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Chamber Pop
Chamber pop (also called baroque pop and sometimes conflated with orchestral pop or symphonic pop) is a music genre that combines rock music with the intricate use of strings, horns, piano, and vocal harmonies, and other components drawn from the orchestral and lounge pop of the 1960s, with an emphasis on melody and texture. During chamber pop's initial emergence in the 1960s, producers such as Jerry Leiber and Mike Stoller, Burt Bacharach, Lee Hazlewood, and the Beach Boys' Brian Wilson served as formative artists of the genre. Wilson's productions of the Beach Boys' albums ''Pet Sounds'' and ''Smile'' are cited as particularly influential to the genre. From the early 1970s to early 1990s, most chamber pop acts saw little to no mainstream success. The genre's decline was attributed to costly touring and recording logistics and a reluctance among record labels to finance instruments like strings, horns, and keyboards on artists' albums. In the mid-1990s, chamber pop developed a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Pop
Baroque pop (sometimes called baroque rock) is a fusion genre that combines rock music with particular elements of classical music. It emerged in the mid-1960s as artists pursued a majestic, orchestral sound and is identifiable for its appropriation of Baroque music, Baroque compositional styles (contrapuntal melodies and functional harmony patterns) and dramatic or melancholic gestures. Harpsichords figure prominently, while oboes, French horns, and string quartets are also common. Although harpsichords had been deployed for a number of pop hits since the 1940s, some record producers in the 1960s increasingly placed the instrument in the foreground of their arrangements. Inspired partly by the Beatles' song "In My Life" (1965), various groups were incorporating baroque and classical instrumentation by early 1966. The term "baroque rock" was coined in promotional material for the Left Banke, who used harpsichords and violins in their arrangements and whose 1966 song "Walk Away Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shibuya-kei
is a microgenre of pop music or a general aesthetic that flourished in Japan in the mid-to-late 1990s. The music genre is distinguished by a "cut-and-paste" approach that was inspired by the kitsch, fusion, and artifice from certain music styles of the past. The most common reference points were 1960s culture and Western pop music, especially the work of Burt Bacharach, Brian Wilson, Phil Spector, and Serge Gainsbourg. Shibuya-kei first emerged as retail music from the Shibuya district of Tokyo. Flipper's Guitar, a duo led by Kenji Ozawa and Keigo Oyamada (Cornelius), formed the bedrock of the genre and influenced all of its groups, but the most prominent Shibuya-kei band was Pizzicato Five, who fused mainstream J-pop with a mix of jazz, soul, and lounge influences. Shibuya-kei peaked in the late 1990s and declined after its principal players began moving into other music styles. Overseas, fans of Shibuya-kei were typically indie pop enthusiasts, partly because many Shibu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pet Sounds
''Pet Sounds'' is the eleventh studio album by the American Rock music, rock band the Beach Boys, released on May 16, 1966, by Capitol Records. It was produced, arranged, and primarily composed by Brian Wilson with guest lyricist Tony Asher. Recorded largely between January and April 1966, it furthered the orchestral sound introduced in ''The Beach Boys Today!'' (1965). Initially promoted as "the most progressive music, progressive pop album ever", ''Pet Sounds'' is recognized for its ambitious production, sophisticated harmony, harmonic structures, and coming of age themes. It is widely regarded as among the greatest and most influential albums in music history. Wilson viewed ''Pet Sounds'' as a solo album and attributed its inspiration partly to marijuana use and an LSD–rooted spiritual awakening. Galvanized by the work of his rivals, he aimed to create "the greatest rock album ever made", surpassing the Beatles' ''Rubber Soul'' (1965) and extending Phil Spector's Wall of S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Wilson
Brian Douglas Wilson (June 20, 1942 – June 11, 2025) was an American musician, songwriter, singer and record producer who co-founded the Beach Boys. Often Brian Wilson is a genius, called a genius for his novel approaches to pop composition and mastery of recording techniques, he is widely acknowledged as one of the most innovative and significant songwriters of the 20th century. His best-known work is distinguished for its high production values, complex harmonies and orchestrations, vocal harmony, vocal layering, and introspective or ingenuous themes. He was also known for his versatile head voice and ''falsetto'', which degraded after the 1970s. Wilson's formative influences included George Gershwin, the Four Freshmen, Phil Spector, and Burt Bacharach. In 1961, he began his professional career as a member of the Beach Boys, serving as the band's songwriter, producer, co-lead vocalist, bassist, keyboardist, and ''de facto'' leader. After signing with Capitol Records in 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beach Boys
The Beach Boys are an American Rock music, rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian Wilson, Brian, Dennis Wilson, Dennis, and Carl Wilson, their cousin Mike Love, and their friend Al Jardine. Distinguished by their vocal harmonies, adolescent-oriented lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. The group drew on the music of Traditional pop, older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical music, classical or jazz elements and Recording studio as an instrument, unconventional recording techniques in innovative ways. The Beach Boys formed as a garage band centered on Brian's songwriting and managed by the Wilsons' father, Murry Wilson, Murry. Jardine was briefly replaced by David Marks during 1962–1963. In 1963, they enjoyed their first national hit with "Surfin' U.S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Hazlewood
Barton Lee Hazlewood (July 9, 1929 – August 4, 2007) was an American country and pop singer, songwriter, and record producer, most widely known for his work with guitarist Duane Eddy during the late 1950s and singer Nancy Sinatra in the 1960s and 1970s. His collaborations with Sinatra as well as his solo output in the late 1960s and early 1970s have been praised as an essential contribution to a sound often described as "cowboy psychedelia" or "saccharine underground". ''Rolling Stone'' ranked Lee Hazlewood & Nancy Sinatra No. 9 on its list of the 20 Greatest Duos of All Time. Early life Barton Lee Hazlewood was born in Mannford, Oklahoma, on July 9, 1929. Hazlewood's father was an oil worker and had a sideline as a dance promoter; Hazlewood spent most of his youth living in Oklahoma, Arkansas, Kansas, and Louisiana. His mother was half Creek. Lee grew up listening to pop and bluegrass music. He spent his teenage years in Port Neches, Texas, where he was exposed to a rich Gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burt Bacharach
Burt Freeman Bacharach ( ; May 12, 1928 – February 8, 2023) was an American composer, songwriter, record producer, and pianist who is widely regarded as one of the most important and influential figures of 20th-century popular music. Starting in the 1950s, he composed hundreds of pop songs, many in collaboration with lyricist Hal David. Bacharach's music is characterized by unusual chord progressions and time signature changes, influenced by his background in jazz, and uncommon selections of instruments for small orchestras. He arranged, conducted, and produced much of his recorded output. More than 1,000 different artists have recorded Bacharach's songs. From 1961 to 1972, most of Bacharach and David's hits were written specifically for and performed by Dionne Warwick, but earlier associations (from 1957 to 1963) saw the composing duo work with Marty Robbins, Perry Como, Gene McDaniels, and Jerry Butler. Following the initial success of these collaborations, Bacharach w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Leiber And Mike Stoller
Leiber and Stoller were an American songwriting and record production duo, consisting of lyricist Jerome Leiber (; April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933). As well as many R&B and pop hits, they wrote numerous standards for Broadway. Leiber and Stoller found success as the writers of such crossover hit songs as " Hound Dog" (1952) and " Kansas City" (1952). Later in the 1950s, particularly through their work with the Coasters, they created a string of ground-breaking hits—including " Young Blood" (1957), " Searchin'" (1957), "Yakety Yak" (1958), and " Charlie Brown" (1959) — that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including " Love Me" (1956), " Jailhouse Rock" (1957), " Loving You", " Don't", and " King Creole". They also collaborated with other writers on such songs as " On Broadway", written with Barry M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Texture (music)
In music, texture is how the tempo and the melodic and harmonic materials are combined in a musical composition, determining the overall quality of the sound in a piece. The texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices (see Common types below). For example, a thick texture contains many 'layers' of instruments. One of these layers could be a string section or another brass. The thickness also is changed by the amount and the richness of the instruments playing the piece. The thickness varies from light to thick. A piece's texture may be changed by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tempo, and rhythms used. The types categorized by number and relationship of parts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody
A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of Pitch (music), pitch and rhythm, while more figuratively, the term can include other musical elements such as Timbre, tonal color. It is the foreground to the background accompaniment. A line or Part (music), part need not be a foreground melody. Melodies often consist of one or more musical Phrase (music), phrases or Motif (music), motifs, and are usually repeated throughout a Musical composition, composition in various forms. Melodies may also be described by their melodic motion or the pitches or the interval (music), intervals between pitches (predominantly steps and skips, conjunct or disjunct or with further restrictions), pitch range, tension (music), tension and release, continuity and coherence, cadence (music), cadence, and shape. Function and elements Johann Philipp Kirnberger arg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Harmony
Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with a consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). In art music Vocal harmonies have been an important p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horn Section
A horn section is a group of musicians playing horns. In an orchestra or concert band, it refers to the musicians who play the "French" horn, and in a British-style brass band it is the tenor horn players. In many popular music genres, the term is applied loosely to any group of woodwind or brass instruments, or a combination of woodwinds and brass. Symphonic In a symphony orchestra, the horn section is the group of symphonic musicians who play the French horn (or German horn or Vienna horn). These musicians are typically seated to the back of the ensemble and may be on either side at the director's discretion. Placing them to the left with their bells toward the audience increases the prominence of the section, whereas on the right, the sound reflects off the back of the stage. Most of the time, players are seated right to left from the director's view based on seating, with the principal horn (first horn) being seated on the right and fourth horn seated on the left. The sect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
