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Charwei Tsai
Charwei Tsai (; ; born 1 October 1980) is a Taiwanese multidisciplinary artist who lives and works in Taipei, Taiwan. Biography Tsai was born in 1980 in Taipei, Taiwan. She attended Taipei American School in Taipei, and Stevenson School in Pebble Beach, California. Tsai graduated from Rhode Island School of Design in 2002 with a degree in Industrial Design, and completed a postgraduate research program at the École nationale supérieure des Beaux-Arts in Paris in 2010. Tsai moved to New York City in 2002. She took a part-time job at Printed Matter, and volunteered at Tibet House, where she grew her interest in Buddhist philosophy. Tsai worked as an assistant in Chinese artist Cai Guo-Qiang's studio in New York from 2004 to 2006. She was also influenced by the earthworks series of artist Robert Smithson. Tsai has worked as an artist in Taipei, Paris, and Ho Chi Minh City. In 2005, she founded the art journal ''Lovely Daze''. Her work has been widely exhibited in internatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taipei
Taipei (), officially Taipei City, is the capital and a special municipality of the Republic of China (Taiwan). Located in Northern Taiwan, Taipei City is an enclave of the municipality of New Taipei City that sits about southwest of the northern port city of Keelung. Most of the city rests on the Taipei Basin, an ancient lakebed. The basin is bounded by the relatively narrow valleys of the Keelung and Xindian rivers, which join to form the Tamsui River along the city's western border. The city of Taipei is home to an estimated population of 2,646,204 (2019), forming the core part of the Taipei–Keelung metropolitan area, which includes the nearby cities of New Taipei and Keelung with a population of 7,047,559, the 40th most-populous urban area in the world—roughly one-third of Taiwanese citizens live in the metro district. The name "Taipei" can refer either to the whole metropolitan area or just the city itself. Taipei has been the seat of the ROC central governm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asia Pacific Triennial
The Gallery of Modern Art (GOMA) is an art museum located within the Queensland Cultural Centre in the South Bank precinct of Brisbane, Queensland, Australia. The gallery is part of QAGOMA. GOMA, which opened on 2 December 2006, is the largest gallery of modern and contemporary art in Australia, and houses Australia's first purpose-built cinematheque. The gallery is situated on Kurilpa Point next to the Queensland Art Gallery (QAG) building and the State Library of Queensland, and faces the Brisbane River and the CBD. The Gallery of Modern Art has a total floor area over and the largest exhibition gallery is . The building was designed by Sydney architecture firm Architectus. Design In July 2002, Sydney-based company Architectus was commissioned by the Queensland Beattie Government following an Architect Selection Competition, to design the Queensland Art Gallery's second site, the Gallery of Modern Art (GOMA). A main theme of Architectus's design was a pavilion in the lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vimalakirti Sutra
The ''Vimalakīrti Nirdeśa'' (Devanagari: विमलकीर्तिनिर्देश) (sometimes referred to as the ''Vimalakīrti Sūtra'' or ''Vimalakīrti Nirdeśa Sūtra'') is a Buddhist text which centers on a lay Buddhist meditator who attained a very high degree of enlightenment considered by some second only to the Buddha's. It was extremely influential in East Asia, but most likely of considerably less importance in the Indian and Tibetan sub-traditions of Mahāyāna Buddhism. The word ''nirdeśa'' in the title means "instruction, advice", and Vimalakīrti is the name of the main protagonist of the text, and means "Taintless Fame". The sutra teaches, among other subjects, the meaning of nondualism, the doctrine of the true body of the Buddha, the characteristically Mahāyāna claim that the appearances of the world are mere illusions, and the superiority of the Mahāyāna over other paths. It places in the mouth of the upāsaka (lay practitioner) Vimalakīrti a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Centre For Chinese Contemporary Art
The Centre for Chinese Contemporary Art is a contemporary art gallery based in Manchester, England. It is located on Thomas Street in Manchester's Northern Quarter in the renovated part of the Smithfield Market Hall. History Origins of the Chinese Arts Centre (1986-1989) The origins of the CFCCA can be found in the Black Arts Movement of the late 1980s which highlighted the artistic plight of people of African, Caribbean or South Asian origin yet often excluded artists of Chinese origin. In the mid-1980s, Amy Lai, an artist and radio producer based in Manchester, thought there was a general lack of Chinese cultural activities compared to events arranged by the Asian and Caribbean communities. Using her links at the Eastern Horizon radio programme, Lai organised Chinese View ‘86, a two-week festival celebrating Chinese culture. The aim of the festival was to ''"engage the local ethnically Chinese community with arts and education programmes that worked to explore Chinese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macro Photography
Macro photography (or photomacrography or macrography, and sometimes macrophotography) is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life size (though ''macrophotography'' also refers to the art of making very large photographs). By the original definition, a macro photograph is one in which the size of the subject on the negative or image sensor is life size or greater. In some senses, however, it refers to a finished photograph of a subject that is greater than life size. The ratio of the subject size on the film plane (or sensor plane) to the actual subject size is known as the reproduction ratio. Likewise, a macro lens is classically a lens capable of reproduction ratios of at least 1:1, although it often refers to any lens with a large reproduction ratio, despite rarely exceeding 1:1. Apart from technical photography and film-based processes, where the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bardo Thodol
The ''Bardo Thodol'' (, "Liberation Through Hearing During the Intermediate State"), commonly known in the West as ''The Tibetan Book of the Dead'', is a terma text from a larger corpus of teachings, the ''Profound Dharma of Self-Liberation through the Intention of the Peaceful and Wrathful Ones'', revealed by Karma Lingpa (1326–1386). It is the best-known work of Nyingma literature. In 1927 the text was one of the first examples of both Tibetan and Vajrayana literature to be translated into a European language and arguably continues to this day to be the best known. The Tibetan text describes, and is intended to guide one through, the experiences that the consciousness has after death, in the bardo, the interval between death and the next rebirth. The text also includes chapters on the signs of death and rituals to undertake when death is closing in or has taken place. The text can be used as either an advanced practice for trained meditators or to support the uninitiat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajrasattva
Vajrasattva ( sa, वज्रसत्त्व, Tibetan: རྡོ་རྗེ་སེམས་དཔའ། ''Dorje Sempa'', short form is རྡོར་སེམས། ''Dorsem'', Монгол: Доржсэмбэ) is a bodhisattva in the Mahayana, Mantrayana/Vajrayana Buddhist traditions. In Chinese Buddhism and the Japanese Shingon tradition, Vajrasatva is the esoteric aspect of the bodhisattva Samantabhadra and is commonly associated with the student practitioner who through the master's teachings, attains an ever-enriching subtle and rarefied grounding in their esoteric practice. In Tibetan Buddhism Vajrasatva is associated with the sambhogakāya and purification practice. Vajrasatva appears principally in two Buddhists texts: the '' Mahavairocana Sutra'' and the '' Vajrasekhara Sutra''. In the Diamond Realm Mandala, Vajrasatva sits to the East near Akshobhya Buddha. In some esoteric lineages, Nagarjuna was said to have met Vajrasatva in an iron tower in South India, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regent Street Railway Station
Regent Street railway station, formerly known as the Mortuary railway station, was a railway station on Sydney's Rookwood Cemetery railway line. Funeral trains departed from the station, bound for Rookwood Cemetery. The station found later use as a part of Sydney Yard. The ornate Gothic building is still standing on the western side of Sydney Yard at Chippendale, close to Central railway station and Railway Square. It was added to the New South Wales State Heritage Register on 2 April 1999. History The station opened as Mortuary on 29 June 1869. At some point, its name was changed to Regent Street, after the street on which it is located. It has also been referred to by different names, including the Necropolis Receiving Station and the Mortuary Station. The station was built as part of the larger Rookwood Cemetery line. It was completed on 22 March 1869 but had been used since 1 January 1869. It was also one end of the service that ran to the Woronora General Cemetery in S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biennale Of Sydney
The Biennale of Sydney is an international festival of contemporary art, held every two years in Sydney, Australia. It is a large and well-attended contemporary visual arts event in the country. Alongside the Venice and São Paulo biennales and Documenta, it is one of the longest running exhibitions of its kind and was the first biennale to be established in the Asia-Pacific region. History In 1973 the Biennale of Sydney held its first exhibition of 37 artists in the exhibition hall of the then newly opened Sydney Opera House. *1973, ''The Biennale of Sydney'', Coordinator: Anthony Wintherbotham *1976, ''Recent International Forms in Art'', Artistic Director: Thomas G. McCullough *1979, ''European Dialogue'', Artistic Director: Nick Waterlow *1982, ''Vision in Disbelief'', Artistic Director: William Wright *1984, ''Private Symbol: Social Metaphor'', Artistic Director: Leon Paroissien *1986, ''Origins, Originality + Beyond'', Artistic Director: Nick Waterlow *1988, ''From t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Museum Of Natural History, France
The French National Museum of Natural History, known in French as the ' (abbreviation MNHN), is the national natural history museum of France and a ' of higher education part of Sorbonne Universities. The main museum, with four galleries, is located in Paris, France, within the Jardin des Plantes on the left bank of the River Seine. It was formally founded in 1793 during the French Revolution, but was begun even earlier in 1635 as the royal garden of medicinal plants. The museum now has 14 sites throughout France. History 17th–18th century File:Jardin du roi 1636.png, The Royal Garden of Medicinal Plants in 1636 File:Buffon statue dsc00979.jpg, Statue of Georges-Louis Leclerc, Comte de Buffon in the formal garden File:Buffon, Georges Louis - Leclerc, comte de – Histoire naturelle, générale et particuliére, 1763 – BEIC 8822844.jpg, Buffon's "Natural History" (1763) File:MNHN-logo.jpg, The museum's seal, designed in 1793, illustrates the three realms of Nature, Collectiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edouard Malingue Gallery
Kiang Malingue is a commercial art gallery with premises in Hong Kong and Shanghai, China. It was founded by Edouard Malingue and Lorraine Kiang Malingue as the Edouard Malingue Gallery in 2010. The establishment combines different disciplines, ranging from video and installation to painting and sound, and also actively works with international institutions and curators to present off-site artistic projects and exhibitions. Background Since 2010, as Edouard Malingue Gallery, the institution has produced over 100 exhibitions in Hong Kong, Shanghai, Beijing, and internationally. Notable solo exhibitions in recent years include Chou Yu-Cheng's "Sedimentary Gradient" in 2022, Yeung Hok Tak's "What a big smoke ring" in 2022, Nabuqi's "Ghost, Skin, Dwelling" in 2021, Yang Chi-Chuan's "Plastonki" in 2021, Yu Ji's "Forager" in 2020, Günther Förg's "1986 – 1992" in 2020, Ko Sin Tung's "Adaption" in 2019, "R for Rhombicuboctahedron" in 2019, the eighth volume of Ho Tzu Nyen's series " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
