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Chhandayan
Chhandayan, Inc. (Chhandayan) is a nonprofit 501(c)(3) charitable organization focused on the preservation and advancement of Indian classical music. Chhandayan was founded in 1984 by Samir Chatterjee, the current Artistic Director and President. Its activities span various areas of music education which include organizing concerts and pre-concert lectures, classes (theory and performance), workshops, and archival research. Chhandayan’s primary operations are based out of its New York City headquarters, the Chhandayan Center for Indian Music (CCIM), but its activities are carried out in six local chapters. History Chhandayan traces its roots to 1984 in Kolkata, India where it used to organize Indian classical music concerts designed to offer a platform for young musicians. In 1998, it was reestablished in the United States as a nonprofit 501(c)(3) charitable organization limited to offering musical instruction and small-scale concerts. Over the next several years, the organi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
501(c)(3)
A 501(c)(3) organization is a United States corporation, trust, unincorporated association or other type of organization exempt from federal income tax under section 501(c)(3) of Title 26 of the United States Code. It is one of the 29 types of 501(c) nonprofit organizations in the US. 501(c)(3) tax-exemptions apply to entities that are organized and operated exclusively for religious, charitable, scientific, literary or educational purposes, for testing for public safety, to foster national or international amateur sports competition, or for the prevention of cruelty to children or animals. 501(c)(3) exemption applies also for any non-incorporated community chest, fund, cooperating association or foundation organized and operated exclusively for those purposes. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonium (hand-pumped)
The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. The idea for the free reed was imported from China through Russia after 1750, and the first Western free-reed instrument was made in 1780 in Denmark. More portable than pipe organs, free-reed organs were widely used in smaller churches and in private homes in the 19th century, but their volume and tonal range were limited. They generally had one or sometimes two manuals, with pedal-boards being rare. The finer pump organs had a wider range of tones, and the cabinets of those intended for churches and affluent homes were often excellent pieces of furniture. Several million free-reed organs and melodeons were made in the US and Canada between the 1850s and the 1920s, some of which were exported. The Cable Company, Estey Organ, and Mason & H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragas
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Society For Ethical Culture
The Ethical movement, also referred to as the Ethical Culture movement, Ethical Humanism or simply Ethical Culture, is an ethical, educational, and religious movement that is usually traced back to Felix Adler (1851–1933).From Reform Judaism to ethical culture: the religious evolution of Felix Adler Benny Kraut, Hebrew Union College Press, 1979 Individual chapter organizations are generically referred to as "Ethical Societies", though their names may include "Ethical Society", "Ethical Culture Society", "Society for Ethical Culture", "Ethical Humanist Society", or other variations on the theme of "Ethical". The Ethical movement is an outgrowth of secular moral traditions in the 19th century, principally in Europe and the United States. While some in this movement went o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Philosophy
Hindu philosophy encompasses the philosophies, world views and teachings of Hinduism that emerged in Ancient India which include six systems ('' shad-darśana'') – Samkhya, Yoga, Nyaya, Vaisheshika, Mimamsa and Vedanta.Andrew Nicholson (2013), Unifying Hinduism: Philosophy and Identity in Indian Intellectual History, Columbia University Press, , pages 2–5 In Indian tradition, the word used for philosophy is Darshana (Viewpoint or perspective), from the Sanskrit root ('to see, to experience'). These are also called the Astika (theistic) philosophical traditions and are those that accept the Vedas as an authoritative, important source of knowledge. Ancient and medieval India was also the source of philosophies that share philosophical concepts but rejected the Vedas, and these have been called (heterodox or non-orthodox) Indian philosophies. Nāstika Indian philosophies include Buddhism, Jainism, Chārvāka, Ājīvika, and others.P Bilimoria (2000), Indian Philosoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rabindranath Tagore
Rabindranath Tagore (; bn, রবীন্দ্রনাথ ঠাকুর; 7 May 1861 – 7 August 1941) was a Bengali polymath who worked as a poet, writer, playwright, composer, philosopher, social reformer and painter. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the "profoundly sensitive, fresh and beautiful" poetry of '' Gitanjali'', he became in 1913 the first non-European and the first lyricist to win the Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal. He was a fellow of the Royal Asiatic Society. Referred to as "the Bard of Bengal", Tagore was known by sobriquets: Gurudev, Kobiguru, Biswakobi. A Bengali Brahmin from Calcutta with ancestral gentry roots in Burdwan district* * * and Jessore, Tagore wrote poetry as an eight-ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ravi Shankar
Ravi Shankar (; born Robindro Shaunkor Chowdhury, sometimes spelled as Rabindra Shankar Chowdhury; 7 April 1920 – 11 December 2012) was an Indian sitarist and composer. A sitar virtuoso, he became the world's best-known export of North Indian classical music in the second half of the 20th century, and influenced many musicians in India and throughout the world. Shankar was awarded India's highest civilian honour, the Bharat Ratna, in 1999. Shankar was born to a Bengali Brahmin family in India, and spent his youth as a dancer touring India and Europe with the dance group of his brother Uday Shankar. He gave up dancing in 1938 to study sitar playing under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the '' Apu Trilogy'' by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956. In 1956, Shankar began to tour Europe and the Americas playing Indian classical music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Colón
Frank Colón (born October 13, 1951) is an American musician and martial artist of Puerto Rican descent. Early life and education Born in Washington, D.C., Colón moved from there to Puerto Rico at the age of five. His musical instruction began at age eleven, beginning with classical piano lessons, under the guidance of Angelina Figueroa and Rafael Figueroa. He also studied Brazilian percussion, guitar, electric bass, and trap drums. He was active in municipal and collegiate sports, martial arts, and amateur theater, and worked with various local pop music groups. In 1970, he moved back to Washington, D.C. to attend college at American University, where he majored in Political Science. During this time, his musical orientation changed from melodic instruments to percussion. Finishing his university requirements, he turned full-time to music. Music career In 1976, Colón moved to New York City to work with the drummer Julito Collazo. There he became proficient at playing the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nayan Ghosh
Pandit Nayan Ghosh (born 28 April 1956) is an Indian Tabla and Sitar maestro. He is a tabla player from the Farrukhabad Gharana. Performing career Born on 28 April 1956, Pandit Nayan Ghosh received in-depth training in vocal music, Tabla and then in Sitar from his late father and Guru Padmabhushan Pandit Nikhil Ghosh. Nayan’s elder uncle was the flautist Pandit Pannalal Ghosh, who was popularly regarded as the ‘Father of North Indian Flute’. He also received guidance under Ustad Ahmed Jan Thirakwa and Pandit Jnan Prakash Ghosh's supervision. He received extensive training in Sitar and vocal music from his father Pandit Nikhil Ghosh and later additionally learnt from Pandit Buddhadev Das Gupta. His first tabla solo broadcast was at the age of 4, in 1960. As an accompanist too, he has supported Pandit Ravi Shankar, Ustad Vilayat Khan, Pandit Nikhil Banerjee, Pandit Jasraj, Pandit Shiv Kumar Sharma, Ustad Amjad Ali Khan, Ustad Rais Khan, Pandit Buddhadev Das Gupta, Usta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shujaat Khan
Shujaat Husain Khan (born 19 May 1960) is one of the greatest North Indian musicians and '' sitar'' players of his generation. He belongs to the Imdadkhani ''gharana'' school of music. He has recorded over 100 albums and was nominated for a Grammy Award for Best World Music Album for his work with the band Ghazal with Iranian musician Kayhan Kalhor. He also sings frequently. His style of sitar playing, known as gayaki ang, is imitative of the subtleties of the human voice. Early life Born in Calcutta, Shujaat Khan is the son of legendary sitar player Ustad Vilayat Khan and Monisha Hazra. Shujaat Khan's musical career began at the age of three when he began practicing on a specially made small sitar. By the age of six, he was recognized as a child prodigy and began formal performances. He had privilege of being influenced by great artists like Ustaad Amir Khan (singer), Pandit Bhimsen Joshi, Vidushi Kishori Amonkar and many more. He has musical pedigree that extends back t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ajoy Chakrabarty
Pandit Ajoy Chakrabarty (born 25 December 1952) is an Hindustani classical vocalist, composer, lyricist and an exponent of the Patiala-Kasur gharana. He was given Padma Bhushan Award, the third highest civilian award in India in 2020. Early life Ajoy Chakrabarty was born in Kolkata, West Bengal. He was raised with his brother in Shyamnagar. His younger brother, Sanjay Chakrabarty, is a lyricist and composer. He graduated top of his class in music, both in B.A and M.A. from the Rabindra Bharati University in Kolkata and joined the ITC Sangeet Research Academy in 1978 as its first scholar. Today he is one of the youngest gurus of this academy. His father, Ajit Chakrabarty, was his first Guru. He then studied with Pannalal Samanta, Kanaidas Bairagi and Jnan Prakash Ghosh. Besides that, he had learnt from Latafat Hussain Khan, Nibruttibua Sarnaik, Hirabai Barodekar and in Carnatic styles from M. Balamuralikrishna, that kept enriching his musical expression and repertoire. Despit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
