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Cherubikon
The Cherubikon (Koine Greek, Greek: χερουβικόν) is the usual Cherubic Hymn (Koine Greek, Greek: χερουβικὸς ὕμνος, Church Slavonic ) sung at the Great Entrance of the Byzantine Rite, Byzantine Divine Liturgy, liturgy. History Origin The cherubikon was added as a troparion to the Divine Liturgy under Emperor Justin II (565 – 578) when a separation of the room where the gifts are prepared from the room where they are consecrated made it necessary that the Liturgy of the Faithful, from which those not baptised had been excluded, start with a procession. This procession is known as the Great Entrance, because the celebrants have to enter the choir by the altar screen, later replaced by the iconostasis. The hymn symbolically incorporates those present at the liturgy into the presence of the angels gathered around God's throne.Parry (#Par99, 1999), p. 117. The chant genre ''Offertory, offertorium'' in traditions of Western plainchant was basically a cop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prothesis (altar)
The prothesis is the place in the sanctuary in which the Liturgy of Preparation takes place in the Eastern Orthodox and Greek Catholic Churches. Prothesis and diaconicon are collectively referred to as pastophoria. The prothesis is located behind the iconostasis and consists of a small table, also known as the Table of Oblation, on which the bread and wine are prepared for the Divine Liturgy. The table will often bear the items being used for the preparation: the chalice, cutting implements, cloths and other items. It is most often placed on the north side of the altar, or in a separate chamber (itself referred to as the prothesis) on the north side of the central apse. During the reign of the Emperor Justin II (565–574), it came to occupy its own separate chamber to the north of the sanctuary, having a separate apse, and joined to the altar by an arched opening. Another apsed chamber was added on the south side for the diaconicon. So that from this time forward, large Orth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gloria In Excelsis Deo
"" (Latin for "Glory to God in the highest") is a Christianity, Christian Hymn#Christian hymnody, hymn known also as the Greater Doxology (as distinguished from the "Minor Doxology" or Gloria Patri) and the Angelic Hymn/Hymn of the Angels. The name is often abbreviated to Gloria in Excelsis or simply Gloria. The hymn begins with the words that the angels sang when announcing the birth of Christ to shepherds in : Douay-Rheims Bible, Douay-Rheims (in Latin). Other verses were added very early, forming a doxology. An article by David Flusser links the text of the verse in Luke with ancient Jewish liturgy. History is an example of the ''psalmi idiotici'' ("private psalms", i.e., compositions by individuals in imitation of the biblical Psalter) that were popular in the 2nd and 3rd centuries. Other surviving examples of this lyric poetry are the Te Deum and the Phos Hilaron. In the 4th century it became part of morning prayers, and is still recited in the Byzantine Rite Matins, Or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vespers
Vespers /ˈvɛspərz/ () is a Christian liturgy, liturgy of evening prayer, one of the canonical hours in Catholic (both Latin liturgical rites, Latin and Eastern Catholic liturgy, Eastern Catholic liturgical rites), Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran liturgies. The word for this prayer time comes from the Latin ''vesper'', meaning "evening". Vespers typically follows a set order that focuses on the performance of psalms and other biblical canticles. Eastern Orthodox liturgies recognised as vespers (, ) often conclude with compline, especially the all-night vigil. Performing these liturgies together without break was also a common practice in medieval Europe, especially outside of monastic and religious communities. Old English speakers translated the Latin word as , which became evensong in modern English. The term is now usually applied to the Anglican variant of the liturgy that combines vespers with compline, following the conception of early sixtee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambrosian Rite
The Ambrosian Rite () is a Latin liturgical rites, Latin liturgical rite of the Catholic Church and the Eastern Orthodox Church (specifically The Divine Liturgy of Saint Ambrose). The ritual family, rite is named after Ambrose, Saint Ambrose, a bishop of Milan in the fourth century. It is used by around five million Catholics in the greater part of the Roman Catholic Archdiocese of Milan, Archdiocese of Milan (excluding Monza, Treviglio and Trezzo sull'Adda), in some parishes of the Diocese of Como, Roman Catholic Diocese of Bergamo, Bergamo, Diocese of Novara, Novara, Diocese of Lodi, Lodi, in the Diocese of Lugano, Canton of Ticino, Switzerland, less prominently in some Western Rite Orthodoxy, Western Rite orthodox parishes and on special occasions of other jurisdictions. The Ambrosian Rite has risked suppression at various points in its history. It was reformed after the Second Vatican Council (Pope Paul VI belonged to the Ambrosian Rite, having previously been Archbishop of Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gallican Rite
The Gallican Rite is a historical form of Christian liturgy and other ritual practices in Western Christianity. It is not a single Ritual family, liturgical rite but rather several Latin liturgical rites that developed within the Latin Church, which comprised the majority use of most of Western Christianity for the greater part of the 1st millennium AD. The rites first developed in the early centuries as the Syriac-Greek rites of Early centers of Christianity#Jerusalem, Jerusalem and Early centers of Christianity#Antioch, Antioch and were first translated into Latin in various parts of the Western Roman Empire Praetorian prefecture of Gaul. By the 5th century, it was well established in the Roman diocese, Roman civil diocese of Diocese of Gaul, Gaul, Christianity in Gaul, which had a few early centers of Christianity in the south. Ireland is also known to have had a form of this Gallican Liturgy mixed with Celtic customs. History and origin The Gallican Rite was used from before ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trisagion
The ''Trisagion'' (; 'Thrice Holy'), sometimes called by its incipit ''Agios O Theos'', is a standard hymn of the Divine Liturgy in most of the Eastern Orthodox Church, Eastern Orthodox, Western Orthodox, Oriental Orthodoxy, Oriental Orthodox, and Eastern Catholic Churches, Eastern Catholic churches. In churches which use the Byzantine Rite, the Trisagion is chanted immediately before the ''Prokeimenon'' and the Epistle reading. It is also included in a set of prayers named for it, called the Trisagion Prayers, which forms part of numerous services (the Hours, Vespers, Matins, and as part of the opening prayers for most services). It is most prominent in the Latin Church for its use on Good Friday. It is also used in the Liturgy of the Hours and in some Catholic devotions. Form of the prayer The Trisagion prayer is an ancient prayer in Christianity. In Greek language, Greek: In Latin language, Latin: In English language, English – literal translation: In English la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anaphora (liturgy)
The Anaphora (), Eucharistic Prayer, or Great Thanksgiving, is a portion of the Christian liturgy of the Eucharist in which, through a prayer of thanksgiving, the elements of bread and wine are consecrated. The prevalent historical Roman Rite form is called the " Canon of the Mass". "Anaphora" is a Greek word () meaning a "carrying up", thus an "offering" (hence its use in reference to the offering of sacrifice to God). (This sense is distinct from the usage of "anaphora" in rhetoric and linguistics to mean a "carrying back".) In the sacrificial language of the Greek version of the Hebrew Bible known as the Septuagint, (prospherein) is used of the offerer's bringing the victim ''to'' the altar, and (anapherein) is used of the priest's offering ''up'' the selected portion upon the altar (see, for instance, , , , ). Elements To describe the structure of the Anaphoras as it became standardized from the 4th century, we can look at the structure of the anaphoras in the Antiochene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanctus
The ''Sanctus'' (, "Holy") is a hymn in Christian liturgy. It may also be called the ''epinikios hymnos'' (, "Hymn of Victory") when referring to the Greek rendition and parts of it are sometimes called "Benedictus". ''Tersanctus'' (Latin: "Thrice Holy") is another, rarer name for the Sanctus. The same name is sometimes used for the ''Trisagion''. In Western Christianity, the ''Sanctus'' forms part of the Ordinary and is sung (or said) as the final words of the Preface of the Eucharistic Prayer of remembrance, consecration, and praise. The preface, which alters according to the season, usually concludes with words describing the praise of the worshippers joining with the angels, who are pictured as praising God with the words of the ''Sanctus''. In the Byzantine Rite and general Eastern Orthodox Christianity, the ''Sanctus'' is offered as a response by the choir during the Holy Anaphora. Text In Greek ''Hágios, hágios, hágios, Kýrios Sabaṓth; plḗrēs ho ouranós ka� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troparion
A troparion (Greek , plural: , ; Georgian: , ; Church Slavonic: , ) in Byzantine music and in the religious music of Eastern Orthodox Christianity is a short hymn of one stanza, or organised in more complex forms as series of stanzas. The wider meaning of troparion The word probably derived from a diminutive of the Greek ('something repeated', 'manner', 'fashion'), since the earliest function of the troparion was a refrain during the recitation of the cantica (biblical odes) and the psalms, as such the term was used as a synonym of . The early meaning of ''troparion'' was related to the monastic hymn book '' Tropologion'' or Troparologion. Hence its forms were manifold, they could be simple stanzas like apolytikia, theotokia, but also more elaborated homiletic poems like ''stichera'' composed in psalmodic hexameters (probably from ''stichos'', "verse"), or in a more complex meter like the odes composed in cycles called canon. Since these Tropologia in their earliest form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domestikos
''Domestikos'' (; , from the ), in English sometimes heDomestic, was a civil, ecclesiastic and military office in the Late Roman Empire and the Byzantine Empire. Military usage The ''domestikoi'' trace their ancestry to the '' protectores domestici'' guard unit of the Late Roman army, established in the late 3rd century. These were a corps of men that served as a staff to the Roman emperors, while also functioning as an officer school. These continued in existence in the Eastern Roman/Byzantine Empire until the late 6th century. In the Byzantine army, the old ''protectores domestici'' had vanished by the 7th century, and the name only remained as a title associated with certain guard units. Following the creation of the '' tagmata'' in the mid-8th century, four of them, the '' Scholai'', the '' Exkoubitoi'', the '' Hikanatoi'' and the '' Noumeroi'', as well as, uniquely, the '' thema'' of the Optimatoi, were led by a ''domestikos''. To them was added the short-lived ''tagma'' of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambo (liturgy)
The ambon or ambo (, meaning "pulpit"; Slavonic: ''amvón'') in its modern usage is a projection coming out from the soleas (the walkway in front of the iconostasis) in an Eastern Orthodox, Oriental Orthodox and Eastern Catholic church. The ambon stands directly in front of the Holy Doors. It may be either rounded or square and has one, two, or three steps leading up to it. History Originally the ambon was an elevated platform, somewhat variable in location within the church (but typically found toward the center of the nave, or somewhat forward from there), where the scriptures were read during the Divine Liturgy. It is still so used for celebrations of the Liturgy of St James. It is a development from the bimah in the Jewish synagogue. In the Russian Orthodox Church, during Hierarchical services, the bishop will stand upon a raised platform ( ''kafedra'') in the center of the nave like the bimah of old. Originally used in both the East and West, the structure has almost d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
