|
Cimarosa
Domenico Cimarosa (; 17 December 1749 – 11 January 1801) was an Italian composer of the Neapolitan School and of the Classical period. He wrote more than eighty operas, the best known of which is ''Il matrimonio segreto'' (1792); most of his operas are comedies. He also wrote instrumental works and church music. Cimarosa was principally based in Naples, but spent some of his career in various other parts of Italy, composing for the opera houses of Rome, Venice, Florence and elsewhere. He was engaged by Catherine the Great of Russia as her court composer and conductor between 1787 and 1791. In his later years, returning to Naples, he backed the losing side in the struggle to overthrow the monarchy there, and was imprisoned and then exiled. He died in Venice at the age of 51. Life and career Early years Cimarosa was born in Aversa, a town near Naples. His family name was Cimmarosa, which is how he is recorded on his baptismal record. He appears to have been an only child. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Cimarosa
Domenico Cimarosa (; 17 December 1749 – 11 January 1801) was an Music of Italy, Italian composer of the Neapolitan School and of the Classical period (music), Classical period. He wrote more than eighty operas, the best known of which is ''Il matrimonio segreto'' (1792); most of his operas are comedies. He also wrote instrumental works and church music. Cimarosa was principally based in Naples, but spent some of his career in various other parts of Italy, composing for the opera houses of Rome, Venice, Florence and elsewhere. He was engaged by Catherine the Great of Russia as her court composer and conductor between 1787 and 1791. In his later years, returning to Naples, he backed the losing side in the struggle to overthrow the monarchy there, and was imprisoned and then exiled. He died in Venice at the age of 51. Life and career Early years Cimarosa was born in Aversa, a town near Naples. His family name was Cimmarosa, which is how he is recorded on his baptismal record. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Italiana In Londra
''L'Italiana in Londra'' (''The Italian Girl in London'') is one of eight comic operas, termed intermezzi, which Domenico Cimarosa wrote between 1777 and 1784 for the Teatro Valle, a handsome neo-classical Roman theatre built in 1726, which still stands today. History Intermezzi grew out of small-scale comic pieces which were inserted for light relief between the acts of weightier opera seria works, chiefly in Naples and Venice. They usually had only two singers, perhaps with the addition of actors. Typically characters were drawn from what was supposed to be real life, but servants were often pitted against their betters with a fair sprinkling of satire. Cimarosa's Roman intermezzi, which established his reputation, were two-act operas, in contrast to the usual three-act form of the opera buffa, and were carefully tailored to the modest forces available at the Teatro Valle. ''L'Italiana in Londra'' was Cimarosa's fourth collaboration with the comic specialist librettist, the Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Matrimonio Segreto
' (''The Secret Marriage'') is a dramma giocoso in two acts, music by Domenico Cimarosa, on a libretto by Giovanni Bertati, based on the 1766 play '' The Clandestine Marriage'' by George Colman the Elder and David Garrick. It was first performed on 7 February 1792 at the Imperial Hofburg Theatre in Vienna in the presence of Emperor Leopold II. Performance history Cimarosa's only work still to be regularly performed, it is arguably one of the greatest 18th century opera buffa apart from those by Mozart. Its premiere was the occasion of the longest encore in operatic history; Leopold II was so delighted that he ordered supper served to the company and the entire opera repeated immediately after without the orchestra, with the composer accompanying on the harpsichord. The Italian premiere of the opera was given at La Scala in Milan on 17 February 1793 with Maria Gazzotti as Carolina and Vincenzo Del Moro as Paolino. On 23 May, the same year, it arrived at the Teatre de la Santa Cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cleopatra (Cimarosa)
''La Cleopatra'' (1789) is an opera seria in two acts by composer Domenico Cimarosa with an Italian libretto by Ferdinando Moretti. Historical background and musical analysis ''La Cleopatra'' was commissioned by Empress Catherine II of Russia in 1788. Cimarosa and Moretti were instructed to keep the opera short and give it a relatively simple plot. As a result, the opera is about a hundred minutes in length which is short for an opera of that period and time. The plot is also very straightforward, lacking the typical plot twists and intrigues of other opera serias of the day. Musically the opera is made up of mostly arias with only a few duets, a quartet, a ballet, and a march. Although music critics have admired the duet at the end of act one, the ballet music, and the final quartet, the opera as a whole is not considered particularly remarkable. The work premiered at the Hermitage Theatre in Saint Petersburg Saint Petersburg, formerly known as Petrograd and later Leningrad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Stravaganze Del Conte
''Le stravaganze del conte'' (meaning ''The Eccentricities of the Count'') is the first opera by Italian composer Domenico Cimarosa. The comic opera was first performed at the Teatro de' Fiorentini at Naples Naples ( ; ; ) is the Regions of Italy, regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 908,082 within the city's administrative limits as of 2025, while its Metropolitan City of N ... in 1772. References 1772 operas Operas by Domenico Cimarosa Italian-language operas Operas {{Italian-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Italy
In Italy, music has traditionally been one of the cultural markers of Italian national cultures and ethnic identity and holds an important position in society and in Italian politics, politics. Italian music innovationin scale (music), musical scale, harmony, Musical notation, notation, and musical theatre, theatreenabled the development of opera and much of modern European classical musicsuch as the symphony and concertoranges across a broad spectrum of opera and instrumental classical music and popular music drawn from both native and imported sources. Instruments associated with classical music, including the piano and violin, were invented in Italy. Italy's most famous composers include the Renaissance Giovanni Pierluigi da Palestrina, Palestrina, Claudio Monteverdi, Monteverdi, and Carlo Gesualdo, Gesualdo; the Baroque music, Baroque Domenico Scarlatti, Scarlatti, and Antonio Vivaldi, Vivaldi; the classical Niccolò Paganini, Paganini, and Gioachino Rossini, Rossini; an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Paisiello
Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini. Life Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, ''La Pupilla'' and ''Il Mondo al Rovescio'', for Bologna, and a third, ''Il Marchese di Tidipano'', for Rome. His reputation now firmly established, he settled for some years at Naples, where, despite the popularity of Niccolò Piccinni, Domenico Cimarosa and Pietro Guglielmi, of whose triumphs he was bitterly je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fedele Fenaroli
Fedele Fenaroli (25 April 1730, Lanciano – 1 January 1818, Naples) was an Italian composer and music educator. Fenaroli entered the Conservatorio di Santa Maria di Loreto, one of the music conservatories of Naples, becoming a pupil of Francesco Durante. In 1762 he was appointed . Among his students were many celebrated Italian composers, such as Domenico Cimarosa, Niccolò Antonio Zingarelli, and Saverio Mercadante. Giuseppe Verdi Giuseppe Fortunino Francesco Verdi ( ; ; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for List of compositions by Giuseppe Verdi, his operas. He was born near Busseto, a small town in the province of Parma ... was a second-generation student, as his teacher, , was a student of Fenaroli. Fenaroli wrote several treatises on music which were widely used during the nineteenth century. As a composer, he wrote mainly sacred music. See also * List of music students by teacher: C to F References External ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music For The Requiem Mass
Music for the Requiem Mass is any music that accompanies the Requiem, or Mass for the Dead, in the Mass in the Catholic Church, Catholic Church. This church service has inspired hundreds of compositions, including settings by Officium Defunctorum (Victoria), Victoria, Requiem (Mozart), Mozart, Requiem (Berlioz), Berlioz, Requiem (Verdi), Verdi, Requiem (Fauré), Fauré, Requiem (Dvořák), Dvořák, Requiem (Duruflé), Duruflé and War Requiem, Britten. For centuries settings of the Mass for the Dead were to be chanted in Catholic liturgy, liturgical service Monophony, monophonically. Later the settings became Polyphony, polyphonic, Victoria's famous 1605 ''a cappella'' work being an example. By Mozart's time (1791) it was standard to embed the dramatic and long Dies irae, Day of Wrath sequence, and to score with orchestra. Eventually many settings of the Requiem, not least Verdi's (1874), were essentially concert pieces unsuitable for church service. Common texts The following ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Giordani
Giuseppe Tommaso Giovanni Giordani (December 19, 1751, Naples – January 4, 1798, Fermo) was an Italian composer, mainly of opera. Giordani's parents were Domenico Giordani and Anna Maria Tosato. He studied music in Naples with Domenico Cimarosa and Niccolò Antonio Zingarelli. In 1774 he was appointed as music director of the chapel of the Duomo of Naples. His first opera (''L'Epponina'') was released in 1779. His sacred drama ''La distruzione di Gerusalemme'' was a notable success at the Teatro San Carlo of Naples in 1787. He became maestro di cappella ( , , ), from German (chapel) and (master), literally "master of the chapel choir", designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in i ... at the Cathedral of Fermo in 1791. Until recently, the popular aria ''Caro Mio Ben'' (1783) was ascribed to Giuseppe Tommaso Giovanni Giordani. However, scholars now conside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Cimarosa 2
Domenico is an Italian given name for males and may refer to: People * Domenico Alfani, Italian painter * Domenico Allegri, Italian composer * Domenico Alvaro, Italian mobster * Domenico Ambrogi, Italian painter * Domenico Auria, Italian architect * Domenico del Barbiere, Florentine artist * Domenico di Bartolo, Italian painter * Domenico Bartolucci, Italian Roman Catholic cardinal * Domenico di Pace Beccafumi, Italian painter * Domenico Pignatelli di Belmonte, Italian Roman Catholic cardinal * Domenico Berardi, Italian footballer * Domenico Bernini, son of Gian Lorenzo Bernini * Domenico Bidognetti, Italian criminal * Domenico Bollani, Venetian diplomat and politician * Domenico Canale, Italian-American distributor * Domenico Caprioli, Italian painter * Domenico Caruso, Italian poet and writer * Domenico Cefalù, Italian-American mobster * Domenico Cimarosa, Italian composer * Domenico Cirillo, Italian physician and patriot * Domenico Colombo, father of Christopher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
