|
Charles VI (opera)
''Charles VI'' is an 1843 French grand opera in five acts with music composed by Fromental Halevy and a libretto by Casimir Delavigne and his brother Germain Delavigne. The number "Guerre aux tyrans!" ("War on the tyrants!") achieved separate fame as a song of political protest. Performance history The opera was first presented on 15 March 1843 by the Paris Opera at the Salle Le Peletier. It continued to be performed there, and in a revised form beginning on 4 October 1847, up to 1848, and was revived again in 1850, receiving a total of 61 performances. Lajarte 1878p. 172Chouquet 1873pp. 404–405 Beginning on 5 April 1870 it was produced at the Théâtre Lyrique with Rosine Bloch in the role of Odette and was given there a total of 22 times. ''Charles VI'' was also performed in French in Brussels (beginning on 2 October 1845), The Hague (25 April 1846), New Orleans (22 April 1847), Buenos Aires (4 May 1854), Batavia (27 April 1866), Barcelona (29 April 1871), Mexico (19 January ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles VI Of France
Charles VI (3 December 136821 October 1422), nicknamed the Beloved (french: le Bien-Aimé) and later the Mad (french: le Fol or ''le Fou''), was King of France from 1380 until his death in 1422. He is known for his mental illness and psychotic episodes that plagued him throughout his life. He ascended the throne at the young age of eleven, his father leaving behind a favorable military situation, marked by the reconquest of most of the English possessions in France. First placed under the regency of his uncles, the Dukes of Burgundy, Anjou, Berry, and Bourbon, Charles decided in 1388, aged 20, to emancipate himself. In 1392, while leading a military expedition against the Duchy of Brittany, the king had his first attack of delirium, during which he attacked his own men in the forest of Le Mans. A few months later, following the Bal des Ardents (January 1393) where he narrowly escaped death from burning, Charles was again placed under the regency of his uncles, the dukes of Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Prévôt
Ferdinand Prévôt (2 May 1800 – 11 June 1879)Pierre 1900p. 834 was a French operatic bass-baritone.Kutsch & Riemens 2003, p. 3763. His surname is also found spelled as Prevot or Prévost. He was born Pierre-Ferdinand Prévôt in Caussade (Tarn-et-Garonne). He studied at the Paris Conservatory, winning the first prize in ''vocalisation'' and second prize in ''chant'' in 1823. The son of a singer, he appeared in the Paris Opéra chorus in 1818. He made his debut as a soloist in Grétry's ''Anacréon chez Polycrate'' on 15 March 1824. He enjoyed a long career creating a number of minor roles in important operas. He sometimes sang in the same performances with his son Alexis Prévôt (a bass) and/or Alexandre Prévôt (also a bass). Since first names are sometimes not given in the sources, it is not always possible to determine which singer is meant. Prévôt retired in 1857 and died in Vulaines in 1879. Roles created *Adam in the revised version of ''La mort d'Abel'' by R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Étienne-Auguste Massol
Jean-Étienne-Auguste Massol (also known as Eugène Massol) (23 August 1802 – 30 October 1887) was a French operatic tenor and later baritone who sang in the world premieres of many French operas. Massol was born in Lodève and trained at the Paris Conservatory under Charles-Henri Plantade. He won the conservatory's first prize in singing in 1825 and that same year made his stage debut as Licinius in Spontini's ''La vestale'' at the Paris Opera. He sang primarily secondary tenor roles until the late 1830s when he increasingly gravitated to baritone roles. In 1845 he went to Brussels where he sang leading baritone roles including the title role of ''Nabucco'' in its first performance at the Théâtre Royal de la Monnaie and went on to serve as the theatre's director from 1848 to 1849. During that period he also sang in London with the Royal Italian Opera at Covent Garden. In 1850 he returned to the Paris Opera and remained there as a principal baritone until his retirement fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Of Lancaster, 1st Duke Of Bedford
John of Lancaster, Duke of Bedford KG (20 June 138914 September 1435) was a medieval English prince, general and statesman who commanded England's armies in France during a critical phase of the Hundred Years' War. Bedford was the third son of King Henry IV of England, brother to Henry V, and acted as regent of France for his nephew Henry VI. Despite his military and administrative talent, the situation in France had severely deteriorated by the time of his death. Bedford was a capable administrator and soldier, and his effective management of the war brought the English to the height of their power in France. However, difficulties mounted after the arrival of Joan of Arc, and his efforts were further thwarted by political divisions at home and the wavering of England's key ally, Duke Philip of Burgundy and his faction, the Burgundians. In the last years of Bedford's life, the conflict devolved into a war of attrition, and he became increasingly unable to gather the nece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julie Dorus-Gras
Julie Dorus-Gras (born Valenciennes 7 September 1805 – 6 February 1896) was a Belgian operatic soprano. Early life and training She was born Julie-Aimée-Josèphe Van Steenkiste,Forbes, Elizabeth. "Dorus-Gras (née Van Steenkiste), Julie(-Aimée-Josephe oséphine" in Sadie (2001) and Sadie (1992) the daughter of an ex-soldier who was the leader of the theatre orchestra in her native city Valenciennes.Pitou (1990), p. 380. She first studied with her father and began performing as a child, eventually becoming so well known as a vocalist that she received a municipal scholarship which enabled her to continue her studies in Paris. She was admitted to the Paris Conservatoire in 1821 and studied singing in the class conducted by Blangini and Henri. Later she received additional vocal training from Bordogni and Paer. Career To begin her career she made a concert tour which took her to Brussels. Her concert was so successful, that Count de Liederkerke offered her a contract to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Isabeau Of Bavaria
Isabeau of Bavaria (or Isabelle; also Elisabeth of Bavaria-Ingolstadt; c. 1370 – September 1435) was Queen of France from 1385 to 1422. She was born into the House of Wittelsbach as the only daughter of Duke Stephen III of Bavaria-Ingolstadt and Taddea Visconti of Milan. At age 15 or 16, Isabeau was sent to France to marry the young King Charles VI; the couple wed three days after their first meeting. Isabeau was honored in 1389 with a lavish coronation ceremony and entry into Paris. In 1392, Charles suffered the first attack of what was to become a lifelong and progressive mental illness, resulting in periodic withdrawal from government. The episodes occurred with increasing frequency, leaving a court both divided by political factions and steeped in social extravagances. A 1393 masque for one of Isabeau's ladies-in-waiting—an event later known as '' Bal des Ardents''—ended in disaster with the King almost burning to death. Although the King demanded Isabeau's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosine Stoltz
Rosine Stoltz (born Victoire or Victorine Noël) (13 January 1815 – 30 July 1903) was a French mezzo-soprano. A prominent member of the Paris Opera, Paris Opéra, she created many leading roles there including Ascanio in Hector Berlioz, Berlioz's ''Benvenuto Cellini (opera), Benvenuto Cellini'', Marguerite in Daniel Auber, Auber's ''Le lac des fées'', the title role in ''Marie Stuart (opera), Marie Stuart'', and two Gaetano Donizetti, Donizetti heroines, Léonor in ''La favorite'' and Zayda in ''Dom Sébastien''. Early life and training Stoltz was born Victoire Noël on the boulevard du Montparnasse in Paris, the daughter of the concierges Florentin Noël and Clara Stoll. She received her first vocal training as a pensionnaire at the École Royale de Chant et Déclamation directed by Alexandre-Étienne Choron. Early career Just short of her sixteenth birthday she left Choron's school to travel in the Low Countries under the name of Mlle Ternaux. Her principal biographer Gustave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Levasseur
Nicolas Levasseur (9 March 1791 – 7 December 1871) was a French bass, particularly associated with Rossini roles. Born Nicolas-Prosper Levasseur at Bresles, Oise, he studied at the Paris Music Conservatory from 1807 to 1811, with Pierre-Jean Garat. He made his professional debut at the Paris Opéra in 1813, as Osman Pacha, in ''La caravane du Caire'' by André Grétry. He sang in London at the King's Theatre from 1815 to 1817, notably as the Count in Mozart's ''Le nozze di Figaro''. He also sang at La Scala in Milan, from 1820 to 1822, where he took part in the creation of Meyerbeer's ''Margherita d'Anjou''. But his greatest successes were at the Théâtre-Italien in Paris, where he sang from 1819 until 1828. There his name became closely associated with Rossini's operas. He sang in the Paris premieres of ''Mosè in Egitto'', ''Ricciardo e Zoraide'', ''La cenerentola ' (''Cinderella, or Goodness Triumphant'') is an operatic '' dramma giocoso'' in two acts by Gioachino ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
