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Charles Callender
Charles Callender was the owner of blackface minstrel troupes that featured African-American performers. Although a tavern owner by trade, he entered show business in 1872, when he purchased Sam Hague's Slave Troupe of Georgia Minstrels. Renaming them Callender's Original Georgia Minstrels, he and his business manager, Charles Hicks, followed the lead of other showmen such as J. H. Haverly and advertised the troupe far and wide. Callender's Minstrels played to packed houses and positive reviews in the Midwest and Northeast. Over time, the Callender name came to signify "black minstrelsy",Toll 203. and when rival troupes tried to appropriate it, Callender persuaded '' The Clipper'' to refrain from writing about them. Despite the revenues brought in by his star performers, including such talents as Bob Height, Billy Kersands, and Pete Devonear, Callender ignored their demands for more pay and better recognition. Some of them quit to form their own company, an action Callender ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackface
Blackface is the practice of performers using burned cork, shoe polish, or theatrical makeup to portray a caricature of black people on stage or in entertainment. Scholarship on the origins or definition of blackface vary with some taking a global perspective that includes European culture and Western colonialism. Blackface became a global phenomenon as an outgrowth of theatrical practices of racial misrepresentation, racial impersonation popular throughout Britain and its colonial empire, where it was integral to the development of imperial racial politics. Scholars with this wider view may date the practice of blackface to as early as Medieval Europe's mystery plays when bitumen and coal were used to darken the skin of white performers portraying demons, devils, and damned souls. Still others date the practice to English Renaissance theatre, English Renaissance theater, in works such as William Shakespeare's ''Othello''. However, some scholars see blackface as a specific pract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Frohman
Gustave Frohman (c. 1854 – August 16, 1930) was a theatre producer and advance man. He was one of three Frohman brothers who entered show business and he worked for most of his career alongside his brother, Charles Frohman. These two financed a number of theatre productions, often featuring African American actors. For instance, in 1878, they starred Sam Lucas in the first serious stage production of ''Uncle Tom's Cabin'' with a black man in the lead role. Biography Frohman was born to a Jewish family in Sandusky, Ohio. He saw his greatest success in blackface minstrel show, minstrelsy. In 1881, he and his brother bought Callender's Consolidated Colored Minstrels, a small African-American troupe, from Charles Callender. They kept the valuable Callender's name but focused on ornamenting their sets and costumes; the troupe eventually became the most lavishly produced black troupe in the world. Their success was so great that by 1882 the Frohmans were able to buy J. H. Haverly's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Place Of Birth Missing
Place may refer to: Geography * Place (United States Census Bureau), defined as any concentration of population ** Census-designated place, a populated area lacking its own municipal government * "Place", a type of street or road name ** Often implies a dead end (street) or cul-de-sac * Place, based on the Cornish word "plas" meaning mansion * Place, a populated place, an area of human settlement ** Incorporated place (see municipal corporation), a populated area with its own municipal government * Location (geography), an area with definite or indefinite boundaries or a portion of space which has a name in an area Placenames * Placé, a commune in Pays de la Loire, Paris, France * Plače, a small settlement in Slovenia * Place (Mysia), a town of ancient Mysia, Anatolia, now in Turkey * Place, New Hampshire, a location in the United States Facilities and structures * Place House, a 16th-century mansion largely remodelled in the 19th century, in Fowey, Cornwall, Engl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Year Of Birth Missing
A year is a unit of time based on how long it takes the Earth to orbit the Sun. In scientific use, the tropical year (approximately 365 solar days, 5 hours, 48 minutes, 45 seconds) and the sidereal year (about 20 minutes longer) are more exact. The modern calendar year, as reckoned according to the Gregorian calendar, approximates the tropical year by using a system of leap years. The term 'year' is also used to indicate other periods of roughly similar duration, such as the lunar year (a roughly 354-day cycle of twelve of the Moon's phasessee lunar calendar), as well as periods loosely associated with the calendar or astronomical year, such as the seasonal year, the fiscal year, the academic year, etc. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by changes in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drinking Establishment Owners
Drinking is the act of ingesting water or other liquids into the body through the mouth, proboscis, or elsewhere. Humans drink by swallowing, completed by peristalsis in the esophagus. The physiological processes of drinking vary widely among other animals. Most animals drink water to maintain bodily hydration, although many can survive on the water gained from their food. Water is required for many physiological processes. Both inadequate and (less commonly) excessive water intake are associated with health problems. Methods of drinking In humans When a liquid enters a human mouth, the swallowing process is completed by peristalsis which delivers the liquid through the esophagus to the stomach; much of the activity is assisted by gravity. The liquid may be poured from the hands or drinkware may be used as vessels. Drinking can also be by sipping or sucking, typically when imbibing hot liquids or drinking from a spoon. Infants employ a method of suction wherein the lips ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackface Minstrel Managers And Producers
Blackface is the practice of performers using burned cork, shoe polish, or theatrical makeup to portray a caricature of black people on stage or in entertainment. Scholarship on the origins or definition of blackface vary with some taking a global perspective that includes European culture and Western colonialism. Blackface became a global phenomenon as an outgrowth of theatrical practices of racial impersonation popular throughout Britain and its colonial empire, where it was integral to the development of imperial racial politics. Scholars with this wider view may date the practice of blackface to as early as Medieval Europe's mystery plays when bitumen and coal were used to darken the skin of white performers portraying demons, devils, and damned souls. Still others date the practice to English Renaissance theater, in works such as William Shakespeare's ''Othello''. However, some scholars see blackface as a specific practice limited to American culture that began in the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyers Sisters
The Hyers Sisters, Anna Madah (ca. 1855 – 1929) and Emma Louise (ca. 1857 – 1901), were singers and pioneers of black musical theater. With Joseph Bradford and Pauline Hopkins, the Hyers Sisters produced the "first full-fledged musical plays... in which African Americans themselves comment on the plight of the slaves and the relief of Emancipation without the disguises of minstrel comedy." Their first play was ''Out of Bondage'' (also known as ''Out of the Wilderness''). Life Their father, Samuel B. Hyers, came west to Sacramento, California, with their mother, Annie E. Hyers (née Cryer), after the Gold Rush. He made sure his daughters received both piano lessons and vocal training with German professor Hugo Sank and later opera singer Josephine D'Ormy and they performed for private parties before making their professional stage debut on April 22, 1867 at Sacramento’s Metropolitan Theater. Anna was a soprano and Emma a contralto. Under their father’s management, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uncle Tom's Cabin
''Uncle Tom's Cabin; or, Life Among the Lowly'' is an anti-slavery novel by American author Harriet Beecher Stowe. Published in two Volume (bibliography), volumes in 1852, the novel had a profound effect on attitudes toward African Americans and Slavery in the United States, slavery in the U.S., and is said to have "helped lay the groundwork for the American Civil War". Stowe, a Connecticut-born teacher at the Hartford Female Seminary, was part of the religious Beecher family and an active Abolitionism in the United States, abolitionist. She wrote the sentimental novel to depict the reality of slavery while also asserting that Christian love could overcome slavery. The novel focuses on the character of Uncle Tom, a long-suffering black slave around whom the stories of the other characters revolve. In the United States, ''Uncle Tom's Cabin'' was the best-selling novel and the second best-selling book of the 19th century, following the Bible. It is credited with helping fuel th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Frohman
Charles Frohman (July 15, 1856 – May 7, 1915) was an American theater manager and producer, who discovered and promoted many stars of the American stage. Frohman produced over 700 shows, and among his biggest hits was '' Peter Pan'', both in London and the US. In 1896, Frohman co-founded the Theatrical Syndicate, a nationwide chain of theaters that dominated the American touring company business for more than two decades until the Shubert brothers grew strong enough to end its virtual monopoly. He partnered with English producers, including Seymour Hicks, with whom he produced a string of London hits prior to 1910, such as '' Quality Street'', ''The Admirable Crichton'', '' The Catch of the Season'', '' The Beauty of Bath'', and '' A Waltz Dream''. At the height of his fame, Frohman died in the 1915 sinking of the RMS ''Lusitania'' by a German submarine off the coast of Ireland. Life and career Charles Frohman was born to a Jewish family in Sandusky, Ohio, the young ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minstrel Show
The minstrel show, also called minstrelsy, was an American form of theater developed in the early 19th century. The shows were performed by mostly white actors wearing blackface makeup for the purpose of portraying racial stereotypes of African Americans. There were very few African-American performers and black-only minstrel groups that also formed and toured. Minstrel shows stereotyped blacks as dimwitted, lazy, buffoonish, cowardly, superstitious, and happy-go-lucky.The Coon Character , Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.John Kenrick , musicals101.com. 1996, revised 2003. Retrieved 9 November 2011. A recurring character was Jim Crow, an exaggerated portray ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Kersands
Billy Kersands (c. 1842 in Baton Rouge, Louisiana – June 30, 1915 in Artesia, New Mexico) was an African-American comedian and dancer. He was the most popular black comedian of his day, best known for his work in blackface minstrelsy. In addition to his skillful acrobatics, dancing, singing, and instrument playing, Kersands was renowned for his comic routines involving his large mouth, which he could contort comically or fill with objects such as billiard balls or saucers. His stage persona was that of the dim-witted black man of the type that had been popularized in white minstrel shows. Modern commentators such as Mel Watkins cite him as one of the earliest black entertainers to have faced the dilemma of striking a balance between social satire and the reinforcement of negative stereotypes. Career Kersands began performing with traveling minstrel troupes in the early 1860s. As black minstrelsy gained popularity, Kersands became its biggest star. In 1879, he earned about $15 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Height
Bob Height was an American 19th century African-American blackface minstrel performer. He was a standout talent in the companies with which he performed, although frustrations eventually drove him to pursue a career in Europe. Later writers have compared him to his contemporary, Bert Williams.Toll 203. Height joined with Charles Hicks in the late 1860s to form Hicks and Height's Georgia Minstrels. This company proved quite popular among African Americans, particularly in the Washington, D.C. area. Eventually, both Hicks and Height joined Sam Hague's Slave Troupe of Georgia Minstrels. Height became a featured talent and accompanied the troupe on a European tour in the early 1870s. Upon the troupe's return to the US in 1872, Charles Callender purchased it and changed the name to Callender's Original Georgia Minstrels. The new owner helped lead the company to great success, and Height enjoyed high billing alongside Billy Kersands Billy Kersands (c. 1842 in Baton Rouge, Louisian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
