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Charwei Tsai
Charwei Tsai (; ; born 1 October 1980) is a Taiwanese multidisciplinary artist who lives and works in Taipei, Taiwan. Biography Tsai was born in 1980 in Taipei, Taiwan. She attended Taipei American School in Taipei, and Stevenson School in Pebble Beach, California. Tsai graduated from Rhode Island School of Design in 2002 with a degree in Industrial Design, and completed a postgraduate research program at the École nationale supérieure des Beaux-Arts in Paris in 2010. Tsai moved to New York City in 2002. She took a part-time job at Printed Matter, and volunteered at Tibet House, where she grew her interest in Buddhist philosophy. Tsai worked as an assistant in Chinese artist Cai Guo-Qiang's studio in New York from 2004 to 2006. She was also influenced by the earthworks series of artist Robert Smithson. Tsai has worked as an artist in Taipei, Paris, and Ho Chi Minh City. In 2005, she founded the art journal ''Lovely Daze''. Her work has been widely exhibited in international m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taipei
, nickname = The City of Azaleas , image_map = , map_caption = , pushpin_map = Taiwan#Asia#Pacific Ocean#Earth , coordinates = , subdivision_type = Country , subdivision_name = Taiwan , established_title = Settled , established_date = 1709 , established_title1 = Renamed Taihoku , established_date1 = 17 April 1895 , established_title2 = Provincial city (Taiwan), Provincial city status , established_date2 = 25 October 1945 , established_title3 = Retreat of the government of the Republic of China to Taiwan, Provisional national capital , established_date3 = 7 December 1949 , established_title4 = Reconstituted as a Yuan-controlled municipality , established_date4 = 1 July 1967 , capital_type = City seat , capital = Xinyi District, Taipei, Xinyi District , largest_settlement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asia Pacific Triennial
The Gallery of Modern Art (GOMA) is an art museum located within the Queensland Cultural Centre in the South Bank precinct of Brisbane, Queensland, Australia. The gallery is part of QAGOMA. Opened on 2 December 2006, the GOMA is Australia's largest gallery of modern and contemporary art. It also houses the Australian Cinémathèque,the only facility of its kind in an Australian art museum. The gallery is situated on Kurilpa Point next to the Queensland Art Gallery (QAG) building and the State Library of Queensland, and faces the Brisbane River and the CBD. The GOMA has a total floor area over and the largest exhibition gallery is . The building was designed by Sydney architecture firm Architectus. Design In July 2002, Sydney-based company Architectus was commissioned by the Queensland Beattie Government following an Architect Selection Competition, to design the Queensland Art Gallery's second site, the Gallery of Modern Art (GOMA). A main theme of Architectus's design w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vimalakirti Sutra
The ''Vimalakīrti Nirdeśa'' (Devanagari: विमलकीर्तिनिर्देश) (sometimes referred to as the ''Vimalakīrti Sūtra'' or ''Vimalakīrti Nirdeśa Sūtra'') is a Buddhist text which centers on a lay Buddhist meditator who attained a very high degree of enlightenment considered by some second only to the Buddha's. It was extremely influential in East Asia, but most likely of considerably less importance in the Indian and Tibetan sub-traditions of Mahāyāna Buddhism. The word ''nirdeśa'' in the title means "instruction, advice", and Vimalakīrti is the name of the main protagonist of the text, and means "Taintless Fame". The sutra teaches, among other subjects, the meaning of nondualism, the doctrine of the true body of the Buddha, the characteristically Mahāyāna claim that the appearances of the world are mere illusions, and the superiority of the Mahāyāna over other paths. It places in the mouth of the upāsaka (lay practitioner) Vimalakīrt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Centre For Chinese Contemporary Art
esea contemporary, formerly the Centre for Chinese Contemporary Art, is a contemporary art gallery based in Manchester, England. It is located on Thomas Street in Manchester's Northern Quarter (Manchester), Northern Quarter, in the renovated part of the Smithfield Market Hall. History Origins of the Chinese Arts Centre (1986–1989) The origins of the CFCCA can be found in the Black Arts Movement of the late 1980s which highlighted the artistic plight of people of African, Caribbean, or South Asian origin yet often excluded artists of Chinese origin. In the mid-1980s, Amy Lai, an artist and radio producer based in Manchester, thought there was a general lack of Chinese cultural activities compared to events arranged by the Asian and Caribbean communities. Using her links at the Eastern Horizon radio programme, Lai organised Chinese View '86, a two-week festival celebrating Chinese culture. The aim of the festival was to "engage the local ethnically Chinese community with ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macro Photography
Macro photography (or photomacrography or macrography, and sometimes macrophotography) is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life-size (though ''macrophotography'' also refers to the art of making very large photographs). By the original definition, a macro photograph is one in which the size of the subject on the negative or image sensor is life-size or greater. In some senses, however, it refers to a finished photograph of a subject that is greater than life-size. The ratio of the subject size on the film plane (or sensor plane) to the actual subject size is known as the reproduction ratio. Likewise, a macro lens is classically a lens capable of reproduction ratios of at least 1:1, although it often refers to any lens with a large reproduction ratio, despite rarely exceeding 1:1. Apart from technical photography and film-based processes, where th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bardo Thodol
The ''Bardo Thodol'' (, 'Liberation through hearing during the intermediate state'), commonly known in the West as ''The Tibetan Book of the Dead'', is a terma text from a larger corpus of teachings, the ''Profound Dharma of Self-Liberation through the Intention of the Peaceful and Wrathful Ones'', revealed by Karma Lingpa (1326–1386). It is the best-known work of Nyingma literature. In 1927, the text was one of the first examples of both Tibetan and Vajrayana literature to be translated into a European language and arguably continues to this day to be the best known. The Tibetan text describes, and is intended to guide one through, the experiences that the consciousness has after death, in the bardo, the interval between death and the next rebirth. The text also includes chapters on the signs of death and rituals to undertake when death is closing in or has taken place. The text can be used as either an advanced practice for trained meditators or to support the uninitia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajrasattva
Vajrasattva (, Tibetan: རྡོ་རྗེ་སེམས་དཔའ། ''Dorje Sempa'', short form: རྡོར་སེམས། ''Dorsem'') is a bodhisattva in the Mahayana and Mantrayana/Vajrayana Buddhist traditions. In Chinese Buddhism and the Japanese Shingon tradition, Vajrasattva is the esoteric aspect of the bodhisattva Samantabhadra and is commonly associated with the student practitioner who, through the master's teachings, attains an ever-enriching, subtle and rarefied grounding in their esoteric practice. In the East Asian esoteric Buddhist Diamond Realm Mandala, Vajrasattva sits to the East near Akshobhya Buddha. In some esoteric lineages, Nagarjuna was said to have met Vajrasattva in an iron tower in South India, and was taught tantra, thus transmitting the esoteric teachings to more historical figures. In Tibetan Buddhism, Vajrasattva is associated with the sambhogakāya and with purification practice. Vajrasattva appears in various Buddhist texts, inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regent Street Railway Station
Regent Street railway station, formerly the Mortuary railway station, is a railway station in Sydney from which funeral trains departed for the Rookwood Cemetery railway line serving Rookwood Cemetery. The station found later use as a part of Sydney Yard. The ornate Gothic station stands on the western side of Sydney Yard at Chippendale, close to Central railway station and Railway Square. It was added to the New South Wales State Heritage Register on 2 April 1999. History The station opened as Mortuary on 29 June 1869. From 1938, it was known as Regent Street, after the street on which it is located. It has also been referred to by different names, including the Necropolis Receiving Station and the Mortuary Station. The track to Regent Street branches off the Rozelle–Darling Harbour Goods Line right after the line begins at Sydney Yard. The Mortuary station was built as part of the larger Rookwood Cemetery line. It was completed on 22 March 1869 but had been used sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biennale Of Sydney
The Biennale of Sydney is an international festival of contemporary art, held every two years in Sydney, Australia. It is a large and well-attended contemporary visual arts event in the country. Alongside the Venice and São Paulo biennales and Documenta, it is one of the longest running exhibitions of its kind and was the first biennale to be established in the Asia-Pacific region. History In 1973, Franco Belgiorno-Nettis, as co-managing director of Transfield Pty. Ltd., founded the Biennale of Sydney which held its first exhibition of 37 artists in the exhibition hall of the then newly opened Sydney Opera House. *1973, ''The Biennale of Sydney'', Coordinator: Anthony Wintherbotham *1976, ''Recent International Forms in Art'', artistic director: Thomas G. McCullough *1979, ''European Dialogue'', artistic director: Nick Waterlow *1982, ''Vision in Disbelief'', artistic director: William Wright *1984, ''Private Symbol: Social Metaphor'', artistic director: Leon Paroissien *1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jardin Des Plantes
The Jardin des Plantes (, ), also known as the Jardin des Plantes de Paris () when distinguished from other ''jardins des plantes'' in other cities, is the main botanical garden in France. Jardin des Plantes is the official name in the present day, but it is in fact an elliptical form of Jardin Royal des Plantes Médicinales ("Royal Garden of the Medicinal Plants"), which is related to the original purpose of the garden back in the 17th century. Headquarters of the Muséum National d'Histoire Naturelle (National Museum of Natural History, part of Sorbonne University), the Jardin des Plantes is situated in the 5th arrondissement, Paris, on the left bank of the river Seine, and covers 28 hectares (280,000 m2). Since 24 March 1993, the entire garden and its contained buildings, archives, libraries, greenhouses, '' ménagerie'' (a zoo), works of art, and specimens' collection are classified as a national historical landmark in France (labelled ''monument historique''). Garden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Museum Of Natural History, France
The French National Museum of Natural History ( ; abbr. MNHN) is the national natural history museum of France and a of higher education part of Sorbonne University. The main museum, with four galleries, is located in Paris, France, within the Jardin des Plantes on the left bank of the River Seine. It was formally founded in 1793, during the French Revolution, but was begun even earlier in 1635 as the royal garden of medicinal plants. The museum now has 14 sites throughout France. Since the 2014 reform, it has been headed by a chairman, assisted by deputy managing directors. The Museum has a staff of approximately 2,350 members, including six hundred researchers. It is a member of the national network of naturalist collections (RECOLNAT). History 17th–18th century File:Jardin du roi 1636.png, The Royal Garden of Medicinal Plants in 1636 File:Buffon statue dsc00979.jpg, Statue of Georges-Louis Leclerc, Comte de Buffon in the formal garden File:Buffon, Georges Louis - Lecle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edouard Malingue Gallery
Kiang Malingue is a commercial art gallery with premises in Hong Kong and New York City. It was founded by Edouard Malingue and Lorraine Kiang Malingue as the Edouard Malingue Gallery in 2010. The establishment combines different disciplines, ranging from video and installation to painting and sound, and also actively works with international institutions and curators to present off-site artistic projects and exhibitions. Background Since 2010, as Kiang Malingue (previously Edouard Malingue Gallery), the institution has produced over a hundred exhibitions in Hong Kong, Shanghai, Beijing, and internationally. Some solo exhibitions in recent years have included Kwan Sheung Chi's "Not retrospective" in 2024, Wong Ping's "anus whisper", also in 2024, Apichatpong Weerasethakul's "A Planet of Silence, Selected Works from 2021–2022" in 2023, Zheng Bo's "Beech, Pine, Fern, Acacia" in 2023, Brook Hsu's "Oranges, Clementines and Tangerines" in 2022, Chou Yu-Cheng's "Sedimentary Gradient" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
