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Cha-cha-chá (music)
Cha-cha-chá () is a genre of Cuban music. It has been a popular dance music which developed from the Danzón-mambo in the early 1950s, and became widely popular throughout the world. Origin The creation of cha-cha-chá has been traditionally attributed to Cuban composer and violinist Enrique Jorrín, who began his career playing for the charanga band Orquesta América. According to the testimony of Enrique Jorrín, he composed some '' danzones'' in which musicians of the orchestra had to sing short refrains, and this style was very successful. In the danzón "Constancia", he introduced some montunos and the audience was motivated to join in singing the refrains. Jorrín also asked the members of the orchestra to sing in unison so the lyrics might be heard more clearly and achieve a greater impact in the audience. That way of singing also helped to mask the poor singing skills of the orchestra members. In 1948, Jorrín changed the style of a Mexican song by Guty Cárde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danzón
Danzón is the official genre and dance of Cuba.Urfé, Odilio 1965. ''El danzón''. La Habana. It is also an active musical form in USA and Puerto Rico. Written in time, the danzón is a slow, formal partner dance, requiring set footwork around syncopated beats, and incorporating elegant pauses while the couples stand listening to virtuoso instrumental passages, as characteristically played by a charanga or típica ensemble. The danzón evolved from the Cuban contradanza, or habanera ( 'Havana-dance'). The contradanza, which had English and French roots in the country dance and contredanse, was probably introduced to Cuba by the Spanish, who ruled the island for almost four centuries (1511–1898), contributing many thousands of immigrants. It may also have been partially seeded during the short-lived British occupation of Havana in 1762. Haitian refugees fleeing the island's revolution of 1791–1804 brought the French-Haitian kontradans, contributing their own ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salsa Music
Salsa music is a style of Latin American music, combining elements of Cuban and Puerto Rican influences. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin. Most songs considered as salsa are primarily based on son montuno and son cubano, with elements of cha-cha-chá, bolero, rumba, mambo, jazz, R&B, bomba, and plena. All of these elements are adapted to fit the basic Son montuno template when performed within the context of salsa. Originally the name salsa was used to label commercially several styles of Hispanic Caribbean music, but nowadays it is considered a musical style on its own and one of the staples of Hispanic American culture. The first self-identified salsa band is Cheo Marquetti y su Conjunto - Los Salseros which was formed in 1955. The first album to mention Salsa on its cover was titled “Salsa” which was released by La Sonora Habanera in 1957. Later on self-identified ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guty Cárdenas
Guty Cárdenas (1905–1932; full name Augusto Alejandro Cárdenas Pinelo) was a Mexican composer, singer and guitarist, noted as a representative of the ''cancion yucateca'' style of music. His well-known works include "Nunca", with lyrics by Ricardo López Méndez. He spent several years in the US, recording with Columbia Records. He was killed, at the age of 27, by a stray bullet during a gunfight in a Mexico City bar. The 1989 Aki Kaurismäki Aki Olavi Kaurismäki (; born 4 April 1957) is a Finnish film director and screenwriter. He is best known for the award-winning '' Drifting Clouds'' (1996), '' The Man Without a Past'' (2002), ''Le Havre'' (2011), '' The Other Side of Hope'' (201 ... film '' Leningrad Cowboys Go America'' is dedicated to his memory. References Mexican male singer-songwriters Mexican singer-songwriters Mexican composers Mexican male composers Mexican male guitarists 1905 births 1932 deaths People from Mérida, Yucatán Musicians from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montuno
Montuno has several meanings pertaining to Cuban music and its derivatives. Literally, ''montuno'' means 'comes from the mountain', and so '' son montuno'' may refer to the older type of son played in the mountainous rural areas of Oriente. Another possibility is that the word ''montuno'' comes from the word ''montura'', the Spanish word for "saddle", because the rhythm in son music is like riding a horse. Or it may mean the final section of a song-based composition; in this sense it is simply part of a piece of music. Here it is usually a faster, brasher, semi-improvised instrumental section, sometimes with a repetitive vocal refrain. Finally, the term ''montuno'' is also used for a piano '' guajeo'', the ostinato figure accompanying the montuno section, when it describes a repeated syncopated piano vamp, often with chromatic root movement.Orovio, Helio 2004. ''Cuban music from A to Z''. Tumi, Bath. p141 References See also *Call and response (music) In music, call ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orquesta América
Orquesta América is a Cuban charanga orchestra founded in Havana in 1942, and later based in Mexico City and California. The band pioneered the cha-cha-chá in 1953. History The band was founded in 1942 by singer Ninón Mondéjar with Alex Sosa (piano), Enrique Jorrín, Antonio Sánchez, and Félix Reina (violins), Juan Ramos (flute) and others. Mondéjar and Sosa went to Mexico, then later revived Orquesta América in California. Success, in Cuba, came in 1953 with Orquesta America's recording of Jorrín's " La engañadora", on the Panart Panart was one of the first and most successful independent record labels in Cuba, founded in 1944 by engineer Ramón Sabat. In 1961, its studios were seized by Fidel Castro's communist regime and the label was nationalized, becoming "Panart Naci ... label. However the success of the band led to Mondéjar and Jorrín over whether the bandleader or songwriter should take the credit for the invention of the cha-cha-chá. The band split du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charanga (Cuba)
Charanga is a traditional ensemble that plays Cuban dance music. They made Cuban dance music popular in the 1940s and their music consisted of heavily son-influenced material, performed on European instruments such as violin and flute by a Charanga orchestra. (Chomsky 2004, p. 199). The style of music that is most associated with a Charanga is termed 'Danzón', and is an amalgam of both European classical music and African rhythms. Origins "Scholars agree that Spain and parts of West and Central Africa provided the most crucial influences in the development of Cuban popular and religious music. But in the case of charanga, the contributions of French and Haitian influences cannot be ignored. Charanga began its history in the early nineteenth century when Haitians, both African and French, escaped the island's revolution. They brought with them a love for the French contredanse, a multi-sectional dance form that evolved into the danzón, the quintessential charanga style. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrique Jorrín
Enrique Jorrín (December 25, 1926 – December 12, 1987) was a Cuban charanga violinist, composer and music director. He is considered the inventor of the '' cha-cha-chá'', a popular style of ballroom music derived from danzón. Biography Jorrín was born in Candelaria, Pinar del Río in 1926. At an early age, his family moved to the El Cerro neighborhood of Havana, where Jorrín was to live for the rest of his life. At the age of 12, he began to show a particular interest in music and decided to learn the violin. He then pursued musical studies at the Municipal Conservatory of Havana. He started out as a violinist in the orchestra of Cuba's National Institute of Music, under the direction of González Mántici. In 1941, he became a member of the '' danzonera'' Hermanos Contreras. It was here that he became interested in popular music. Next, he joined the renowned '' charanga'' Antonio Arcaño y sus Maravillas. In the early 1950s, while a member of Ninón Mondéjar's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danzón-mambo
The danzón-mambo (also known as ''danzón de nuevo ritmo'') is a subgenre of Cuban dance music that marked the transition from the classical danzόn to the mambo and the cha-cha-chá. It was also in the context of the danzón-mambo that the Cuban dance band format called charanga reached its present form. Origins The danzón-mambo was created by the musicians and arrangers of Antonio Arcaño's charanga, Arcaño y sus Maravillas, which was founded in 1937 (Orovio 1981:324). According to Santos (1982), The main forces behind Arcano's mambo were the Lopez brothers, Orestes ... and Israel (the great " Cachao") ..., who did most of the composing and arranging for the group, and played the 'cello and the string bass, respectively. Characteristics Generally speaking, the ''danzón-mambo'' represents a further and stronger incorporation of elements of the '' son'' into the ''danzón''. The first sections, or ''danzones'', did not depart significantly from the traditional ''d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Cuba
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century. Since the 19th century, Cuban music has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genres and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cha-Cha Dance Pattern
Cha-Cha, Cha Cha, ChaCha or Chacha may refer to: Music *Cha-cha-cha (dance), a dance of Cuban origin *Cha-cha-cha (music), a genre of Cuban music * ''Cha Cha'' (album), a 1978 album by Herman Brood & His Wild Romance * ''Cha Cha'' (soundtrack), the soundtrack for the 1979 film * ''Cha Cha Real Smooth'' (EP), the film score from the 2022 film *"Cha Cha Slide", a 2000 dance song by DJ Casper * "Cha Cha" (song), a 2006 song by Latin artist, Chelo * Cha Cha Cohen, 1990s band name People *Jawaharlal Nehru (1889–1964), or Chacha Nehru, as he was known among the children. *Yodo-dono (1569–1615), also known as Lady Chacha, a concubine of Hideyoshi Toyotomi *Czarina Marie Guevara (born 1987), also known as DJ Chacha, Filipino actress, journalist and radio disc jockey *Shirley Muldowney (born 1940), former top fuel drag racer often referred to by the nickname "Cha Cha" * Chacha Cricket (born 1949), famous Pakistani cricket fan, literally "Uncle Cricket" * Cha Cha (rapper), American rapp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Easy Listening
Easy listening (including mood music) is a popular music genre and radio format that was most popular during the 1950s to the 1970s. It is related to middle of the road (MOR) music and encompasses instrumental recordings of standards, hit songs, non- rock vocals and instrumental covers of selected popular rock songs. It mostly concentrates on music that pre-dates the rock and roll era, characteristically on music from the 1940s and 1950s. It was differentiated from the mostly instrumental beautiful music format by its variety of styles, including a percentage of vocals, arrangements and tempos to fit various parts of the broadcast day. Easy listening music is often confused with lounge music, but while it was popular in some of the same venues it was meant to be listened to for enjoyment rather than as background sound. History The style has been synonymous with the tag "with strings". String instruments had been used in sweet bands in the 1930s and was the dominant s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
