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Christfried Schmidt
Christfried Schmidt (born 26 November 1932) is a German composer and arrangeur. Life Schmidt was born in 1932 as the son of a miller in Markersdorf. In Görlitz, he attended the grammar school and received piano lessons from Humperdinck's pupil Emil Kühnel. From 1951 to 1954, he studied church music at the (B-exam) and from 1955 to 1959 with Werner Buschnakowski (organ) and Johannes Weyrauch (music composition) at the University of Music and Theatre Leipzig (A-Exam). In Leipzig, he familiarised himself with Neue Musik with Hermann Heyer. From 1960 to 1962, Schmidt was a church musician in Forst. From 1963 to 1964, he worked as an acting bandmaster in Quedlinburg and then from 1965 to 1980 was a freelance piano teacher and choir director in Quedlinburg. In Warsaw, he met the Japanese musicologist Ichirō Tamura, who enabled him to perform his works in Japan. Since 1980, he has been living as a freelance composer in Berlin-Prenzlauer Berg. The artistic breakthrough came w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' pieces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sächsische Landesbibliothek – Staats- Und Universitätsbibliothek Dresden
The Saxon State and University Library Dresden (full name in german: Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden), abbreviated SLUB Dresden, is located in Dresden, Germany. It is both the regional library (german: Landesbibliothek) for the German State of Saxony as well as the academic library for the Dresden University of Technology (german: Technische Universität Dresden). It was created in 1996 through the merger of the Saxon State Library (SLB) and the University Library Dresden (UB). The seemingly redundant name is to show that the library brings both these institutional traditions together. The SLUB moved into a large new building in 2002 to bring together the inventories of both its predecessors. Its collection numbers nearly nine million, making it one of the largest public archival centers in the Federal Republic of Germany. It holds significant treasures, including the Codex Dresdensis, an octagonal Koran from 1184 and a copy of the Peter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Composers
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komponisten Der Gegenwart
The ''Komponisten der Gegenwart'' (KDG) is a music encyclopedia in German language about composers of the 20th and 21st century. It is a looseleaf service with information on currently about 900 composers. Editors Hanns-Werner Heister and Walter-Wolfgang Sparrer founded the encyclopaedia ''Komponisten der Gegenwart (KDG)'' in 1992 and since then publish it in the publishing house . The loose-leaf work now comprises some 12,250 pages in 10 folders (63rd supplement, January 2018) and is updated and supplemented two to three times a year. It is available online for a fee. Structure In alphabetically order, the articles are divided into biographies and work overviews. The biograms give an overview of the lives and awards of the composers. In the presentation of the works, and particular aesthetics and compositional technique are reflected historically as well as musically-analytically. In addition, more than 200 composers are covered in more detail, with lists of works, selected ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Zeitschrift Für Musik
'Die'' (; en, " heNew Journal of Music") is a music magazine, co-founded in Leipzig by Robert Schumann, his teacher and future father-in law Friedrich Wieck, and his close friend Ludwig Schuncke. Its first issue appeared on 3 April 1834. History Although the first editor was Julius Knorr, most of the work on the early issues of the ''Neue Zeitschrift'' (NZM) was done by Schumann; in 1835, when a new publisher was found, Schumann's name appeared as editor. In his reviews, he praised those of the new generation of musicians who deserved acclaim, including Frédéric Chopin and Hector Berlioz. Schuncke wrote some articles under the byline "Jonathan" but died at the age of 23 in December 1834. In June 1843, Schumann's other commitments made him give up editorship of the magazine, and in 1844 Franz Brendel became owner and editor. Under his tenure, the most notable piece was Richard Wagner's anti-Jewish article "Das Judenthum in der Musik", published under the pseudonym K. Freigeda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Schneider (musicologist)
Frank Schneider (born 1942) is a German musicologist. Life Born in Großerkmannsdorf, Saxony, Schneider studied Kapellmeister from 1961 at the Musikhochschule Dresden and from 1964 musicology at the Humboldt-Universität zu Berlin. In 1968 he began working as an assistant at the Central Institute for Music Research at the Association of Composers and Musicologists of the GDR, and in 1971 he moved to the Humboldt University as an assistant, where he received his doctorate with a thesis on the string quartet works of the GDR. In 1975 he became a dramaturg at the Komische Oper Berlin and then, from 1980, a research assistant at the Institute for Aesthetics and Art Studies at the Academy of Sciences of the GDR in Berlin. After his to Dr. sc. at the University of Greifswald with a thesis on political implications of composing, the academy appointed him professor in 1989. He took over the institute as director in 1990 until the dissolution of the academy. In 1992 the Berlin Senate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berliner Kunstpreis
The ''Berliner Kunstpreis'' (Berlin Art Prize), officially Großer Berliner Kunstpreis, is a prize for the arts by the City of Berlin. It was first awarded in 1948 in several fields of art. Since 1971, it has been awarded by the Academy of Arts (''Akademie der Künste'') on behalf of the Senate of Berlin. Annually one of its six sections, fine arts, architecture, music, literature, performing arts and film and media arts, gives the great prize, endowed with €15,000, whereas the other five sections annually award prizes endowed with €5,000. History The Berlin Art Prize has been awarded since 1948 in commemoration of the March Revolution of 1848. The official name then, ''Berliner Kunstpreis – Jubiläumsstiftung 1848/1948'' (Berlin Art Prize - 1848/1948 Jubilee Foundation), was used until 1969, the ceremony was held by the Mayor in the Charlottenburg Palace. The prize was planned to be awarded first on 18 March 1948 by the City Berlinale, to commemorate the March Revolution ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Of Arts, Berlin
The Academy of Arts (german: Akademie der Künste) is a state arts institution in Berlin, Germany. The task of the Academy is to promote art, as well as to advise and support the states of Germany. The Academy's predecessor organization was founded in 1696 by Elector Frederick III of Brandenburg as the Brandenburg Academy of Arts, an academic institution in which members could meet and discuss and share ideas. The current Academy was founded on 1 October 1993 as the re-unification of formerly separate East and West Berlin academies. Membership The Academy is an incorporated body of the public right under the laws of the Federal Republic of Germany. New members are nominated by secret ballot of the general assembly, and appointed by the president with membership never to exceed 500. The academy‘s recent presidents include: * Adolf Muschg – (2003–2006) * Klaus Staeck – (2006–2015) * Jeanine Meerapfel – (2015– ) History Beginning in the 1690s, the Prussian A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunstpreis Der DDR
The Art Prize of the German Democratic Republic (German: ''Kunstpreis der Deutschen Demokratischen Republik'') was an East German state award bestowed on individuals for contributions in various fields of art. History The Art Prize was annually awarded in recognition of "outstanding creative and interpretive achievements" in visual arts, applied arts, cinema, television, radio and entertainment. It could be conferred to individual recipients or in collective, to groups of no more than six people. The recipients were awarded a silver-coated metal medal, 20 millimeter in diameter, with the inscription ''Kunstpreis''. Beside it, a single grantee would also be entitled to a sum of 6,000 East German Marks, while a collective would get a sum as high as 20,000. The Art Prize was the country's highest honor for artists, and was outranked only by the National Prize of East Germany. It was first awarded by Minister of Culture Alexander Abusch to nineteen recipients, on 22 January 1959. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Viennese School
The First Viennese School is a name mostly used to refer to three composers of the Classical period in Western art music in late-18th-century to early-19th-century Vienna: Joseph Haydn, Wolfgang Amadeus Mozart and Ludwig van Beethoven. Sometimes, Franz Schubert is added to the list. In German-speaking countries, the term ''Wiener Klassik'' (lit. ''Viennese classical era/art'') is used. That term is often more broadly applied to the Classical era in music as a whole, as a means to distinguish it from other periods that are colloquially referred to as ''classical'', namely Baroque and Romantic music. The term "Viennese School" was first used by Austrian musicologist Raphael Georg Kiesewetter, in 1834, although he only counted Haydn and Mozart as members of the school. Other writers followed suit and eventually Beethoven was added to the list. The designation "first" is added today to avoid confusion with the Second Viennese School. These composers sometimes encountered each othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aleatoric Music
Aleatoric music (also aleatory music or chance music; from the Latin word ''alea'', meaning "dice") is music in which some element of the composition is left to chance, and/or some primary element of a composed work's realization is left to the determination of its performer(s). The term is most often associated with procedures in which the chance element involves a relatively limited number of possibilities. The term became known to European composers through lectures by acoustician Werner Meyer-Eppler at the Darmstadt International Summer Courses for New Music in the beginning of the 1950s. According to his definition, "a process is said to be aleatoric ... if its course is determined in general but depends on chance in detail". Through a confusion of Meyer-Eppler's German terms ''Aleatorik'' (noun) and ''aleatorisch'' (adjective), his translator created a new English word, "aleatoric" (rather than using the existing English adjective "aleatory"), which quickly became fashio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
