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Chhandayan
Chhandayan, Inc. (Chhandayan) is a nonprofit 501(c)(3) charitable organization focused on the preservation and advancement of Indian classical music. Chhandayan was founded in 1984 by Samir Chatterjee, the current Artistic Director and President. Its activities span various areas of music education which include organizing concerts and pre-concert lectures, classes (theory and performance), workshops, and archival research. Chhandayan’s primary operations are based out of its New York City headquarters, the Chhandayan Center for Indian Music (CCIM), but its activities are carried out in six local chapters. History Chhandayan traces its roots to 1984 in Kolkata, India where it used to organize Indian classical music concerts designed to offer a platform for young musicians. In 1998, it was reestablished in the United States as a nonprofit 501(c)(3) charitable organization limited to offering musical instruction and small-scale concerts. Over the next several years, the organ ...
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Tala (music)
A tala (IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to Metre (music), musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedas, Vedic era texts of Hinduism, such as the ''Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct until about the 16th century. There on, during the tumultuous ...
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501(c)(3)
A 501(c)(3) organization is a United States corporation, Trust (business), trust, unincorporated association or other type of organization exempt from federal income tax under section 501(c)(3) of Title 26 of the United States Code. It is one of the 29 types of 501(c) organization, 501(c) nonprofit organizations in the US. 501(c)(3) tax-exemptions apply to entities that are organized and operated exclusively for religion, religious, Charitable organization, charitable, science, scientific, literature, literary or educational purposes, for Public security#Organizations, testing for public safety, to foster national or international amateur sports competition, or for the prevention of Child abuse, cruelty to children or Cruelty to animals, animals. 501(c)(3) exemption applies also for any non-incorporated Community Chest (organization), community chest, fund, Cooperating Associations, cooperating association or foundation organized and operated exclusively for those purposes.
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Harmonium (hand-pumped)
The pump organ or reed organ is a type of organ that uses free reeds to generate sound, with air passing over vibrating thin metal strips mounted in a frame. Types include the pressure-based harmonium, the suction reed organ (which employs a vacuum system), and the Indian harmonium. Historical examples include the ''Kunstharmonium'' and the American reed organ, while earlier forms include the physharmonica and the seraphine. More portable than pipe organs, free-reed organs became widespread in smaller churches and private homes during the 19th century, although their volume and tonal range were limited. They generally featured one, or occasionally two, manuals, while pedal-boards were rare. Higher-end pump organs offered a broader range of tones, and models intended for churches or affluent households were often housed in finely crafted cabinets. Between the 1850s and the 1920s, several million reed organs and melodeons were manufactured in the United States and Canada, ...
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Ragas
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar and Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa, the primary development of which has been going down into the lower octave, in contrast with the traditional middle o ...
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New York Society For Ethical Culture
The Ethical movement (also the Ethical Culture movement, Ethical Humanism, and Ethical Culture) is an ethical, educational, and religious movement established in 1877 by the academic Felix Adler (1851–1933).From Reform Judaism to Ethical Culture: The Religious Evolution of Felix Adler
Benny Kraut, Hebrew Union College Press, 1979
The premise of Ethical Culture is that honoring and living in accordance with a code of ethics is required to live a meaningful life and for making the world a better place for all people. The movement originated from an effort among ethical non-religious people to develop and promote

Hindu Philosophy
Hindu philosophy or Vedic philosophy is the set of philosophical systems that developed in tandem with the first Hinduism, Hindu religious traditions during the Iron Age in India, iron and Classical India, classical ages of India. In Indian philosophy, of which Hindu philosophy is a prominent subset, the word used for philosophy is ''Darshana'' (Sanskrit: दर्शन; meaning: "viewpoint or perspective"), from the Sanskrit root 'दृश' () meaning 'to see, to experience'. The schools of thought or ''Darshanas'' within Hindu philosophy largely equate to the six ancient orthodox schools: the ''Āstika and nāstika, āstika'' (Sanskrit: आस्तिक) schools, defined by their acceptance of the Vedas, the oldest collection of Sanskrit literature, Sanskrit texts, as an authoritative source of knowledge. Of these six, Samkhya (सांख्य) is the earliest school of Dualism (Indian philosophy), dualism; Yoga (philosophy), Yoga (योग) combines the metaphysics ...
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Rabindranath Tagore
Rabindranath Thakur (; anglicised as Rabindranath Tagore ; 7 May 1861 – 7 August 1941) was a Bengalis, Bengali polymath who worked as a poet, writer, playwright, composer, philosopher, social reformer, and painter of the Bengal Renaissance. He reshaped Bengali literature and Music of Bengal, music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. He was the author of the "profoundly sensitive, fresh and beautiful" poetry of ''Gitanjali.'' In 1913, Tagore became the first non-European to win a Nobel Prize in any category, and also the first lyricist to win the 1913 Nobel Prize in Literature, Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; where his elegant prose and magical poetry were widely popular in the Indian subcontinent. He was a fellow of the Royal Asiatic Society of Great Britain and Ireland, Royal Asiatic Society. Referred to as "the Bard of Bengal", Tagore was known by the sobri ...
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Ravi Shankar
Ravi Shankar (; born Robindro Shaunkor Chowdhury, sometimes spelled as Rabindra Shankar Chowdhury; 7 April 1920 – 11 December 2012) was an Indian sitar, sitarist and composer. A sitar virtuoso, he became the world's best-known expert of Hindustani classical music, Indian classical music in the second half of the 20th century, and influenced many musicians in India and throughout the world. Shankar was awarded India's highest civilian honour, the Bharat Ratna, in 1999. He is also the father of American singer Norah Jones and British-American musician and sitar player Anoushka Shankar. Shankar was born to a Bengalis, Bengali family in India, and spent his youth as a dancer touring India and Europe with the dance group of his brother Uday Shankar. At age 18, he gave up dancing to pursue a career in music, studying the sitar for seven years under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the ''Apu Tr ...
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Frank Colón
Frank Colón (born October 13, 1951) is an American musician and martial artist of Puerto Rican descent. Early life and education Born in Washington, D.C., Colón moved from there to Puerto Rico at the age of five. His musical instruction began at age eleven, beginning with classical piano lessons, under the guidance of Angelina Figueroa and Rafael Figueroa. He also studied Brazilian percussion, guitar, electric bass, and trap drums. He was active in municipal and collegiate sports, martial arts, and amateur theater, and worked with various local pop music groups. In 1970, he moved back to Washington, D.C. to attend college at American University, where he majored in Political Science. During this time, his musical orientation changed from melodic instruments to percussion. Finishing his university requirements, he turned full-time to music. Music career In 1976, Colón moved to New York City to work with the drummer Julito Collazo. There he became proficient at playing the ...
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Nayan Ghosh
Pandit Nayan Ghosh (born 28 April 1956) is an Indian tabla and sitar maestro. He is a tabla player from the Farrukhabad Gharana. Performing career Born on 28 April 1956, Pandit Nayan Ghosh received in-depth training in vocal music, Tabla and then in sitar from his late father and Guru Padma Bhushan Pandit Nikhil Ghosh. Nayan’s elder uncle was the flautist Pandit Pannalal Ghosh, who was popularly regarded as the ‘Father of North Indian Flute’. He also received guidance under Ustad Ahmed Jan Thirakwa and Pandit Jnan Prakash Ghosh's supervision. He received extensive training in sitar and vocal music from his father Pandit Nikhil Ghosh and later additionally learnt from Pandit Buddhadev Das Gupta. His first tabla solo broadcast was at the age of 4, in 1960. As an accompanist too, he has supported Pandit Ravi Shankar, Ustad Vilayat Khan, Pandit Nikhil Banerjee, Pandit Jasraj, Pandit Shiv Kumar Sharma, Ustad Amjad Ali Khan, Ustad Rais Khan, Pandit Buddhadev Das Gupta ...
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Shujaat Khan
Shujaat Husain Khan (born 19 May 1960) is one of the most acclaimed North Indian musicians and ''sitar'' players of his generation. He belongs to the Imdadkhani ''gharana'', also called Etawah gharana school of music. He has recorded over 100 albums and was nominated for a Grammy Award for Best World Music Album for his work with the band Ghazal with Iranian musician Kayhan Kalhor. He also sings frequently. His style of sitar playing, known as 'gayaki ang', is imitative of the subtleties of the human voice. Early life Born in Kolkata in 1960, Shujaat Khan is the son of legendary sitar player Ustad Vilayat Khan and Monisha Hazra. Shujaat Khan's musical career began at the age of three when he began practicing on a specially made small sitar. By the age of six, he was recognized as a child prodigy and began formal performances. He had privilege of being influenced by great artists like Ustaad Amir Khan (singer), Pandit Bhimsen Joshi, Vidushi Kishori Amonkar and many more. ...
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