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Christian Keymann
Christian Keymann (also ''Christian Keimann''; 27 February 1607 – 13 January 1662) was a German hymnwriter. He is known for writing the chorale " Meinen Jesum laß ich nicht" in 1658, which served as the base for Bach's chorale cantata '' Meinen Jesum laß ich nicht, BWV 124'', and other compositions. Career Keymann was born in Pankratz, Habsburg Bohemia, in 1607, the son of Zacharias Keimann, a Lutheran pastor. From 1627 to 1634, he studied at the University of Wittenberg. After graduation he worked at the gymnasium of Zittau, first as associate director, then as rector in 1638. He died of a stroke in 1662. Hymns Two of his most popular hymns were translated into English; "O rejoice, ye Christians, loudly" ("Freuet euch, ihr Christen alle") found in Chorale Book, No. 33, and "Jesus will I never leave" ("Meinen Jesum laß ich nicht") found in United Brethren's Hymn Book, No. 464. Donald G. Bloesch in his book ''The struggle of prayer'' (1980) describes it as a "moving hymn". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brackets
A bracket is either of two tall fore- or back-facing punctuation marks commonly used to isolate a segment of text or data from its surroundings. Typically deployed in symmetric pairs, an individual bracket may be identified as a 'left' or 'right' bracket or, alternatively, an "opening bracket" or "closing bracket", respectively, depending on the directionality of the context. Specific forms of the mark include parentheses (also called "rounded brackets"), square brackets, curly brackets (also called 'braces'), and angle brackets (also called 'chevrons'), as well as various less common pairs of symbols. As well as signifying the overall class of punctuation, the word "bracket" is commonly used to refer to a specific form of bracket, which varies from region to region. In most English-speaking countries, an unqualified word "bracket" refers to the parenthesis (round bracket); in the United States, the square bracket. Various forms of brackets are used in mathematics, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Cantata
A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the German Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chorale cantata includes multiple movements or parts. Most chorale cantatas were written between approximately 1650 and 1750. By far the most famous are by Johann Sebastian Bach, especially the cantatas composed in his second annual cycle of cantatas, started in Leipzig in 1724. Description The chorale cantata developed out of the chorale concerto, an earlier form much used by Samuel Scheidt in the early 17th century, which incorporated elements of the Venetian School, such as the concertato style, into the liturgical music of the Protestant Reformation. Later the chorale cantata developed into three general forms: * a form in which each verse (strophe) of the chorale was developed as an independent movement; * a form in which the chorale appeared in some of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1607 Births
Sixteen or 16 may refer to: * 16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music * The Sixteen, an English choir * 16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from '' Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Protestant Hymnwriters
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walther Killy
Walther Killy (26 August 191728 December 1995) was a German literary scholar who specialised in poetry, especially that of Friedrich Hölderlin and Georg Trakl. He taught at the Free University of Berlin, the Georg-August-Universität Göttingen, as founding rector of the University of Bremen, as visiting scholar at the University of California and Harvard University, and at the University of Bern. He became known as editor of literary encyclopedias, the '' Killy Literaturlexikon'' and the ''Deutsche Biographische Enzyklopädie''. Life Killy was born in Bonn, the son of the lawyer . He studied German, and wrote his doctoral thesis ''Die Überlieferung der Gedichte Hölderlins'', about the tradition of poems by Friedrich Hölderlin, with Julius Petersen in 1940. Killy and his father encouraged Petersen and in Weimar to produce a historical-critical edition of Hölderlin's works, planned to appear in time for the Hölderlin anniversary year 1943. Since Hölderlin was held in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Weise
Christian Weise (30 April 1642 – 21 October 1708), also known under the pseudonyms Siegmund Gleichviel, Orontes, Catharinus Civilis and Tarquinius Eatullus, was a German writer, dramatist, poet, pedagogue and librarian of the Baroque era. He produced a large number of dramatic works, noted for their social criticism and idiomatic style. In the 1670s he started a fashion for German " political novels". He has also been credited with the invention of the mathematical Euler diagram, though this is uncertain. Biography Christian Weise was born in Zittau, the son of Elias Weise, a ''magister tertium'' or assistant teacher. Weise studied theology at the University of Leipzig, gaining a Magister's degree in 1663. His studies expanded into rhetoric, politics, history and poetry, and for a brief period after his graduation he lectured there in those subjects. However, in 1668 he secured a post at the court in Halle, as the secretary of Simon Philipp von Leiningen-Westerburg, the minister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigfrid Karg-Elert
Sigfrid Karg-Elert (November 21, 1877April 9, 1933) was a German composer in the early twentieth century, best known for his compositions for pipe organ and reed organ. Biography Karg-Elert was born Siegfried Theodor Karg in Oberndorf am Neckar, Germany, the youngest of the twelve children of Johann Jacob Karg, a book dealer, and his wife Marie Auguste Karg, born Ehlert (''sic''). According to another account, however, his father was a newspaper editor and publisher . The family finally settled in Leipzig in 1882, where Siegfried received his first musical training and private piano instruction. At a gathering of composers in Leipzig, he presented his first attempts at composition to the composer Emil von Reznicek, who arranged a three-year tuition-free scholarship at the Leipzig Conservatory. This enabled the young man to study with Salomon Jadassohn, Carl Reinecke, Alfred Reisenauer and Robert Teichmüller. From August 1901 to September 1902 he worked as a piano teacher in Mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Reger
Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Leipzig University Church, as a professor at the Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen. Reger first composed mainly ''Lieder'', chamber music, choral music and works for piano and organ. He later turned to orchestral compositions, such as the popular '' Variations and Fugue on a Theme by Mozart'' (1914), and to works for choir and orchestra such as '' Gesang der Verklärten'' (1903), ' (1909), '' Der Einsiedler'' and the '' Hebbel Requiem'' (both 1915). Biography Born in Brand, Bavaria, Reger was the first child of Josef Reger, a school teacher and amateur musician, and his wife Katharina Philomena. The devout Catholic family moved to Weiden in 1874. Max had only one sister, Emma, after three other siblings died ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darzu Ist Erschienen Der Sohn Gottes, BWV 40
(For this the Son of God appeared), 40, is a church cantata by Johann Sebastian Bach. He composed it in 1723, his first year in Leipzig, for the Second Day of Christmas, and first performed it on 26 December that year in both main churches, Thomaskirche and Nikolaikirche. It was the first Christmas cantata Bach composed for Leipzig. The title of the cantata also appears in more modern German as . The theme of the work is Jesus as the conqueror of the works of the devil, who is frequently mentioned as the serpent. The music is festively scored, using two horns, similar to Part IV of Bach's later ''Christmas Oratorio''. The text by an unknown poet is organised in eight movements, beginning with a choral movement on the biblical text, followed by a sequence of recitatives and arias which is structured as three stanzas from three different hymns. Only two of these hymns are Christmas carols. Bach used the opening chorus for the concluding in his 1738 '' Missa in F major'', BWV ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Matthew Passion
The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the greatest masterpieces of Baroque sacred music. The original Latin title translates to "The Passion of our Lord J susC[hrist">rist.html" ;"title="susC[hrist">susC[hristaccording to the Evangelist Matthew".Markus Rathey. 2016. ''Bach's Major Vocal Works. Music, Drama, Liturgy'', Yale University Press History The ''St Matthew Passion'' is the second of two Passion settings by Bach that have survived in their entirety, the first being the ''St John Passion'', first performed in 1724. Versions and contemporaneous performances Little is known with certainty about the creation proce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mein Liebster Jesus Ist Verloren, BWV 154
(My dearest Jesus is lost), , is a church cantata by Johann Sebastian Bach. He composed it for the first Sunday after Epiphany and first performed it in Leipzig on 9 January 1724. History and words Bach performed the cantata in 1724, his first year in Leipzig on the First Sunday after Epiphany. The musicologist Alfred Dürr assumes that it was written already in Weimar, whereas John Eliot Gardiner shares this view only for movements 1, 4 and 7. The prescribed readings for the Sunday were taken from the Epistle to the Romans, speaking of the duties of a Christian (), and from the Gospel of Luke, the finding in the Temple (). The unknown poet takes the parents' search for the lost Jesus as the starting point to depict the general situation of man who lost Jesus. Movements 1 and 2 lament this loss. Movement 3 is a chorale, stanza 2 of "" by Martin Janus (or Jahn), asking Jesus to return. Movement 4 asks the same question in a personal aria. The answer is given by the bass, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Was Gott Tut, Das Ist Wohlgetan, BWV 98
Johann Sebastian Bach composed the church cantata (What God does is well done), 98, in Leipzig for the 21st Sunday after Trinity and first performed it on 10 November 1726. History and words In his fourth year in Leipzig, Bach wrote the cantata for the 21st Sunday after Trinity. The prescribed readings for the Sunday were from Paul's Epistle to the Ephesians, "take unto you the whole armour of God" (), and from the Gospel of John, the healing of the nobleman's son (). The cantata opens with the first stanza of the chorale "" (1674) by Samuel Rodigast, but it is not a chorale cantata in the strict sense of Bach's second cantata cycle, cantatas on the stanzas of one chorale. He had then treated the same chorale completely in (1724), and would do it later once more in (1732). The text of the chorale concentrates on trust in God, whereas the two cantatas previously composed for the occasion, , and , both started from doubt and distress. The poet Christoph Birkmann refers to ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
