god, Jupiter. The general rode in a four-horse chariot through the streets of Rome in unarmed procession with his army, captives, and the spoils of his war. At Jupiter's temple on the Capitoline Hill, he offered sacrifice and the tokens of his victory to Jupiter. In Republican tradition, only the Senate could grant a triumph. The origins and development of this honour are obscur ...
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Votum
In ancient Roman religion, a (plural ; ) is a vow or promise made to a deity. As the result of this verbal action, a is also that which fulfills a vow, that is, the thing promised, such as offerings, a statue, or even a temple building. The is thus an aspect of the contractual nature of Roman religion, a bargaining expressed by , "I give that you might give." Private ''vota'' In everyday life, individuals might make votive offerings to a deity for private concerns. ''Vota privata'' are attested in abundance by inscriptions, particularly for the later Imperial era. These are regularly marked with the letters V.S.L.M., ''votum solvit libens merito'', noting that the person making the dedication "He has fulfilled his vow, willingly, as it should." William Warde Fowler found in these offerings "expressions of … religious feeling" and a gratitude for blessings received that go deeper than contractual formalism. Military ''vota'' During the Republican era, the ''votum'' ...
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Roman Calendar
The Roman calendar was the calendar used by the Roman Kingdom and Roman Republic. Although the term is primarily used for Rome's pre-Julian calendars, it is often used inclusively of the Julian calendar established by Julius Caesar in 46 BC. According to most Roman accounts, #Romulus, their original calendar was established by their Roman legend, legendary list of kings of Rome, first king Romulus. It consisted of ten months, beginning in spring with March and leaving winter as an unassigned span of days before the next year. These months each had 30 or 31 days and ran for 38 nundinal cycles, each forming a kind of eight-day weeknine days inclusive counting, counted inclusively in the Roman mannerand ending with religious rituals and a Roman commerce, public market. This fixed calendar bore traces of its origin as an observational calendar, observational lunar calendar, lunar one. In particular, the most important days of each monthits kalends, nones (calendar), nones, a ...
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List Of Roman Deities
The Roman deities most widely known today are those the Romans identified with Interpretatio graeca, Greek counterparts, integrating Greek mythology, Greek myths, ancient Greek art, iconography, and sometimes Religion in ancient Greece, religious practices into ancient Roman culture, Roman culture, including Latin literature, ancient Roman art, Roman art, and Religion in ancient Rome, religious life as it was experienced throughout the Roman Empire. Many of the Romans' own gods remain obscure, known only by name and sometimes function, through inscriptions and texts that are often fragmentary. This is particularly true of those gods belonging to the archaic religion of the Romans dating back to the Roman Kingdom, era of kings, the so-called "religion of Numa Pompilius, Numa", which was perpetuated or revived over the centuries. Some archaic deities have Italic peoples, Italic or Etruscan religion, Etruscan counterparts, as identified both by ancient sources and by modern scholars ...
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