Christine Lucy Latimer
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Christine Lucy Latimer
Christine Lucy Latimer is a Canadian experimental filmmaker known for her hybrid works using obsolete media and technologies (16mm, home video, etc.). Background Raised in the 1990s in a middle-class suburb of Toronto, Latimer was influenced by her artist mother and her father, who was an avid film and television enthusiast. She attributes her artistic approach to her early exposure to art, cinema, and television. Latimer studied at the Ontario College of Art and Design, where her instructors were moving-image artists who had been active in Toronto for decades and identified as either experimental filmmakers or video artists. Latimer opted to study both video and film, with the intention of layering and combining these mediums. Selected filmography *''Tender'' (2021) *''House Pieces'' (2019) *''C2013'' (2014) *''Physics and Metaphysics in Modern Photography'' (2014) *''Nationtime'' (2013) *''Jane's Birthday'' (2013) *''Still Feeling Blue About Color Separation'' (2015) *''Lines Pos ...
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Cinema Of Canada
The cinema of Canada dates back to the earliest known display of film in Saint-Laurent, Quebec, in 1896. The film industry in Canada has been dominated by the United States, which has utilized Canada as a shooting location and to bypass United Kingdom, British film quota laws, throughout its history. Canadian filmmakers, English Canadians, English and French Canadians, French, have been active in the development of Cinema of the United States, cinema in the United States and Cinema of the United Kingdom, cinema in the United Kingdom. Films by Thomas A. Edison, Inc. were some of the first to arrive in Canada and early films made in the country were produced by Edison Studios. Canadian Pacific Railway and other railways supported early filmmaking including James Freer, whose ''Ten Years in Manitoba'' was the first known film by a Canadian. ''Evangeline (1914 film), Evangeline'' is the earliest recorded Canadian feature film. George Brownridge and Ernest Shipman were major figures ...
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Experimental Film
Experimental film or avant-garde cinema is a mode of filmmaking that does not apply standard cinematic conventions, instead adopting Non-narrative film, non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in ...
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16mm
16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about inch); other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, television) film-making, or for low-budget motion pictures. It also existed as a popular amateur or home movie-making format for several decades, alongside 8 mm film and later Super 8 film. Eastman Kodak released the first 16 mm "outfit" in 1923, consisting of a Ciné-Kodak camera, Kodascope projector, tripod, screen and splicer, for US$335 (). RCA-Victor introduced a 16 mm sound movie projector in 1932, and developed an optical sound-on-film 16 mm camera, released in 1935. History Eastman Kodak introduced 16 mm film in 1923, as a less expensive alternative to 35 mm film for amateurs. The same year the Victor Animatograph Corporation started producing their own 16 mm cameras and proje ...
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Home Video
Home video is recorded media sold or Video rental shop, rented for home viewing. The term originates from the VHS and Betamax era, when the predominant medium was videotapes, but has carried over to optical disc formats such as DVD and Blu-ray. In a different usage, "home video" refers to amateur video recordings, also known as home movies. Released in 1978, LaserDisc (LD) is another home video format, which never managed to gain widespread use on North American and European retail markets due to high cost of the players and their inability to record TV programs (unlike the VHS), although it retained some popularity among videophiles and Cinephilia, film enthusiasts during its lifespan; the format had greater prevalence in some regions of Southeast Asia such as Japan, Hong Kong, Singapore and Malaysia where it was better supported. Film titles were released in LD format until 2001, production of LD players ceased in 2009. The home video business distributes films, television ser ...
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Toronto
Toronto ( , locally pronounced or ) is the List of the largest municipalities in Canada by population, most populous city in Canada. It is the capital city of the Provinces and territories of Canada, Canadian province of Ontario. With a population of 2,794,356 in 2021, it is the List of North American cities by population, fourth-most populous city in North America. The city is the anchor of the Golden Horseshoe, an urban agglomeration of 9,765,188 people (as of 2021) surrounding the western end of Lake Ontario, while the Greater Toronto Area proper had a 2021 population of 6,712,341. As of 2024, the census metropolitan area had an estimated population of 7,106,379. Toronto is an international centre of business, finance, arts, sports, and culture, and is recognized as one of the most multiculturalism, multicultural and cosmopolitanism, cosmopolitan cities in the world. Indigenous peoples in Canada, Indigenous peoples have travelled through and inhabited the Toronto area, ...
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Video Art
Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installation art, installations viewed in galleries or museums; works either streamed online, or distributed as video tapes, or on DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds. Video art is named for the original analog video tape, which was the most commonly used recording technology in much of the form's history into the 1990s. With the advent of digital recording equipment, many artists began to explore digital technology as a new way of expression. Video art does not necessarily rely on the conventions that define theatrical cinema. It may not use actors, may contain no ...
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Lost Media
Lost media is any piece of media thought to no longer exist in any format, or for which no copies can be located. The term primarily encompasses visual, audio, or audiovisual media such as films, television, radio broadcasts, music, and video games. Many television and radio broadcast masters, recorded onto magnetic tape, may be lost due to the industry practice of wiping. Motion picture studios also often destroyed their original nitrate film elements, as film and broadcast material was often considered ephemeral and of little historical worth after they had made their revenue. Some media considered lost may exist in studio or public archives, but may not be available to most people due to copyright or donor restriction rules. Due to the unstable nature of any format, films, tapes, phonograph records, optical discs like CDs and DVDs, and digital data stored on hard drives all naturally degrade over time, especially if not kept in correct storage conditions. Preservation eff ...
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Found Footage (appropriation)
In filmmaking, found footage is the use of footage as a found object, appropriated for use in collage films, documentary films, mockumentary films and other works. Use in commercial film Often, fictional films imitate this style in order to increase their authenticity, especially the mockumentary genre. In the dramatized and embellished pseudo-documentary film '' F for Fake'' (1973), director Orson Welles borrows all shots of main subject Elmyr de Hory from a BBC documentary, rather than fabricating the footage himself. Stuart Cooper's ''Overlord'' uses stock footage of the landing on Normandy during World War II to increase realism. The footage was obtained from the Imperial War Museum in the UK. Other parts of the film were shot by Cooper; however, he used old World War II-era film stock with World War II-era lenses. Music video and VJing A certain style of music video makes extensive use of found footage, mostly found on TV, like news, documentaries, old (and odd) films ...
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Christina Battle
Christina Battle is a video and installation artist who was born in Edmonton, Alberta, Canada. She holds a Master of Fine Arts from the San Francisco Art Institute (San Francisco, CA) and a certificate in Film Studies from Ryerson University (Toronto, Ontario). She also holds a Bachelor of Science from the University of Alberta (Edmonton, Alberta). Battle's work has been displayed internationally in Zurich, Switzerland at the VideoEx Experimental Film & Video Festival; at the Jihlava Documentary Festival in Czech Republic; at the EXiS Festival in Seoul, South Korea; at the London Film Festival; at the International Film Festival Rotterdam in the Netherlands; at the Whitney Biennial in New York; and at SF Cinematheque (San Francisco). Her work has also been shown across Canada including in Halifax, Toronto, Winnipeg, Montreal and as far North as Dawson City, Yukon. Battle has taught film studies at the University of Colorado at Boulder, and at Metro State University of Denver. S ...
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Collage Film
Collage film is a style of film created by juxtaposing Found footage (appropriation), found footage from disparate sources (archival footage, excerpts from other films, newsreels, home movies, etc.). The term has also been applied to the physical collaging of materials onto film stock. Surrealist roots The surrealist movement played a critical role in the creation of the collage film form. In 1936, the United States, American artist Joseph Cornell produced one of the earliest collage films with his reassembly of ''East of Borneo'' (1931), combined with pieces of other films, into a new work he titled ''Rose Hobart (film), Rose Hobart'' after the leading actress.Rony, Fatimah Tobing. The Quick and the Dead: Surrealism and the Found Ethnographic Footage Films of Bontoc Eulogy and Mother Dao: The Turtlelike. Camera Obscura. January 2003, Vol. 18 Issue 52 When Salvador Dalí saw the film, he was famously enraged, believing Cornell had stolen the idea from his thoughts. Predecessors inc ...
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Collage Filmmakers
Collage (, from the , "to glue" or "to stick together") is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assembly of different forms, thus creating a new whole. (Compare with pastiche, which is a "pasting" together.) Collage may refer to the technique as a whole, or more specifically to a two-dimensional work, assembled from flat pieces on a flat substrate, whereas Assemblage (art), assemblage typically refers to a three-dimensional equivalent. A collage may sometimes include Clipping (publications), magazine and newspaper clippings, ribbons, paint, bits of colored or handmade papers, portions of other artwork or texts, photographs and other found objects, glued to a piece of paper or canvas. The origins of collage can be traced back hundreds of years, but this technique made a dramatic reappearance in the early 20th century as an art form of novelty. The term ''Papier collé'' was coined by both Georges Braque a ...
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