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Chinese Buddhist Canon
The Chinese Buddhist canon refers to a traditional collection of Chinese language Buddhist texts which are the central canonical works of East Asian Buddhism. The traditional term for the canon is Great Storage of Scriptures ().Jiang Wu, "The Chinese Buddhist Canon" in ''The Wiley Blackwell Companion to East and Inner Asian Buddhism'', p. 299, Wiley-Blackwell (2014). The Chinese canon is a major source of scriptural and spiritual authority for East Asian Buddhism (the Buddhism of China, Korea, Japan and Vietnam). It is also an object of worship and devotion for Asian Buddhists and its reproduction is seen as an act of merit making.Jiang & Chia (2016), p. 3. The canon has also been called by other names like “Internal Classics” (neidian 内典), “Myriad of Scriptures” (zhongjing 眾經), or “All Scriptures” (yiqiejing 一切經). The development of the ''Great Storage of Scriptures'' was influenced by the Indian Buddhist concept of a Tripitaka, literally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhidharma
The Abhidharma are a collection of Buddhist texts dating from the 3rd century BCE onwards, which contain detailed scholastic presentations of doctrinal material appearing in the canonical Buddhist scriptures and commentaries. It also refers to the scholastic method itself, as well as the field of knowledge that this method is said to study. Bhikkhu Bodhi calls it "an abstract and highly technical systemization of the uddhistdoctrine," which is "simultaneously a philosophy, a psychology and an ethics, all integrated into the framework of a program for liberation." According to Peter Harvey, the Abhidharma method seeks "to avoid the inexactitudes of colloquial conventional language, as is sometimes found in the Suttas, and state everything in psycho-philosophically exact language." In this sense, it is an attempt to best express the Buddhist view of " ultimate reality" (''paramārtha-satya''). There are different types of Abhidharma literature. The early canonical Abhidharma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Chinese
Classical Chinese is the language in which the classics of Chinese literature were written, from . For millennia thereafter, the written Chinese used in these works was imitated and iterated upon by scholars in a form now called Literary Chinese, which was used for almost all formal writing in China until the early 20th century. Each written character corresponds to a single spoken syllable, and almost always to a single independent word. As a result, the characteristic style of the language is comparatively terse. Starting in the 2nd century CE, use of Literary Chinese spread to the countries surrounding China, including Vietnam, Korea, Japan, and the Ryukyu Islands, where it represented the only known form of writing. Literary Chinese was adopted as the language of civil administration in these countries, creating what is known as the Sinosphere. Each additionally developed systems of readings and annotations that enabled non-Chinese speakers to interpret Literary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taishō Tripiṭaka
The ''Taishō Tripiṭaka'' (; Japanese: ''Taishō Shinshū Daizōkyō''; " Taishō Revised Tripiṭaka") is a definitive edition of the Chinese Buddhist canon and its Japanese commentaries used by scholars in the 20th century. The name is abbreviated as "" in Chinese () and Japanese (). Development The Taishō Tripiṭaka project was initiated by the Department of Sanskrit and Indian Studies at Tokyo Imperial University. It was edited by Takakusu Junjiro, Watanabe Kaikyuko, and others. More than 300 people contributed to the compilation. The editors were educated in both Japan and Europe and their goals included modernization and meeting European academic standards, in addition to creation of a resource for Buddhist practitioners. The project adopted several innovations of previous Japanese editions of the Buddhist canon, including punctuation, indexing, and collation. The texts were collated and verified against other versions of the canon, building on the work of the ''Redu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tripitaka Koreana
The is a Korean collection of the ( Buddhist scriptures), carved onto 81,258 wooden printing blocks in the 13th century. They are currently located at the Buddhist temple Haeinsa, in South Gyeongsang Province, South Korea. It is the oldest intact version of Buddhist canon in Hanja script. It contains 1,496 titles, divided into 6,568 books, spanning 81,258 pages, for a total 52,330,152 Hanja characters. It is often called the ''Palman Daejanggyeong'' ("Eighty-thousand Tripitaka") due to the number of the printing plates that comprise it. It is also known as the ''Goryeo Daejanggyeong'' (Goryeo dynasty Tripitaka). Each wood block (page) measures 24 centimetres in height and 70 centimetres () in length. The thickness of the blocks ranges from and each weighs about three to four kilograms (6.61 - 8.81 lbs). The woodblocks would be almost as tall as Paektu Mountain at if stacked and would measure long if lined up, and weigh 280 tons in total. The woodblocks are in pristine co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Dynasty
The Song dynasty ( ) was an Dynasties of China, imperial dynasty of China that ruled from 960 to 1279. The dynasty was founded by Emperor Taizu of Song, who usurped the throne of the Later Zhou dynasty and went on to conquer the rest of the Five Dynasties and Ten Kingdoms period#Ten Kingdoms, Ten Kingdoms, ending the Five Dynasties and Ten Kingdoms period. The Song frequently came into conflict with the contemporaneous Liao dynasty, Liao, Western Xia and Jin dynasty (1115–1234), Jin dynasties in northern China. After retreating to southern China following attacks by the Jin dynasty, the Song was eventually conquered by the Mongol-led Yuan dynasty. The History of the Song dynasty, dynasty's history is divided into two periods: during the Northern Song (; 960–1127), the capital was in the northern city of Bianjing (now Kaifeng) and the dynasty controlled most of what is now East China. The #Southern Song, 1127–1279, Southern Song (; 1127–1279) comprise the period following ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaibao Canon
The Kaibao Canon (開寶藏), also known as the Shu edition (蜀版), since it was printed in Sichuan, and sometimes known as the Northern Song canon (北宋刊経) was a woodblock printed collection of Buddhist texts produced in the Northern Song dynasty. The Kaibao Canon was lost but formed the basis for other canons, notably the Tripitaka Koreana. We also know its contents, since it was based on the Kaiyuan Shijiao Lu (開元釋教錄), which is included in the Taishō Tripiṭaka. It was the first printed edition of a Chinese Buddhist canon The Chinese Buddhist canon refers to a traditional collection of Chinese language Buddhist texts which are the central canonical works of East Asian Buddhism. The traditional term for the canon is Great Storage of Scriptures ().Jiang Wu, "The ..., and effectively closed the canon. Karen C. Lang (2010; first edition 2007). "Non-canonical and apocryphal literature" in Damien Keown and Charles S. Prebish (eds.) ''Encyclopedia of Buddhi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller ( brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colours can be printed by keying the paper to a frame around the woodblocks (using a different block for each colour). The art of carving the woodcut can be called ''xylography'', but this is rarely used in English for images alone, although that term and ''xylographic'' are used in connection with block books, which are small books containing text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodblock Printing
Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of textile printing, printing on textiles and later on paper. Each page or image is created by carving a wooden block to leave only some areas and lines at the original level; it is these that are inked and show in the print, in a relief printing process. Carving the blocks is skilled and laborious work, but a large number of impressions can then be printed. As a Woodblock printing on textiles, method of printing on cloth, the earliest surviving examples from China date to before 220 AD. Woodblock printing existed in Tang China by the 7th century AD and remained the most common East Asian method of printing books and other texts, as well as images, until the 19th century. ''Ukiyo-e'' is the best-known type of moku hanga, Japanese woodblock art print. Most European uses of the technique for printing images on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sui Dynasty
The Sui dynasty ( ) was a short-lived Dynasties of China, Chinese imperial dynasty that ruled from 581 to 618. The re-unification of China proper under the Sui brought the Northern and Southern dynasties era to a close, ending a prolonged period of political division since the War of the Eight Princes. The Sui endeavoured to rebuild the country, re-establishing and reforming many imperial institutions; in so doing, the Sui laid much of the foundation for the subsequent Tang dynasty, who after toppling the Sui would ultimately preside over golden ages of China, a new golden age in Chinese history. Often compared to the Qin dynasty (221–206 BC), the Sui likewise unified China after a prolonged period of division, undertook wide-ranging reforms and construction projects to consolidate state power, and collapsed after a brief period. The dynasty was founded by Emperor Wen of Sui, Yang Jian (Emperor Wen), who had been a member of the military aristocracy that had developed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jin Dynasty (266–420)
The Jin dynasty or Jin Empire, sometimes distinguished as the or the , was an Dynasties of China, imperial dynasty in China that existed from 266 to 420. It was founded by Emperor Wu of Jin, Sima Yan, eldest son of Sima Zhao, who had previously been declared the King of Jin. There are two main divisions in the history of the dynasty. The (266–316) was established as the successor to Cao Wei after Sima Yan usurped the throne from Cao Huan. The capital of the Western Jin was initially in Luoyang, though it later moved to Chang'an (modern Xi'an). In 280, after conquering Eastern Wu, the Western Jin ended the Three Kingdoms period and reunited China proper for the first time since the end of the Han dynasty. From 291 to 306, a series of civil wars known as the War of the Eight Princes were fought over control of the Jin state which weakened it considerably. In 304, the dynasty experienced a wave of Invasion and rebellion of the Five Barbarians, rebellions by non-Han Chinese, H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynasties Of China
For most of its history, China was organized into various dynastic states under the rule of hereditary monarchs. Beginning with the establishment of dynastic rule by Yu the Great , and ending with the abdication of the Xuantong Emperor in AD 1912, Chinese historiography came to organize itself around the succession of monarchical dynasties. Besides those established by the dominant Han ethnic group or its spiritual Huaxia predecessors, dynasties throughout Chinese history were also founded by non-Han peoples. Dividing Chinese history into dynastic epochs is a convenient and conventional method of periodization. Accordingly, a dynasty may be used to delimit the era during which a family reigned, as well as to describe events, trends, personalities, artistic compositions, and artifacts of that period. For example, porcelain made during the Ming dynasty may be referred to as "Ming porcelain". The longest-reigning orthodox dynasty of China was the Zhou dynasty, ruling for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
