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Chopin National Edition
The National Edition of the Works of Fryderyk Chopin (), also known as the Chopin National Edition and the Polish National Edition, is an urtext edition of the complete works by Frédéric Chopin, aiming to present his output in its authentic form. Started by Jan Ekier in 1959, the entirety of Chopin's known works were published in 37 volumes from 1967 to 2010, accompanied by source and performance commentaries. The Chopin National Edition is considered the authoritative edition of Chopin's works, and is recommended to contestants of the International Chopin Piano Competition. History In 1959, Jan Ekier started the project of a new critical edition of Chopin's works, as he came to the conclusion that the prevailing Paderewski edition presented a "false image of Chopin's music in many aspects". The first volume of Ballades was published in 1967 by PWM Edition, featuring a minimalist design with white covers. A total of nine volumes were published up to 1991, with a publicat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballades (Chopin)
Frédéric Chopin's Four Ballades are single- movement pieces for solo piano, composed between 1831 and 1842. They are considered to be some of the most important and challenging pieces in the standard piano repertoire. Form Chopin used the term ballade in the sense of a balletic interlude or dance piece, equivalent to the old Italian ''ballata''. However, the term may also have connotations of the medieval heroic ballad, a narrative minstrel song, often of a fantastical character. There are dramatic and dance-like elements in Chopin's use of the genre, and he is a pioneer of the ballade as an abstract musical form. The four ballades are said to have been inspired by a friend of Chopin's, poet Adam Mickiewicz. The exact inspiration for each ballade, however, needs to be clarified and disputed. Though the ballades do not conform precisely to sonata form, the "ballade form" created by Chopin for his four ballades is a variant of sonata form with specific discrepancies, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hexameron (musical Composition)
The term Hexaemeron (Greek: Ἡ Ἑξαήμερος Δημιουργία ''Hē Hexaēmeros Dēmiourgia''), literally "six days," is used in one of two senses. In one sense, it refers to the Genesis creation narrative spanning Genesis 1:1–2:3: corresponding to the creation of the light (day 1); the sky (day 2); the earth, seas, and vegetation (day 3); the sun and moon (day 4); animals of the air and sea (day 5); and land animals and humans (day 6). God then rests from his work on the seventh day of creation, the Sabbath. In a second sense, the Genesis creation narrative inspired a didactic genre of Jewish and Christian literature known as the Hexaemeral literature. Literary treatments in this genre are called Hexaemeron. This literature was dedicated to the composition of commentaries, homilies, and treatises concerned with the exegesis of the biblical creation narrative through ancient and medieval times and with expounding the meaning of the six days as well as the origins of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andante Spianato Et Grande Polonaise Brillante
Andante spianato et grande polonaise brillante in E-flat major, Op. 22, was composed by Frédéric Chopin between 1830 and 1834. The ''Grande polonaise brillante'' in E-flat, set for piano and orchestra, was written first, in 1830–31. In 1834, Chopin wrote an ''Andante spianato'' in G, for piano solo, which he added to the start of the piece, and joined the two parts with a fanfare-like sequence. The combined work (both orchestrated version and solo piano version) was published in 1836, and was dedicated to Madame d'Este. Music The ''Grande polonaise brillante'' is a work for piano and orchestra, although the piano part is often played on its own. The ''Andante spianato'' (spianato means "even" or "smooth") for solo piano was composed as an introduction to the polonaise after Chopin received a long-awaited invitation to perform in one of Habeneck’s Conservatoire Concerts in Paris. This was the only time Chopin ever used the term ''spianato'' as a description for any of his w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chopin's Compositions For Piano And Orchestra
Frédéric Chopin's compositions for piano and orchestra originated from the late 1820s to the early 1830s, and comprise three concert pieces he composed 1827–1828, while a student at the in Warsaw, two piano concertos, completed and premièred between finishing his studies (mid 1829) and leaving Poland (late 1830), and later drafts, resulting in two more published works. Among these, and the other works in the brilliant style which Chopin composed in this period, the concertos are the most accomplished ones. Context Together with a number of rondos ( Opp. 1, 5, 16 and 73), the ''Polonaise brillante'' (Op. 3) and the Variations on "Der Schweizerbub", Chopin's compositions for piano and orchestra belong to a group of compositions in brilliant style, no longer confined by the tenets of the Classical period, which were written for the concert stage in the late 1820s to early 1830s. Other compositions of the same period, such as the Sonata (Op. 4) and the Trio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto No
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an action mechanism where hammers strike strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist. There are two main types of piano: the grand piano and the upright piano. The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a bridge to a soundboard that amplifies the sound by coupling the acoustic energy to the air. When the key is released, a damper stops the string's vibration, ending the sound. Most not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltzes (Chopin)
Frédéric Chopin's waltzes are pieces of moderate length for piano, all written between 1824 and 1849. They are all in waltz triple meter, specifically 3/4 (except Op. P1/13, which is in 3/8 time), but differ from earlier Viennese waltzes in not being intended for dancing; nonetheless, several have been used in ballets, most notably '' Les Sylphides''. Some are accessible by pianists of modest capability, others require advanced technique. Chopin may have written as many as 37 piano waltzes, but only nineteen (along with one inauthentic waltz) are numbered and only eight were published (in Opp. 18, 34, 42 and 64) before he died. His desire was that any unpublished works should be burned, but his sister Ludwika and Julian Fontana proceeded anyway to publish Waltzes 9–13 (as Opp. 69 and 70). Six waltzes composed 1826–1831 and present in Frédéric’s Paris home were at first preserved but then lost in an unintended 1863 fire in Ludwika's house. Another six were eventually publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Sonatas (Chopin)
Frédéric Chopin composed three piano sonatas, two of which were published in his lifetime, one posthumously. They are considered to be among Chopin's most difficult piano compositions both musically and technically. They cover a period of time from 1828 to 1844, reflecting Chopin's style changes. Piano Sonata No. 1 in C minor, Op. posth. 4 Chopin composed this piano sonata in 1828, when he was still studying with Józef Elsner Józef Antoni Franciszek Elsner (sometimes ''Józef Ksawery Elsner''; baptismal name, ''Joseph Anton Franz Elsner''; 1 June 176918 April 1854) was a Polish composer, music teacher, and music theoretician, active mainly in Warsaw. He was one of ..., to whom the sonata was dedicated. Despite having a low opus number, this work was published posthumously in 1851 by Tobias Haslinger's son. This work is among the least recorded of all of Chopin's works, and is not considered a part of the standard piano repertoire. Movements This sonata has four m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scherzos (Chopin)
Frédéric Chopin's four scherzos (or scherzi) are single- movement pieces for solo piano, composed between 1833 and 1843. They are often linked to Chopin's four ballades, composed in roughly the same period; these works are examples of large scale autonomous musical pieces, composed within the classical framework, but surpassing previous expressive and technical limitations. Unlike the classical model, the musical form adopted by Chopin is not characterised by humour or elements of surprise, but by highly charged "gestures of despair and demonic energy". Commenting on the first scherzo, Robert Schumann wrote: "How is 'gravity' to clothe itself if 'jest' goes about in dark veils?" Niecks, Frederick (2009). ''Frédéric Chopin as a Man and Musician''. Echo Library. p. 494. (originally published in 1888). Retrieved 30 August 2010. Overview Starting in the early 1830s, after his departure from Poland, Chopin's musical style changed significantly, entering a mature period with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preludes (Chopin)
Frédéric Chopin wrote a number of preludes for piano solo. His cycle of 24 Preludes, Op. 28, covers all major and minor keys. In addition, Chopin wrote three other preludes: a prelude in C minor, Op. 45; a piece in A major from 1834; and an unfinished piece in E minor. These are sometimes referred to as Nos. 25, 26, and 27, respectively. 24 Preludes, Op. 28 Chopin's 24 Preludes, Op. 28, are a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. Chopin wrote them between 1835 and 1839, mostly in Paris, but partially at Valldemossa, Mallorca, where he spent the winter of 1838–39 and where he, George Sand, and her children went to escape the damp Paris weather. In Majorca, Chopin had a copy of Bach's '' The Well-Tempered Clavier'', and as in each of Bach's two sets of preludes and fugues, his Op. 28 set comprises a complete cycle of the major and minor keys, albeit with a different ordering. Most of his préludes wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polonaises (Chopin)
Most of Frédéric Chopin's polonaise The polonaise (, ; , ) is a dance originating in Poland, and one of the five Polish folk dances#National Dances, Polish national dances in Triple metre, time. The original Polish-language name of the dance is ''chodzony'' (), denoting a walki ...s were written for solo piano. He wrote his first polonaise in 1817, when he was 7; his last was the '' Polonaise-Fantaisie'' of 1846, three years before his death. Among the best known polonaises are the "Military" Polonaise in A, Op. 40, No. 1, and the "Heroic" Polonaise in A, Op. 53. There is also the '' Andante spianato et grande polonaise brillante'' in E, Op. 22, for piano and orchestra, which also exists in a solo piano version; and the '' Introduction and Polonaise brillante'' in C major, Op. 3, for cello and piano. Polonaises for solo piano Chopin wrote at least 23 polonaises for piano solo. Of these: * 7, including the '' Polonaise-Fantaisie'', were published in his lifetime * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nocturnes (Chopin)
Frédéric Chopin wrote 21 nocturnes for solo piano between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. Although Chopin did not invent the nocturne, he popularized and expanded on it, building on the form developed by Irish composer John Field (composer), John Field. Chopin's nocturnes numbered 1 to 18 were published during his lifetime, in twos or threes, in the order of composition. However, numbers 19 and 20 were actually written first, prior to Chopin's departure from Poland, but published posthumously. Number 21 was not originally entitled "nocturne" at all, but since its publication in 1938 as such, it is generally included with publications and recordings of the set. Influences By the time of Chopin's birth in 1810, John Field was already an accomplished composer. Eventually, the young Chopin became a great admirer of Field, taking some influence from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
