Cervantes Theatre (Buenos Aires)
The Teatro Nacional Cervantes in Buenos Aires is the national stage and comedy theatre of Argentina. Overview Located on Córdoba Avenue and two blocks north of Buenos Aires' renowned opera house, the Colón Theatre, the Cervantes houses three performance halls. The María Guerrero Salon is the theatre's main hall. Its 456 m2 (4,900 ft2) stage features a 12 m (39 ft) rotating circular platform and can be extended by a further 2.7 m (9 ft). The Guerrero Salon can seat 860 spectators, including 512 in the galleries. A secondary hall, the Orestes Caviglia Salon, can seat 150 and is mostly reserved for chamber music concerts. The Luisa Vehíl Salon is a multipurpose room known for its extensive gold leaf decor. History The Cervantes Theatre of Buenos Aires owes its existence, in part, to the 1897 relocation to Argentina of Spanish theatre producer María Guerrero and her company, who popularized professional stage theatre in Argentina. A commercial succes ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Teatro Cervantes 01
Teatro may refer to: * Theatre * Teatro (band), musical act signed to Sony BMG * Teatro (Willie Nelson album), ''Teatro'' (Willie Nelson album), 1998 * Teatro (Draco Rosa album), ''Teatro'' (Draco Rosa album), 2008 {{disambiguation ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lope De Vega
Félix Lope de Vega y Carpio (; 25 November 156227 August 1635) was a Spanish playwright, poet, and novelist who was a key figure in the Spanish Golden Age (1492–1659) of Spanish Baroque literature, Baroque literature. In the literature of Spain, Lope de Vega is often considered second only to Miguel de Cervantes. Cervantes said that Lope de Vega was “The Phoenix of Wits” (''Fénix de los ingenios'') and “Monster of Nature” (''Monstruo de naturaleza'').Foreword to , Miguel de Cervantes Saavedra, 1615. Quoted in Lope de Vega renewed the literary life of Spanish theatre when it became mass culture, and with the playwrights Pedro Calderón de la Barca and Tirso de Molina defined the characteristics of Spanish Baroque theatre with great insight into the human condition. The literary production of Lope de Vega includes 3,000 sonnets, three novels, four novellas, nine epic poems, and approximately 500 play (theatre), stageplays. Personally and professionally, Lope de Ve ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Music Of Argentina
The music of Argentina includes a variety of traditional, classical, and popular genres. According to the ''Harvard Dictionary of Music'', Argentina also has "one of the richest art music traditions and perhaps the most active contemporary musical life." One of the country's most significant cultural contributions is the tango, which originated in Buenos Aires and its surrounding areas during the end of the 19th century. Folk music was popular during the mid-20th century, experiencing a Roots revival, revival in popularity during the 1950s and 1960s with the rise of the Nuevo cancionero movement. The mid-to-late 1960s also saw the rise of Argentine rock (known locally as ''rock nacional''), which is considered one of the earliest incarnations of Spanish-language rock to have an autochthonous identity that prioritized original compositions in Spanish. Rock nacional was widely embraced by the youth and has become an important part of the country's musical identity. Folk music Fo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Theatres In Buenos Aires
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors to present experiences of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminol ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Argentine Comedy
Argentines, Argentinians or Argentineans are people from Argentina. This connection may be residential, legal, historical, or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being Argentine. Argentina is a multiethnic society, home to people of various ethnic, racial, religious, denomination, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immigrant destinations such as Canada, Brazil and Australia. Ethnic groups Overvie ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Argentine Congress
The National Congress of Argentina () is the legislative branch of the government of Argentina. Its composition is bicameral, constituted by a 72-seat Senate and a 257-seat Chamber of Deputies. The Senate, a third of whose members are elected to six-year renewable terms every two years, consists of three representatives from each province and the federal capital. The Chamber of Deputies, whose members are elected to four-year terms, is apportioned according to population, and renews their members by a half each two years. The Congressional Palace is located in Buenos Aires, at the western end of Avenida de Mayo (at the other end of which is located the Casa Rosada). The '' Kilometre Zero'' for all Argentine National Highways is marked on a milestone at the Congressional Plaza, next to the building. Attributes The Argentine National Congress is bicameral, composed of the Senate and the Chamber of Deputies. The ordinary sessions span is from March 1 to November 30; the Preside ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Culture Of Argentina
The culture of Argentina is as varied as the country Geography of Argentina, geography and is composed of a Demographics of Argentina, mix of ethnic groups. Modern Argentine culture has been influenced largely by the Viceroyalty of Rio de la Plata, Spanish colonial period and the 19th/20th century European immigration (mainly Italian people, Italian and Spanish people, Spanish), and also by Amerindian culture, particularly in the fields of music and art. Buenos Aires, its cultural capital, is largely characterized by both the prevalence of people of Southern European descent, and of European styles in Architecture of Argentina, architecture.Luongo, Michael. ''Frommer's Argentina''. Wiley Publishing, 2007. Museums, cinemas, and galleries are abundant in all of the large urban centers, as well as traditional establishments such as literary bars, or bars offering live music of a variety of music genres. An Argentine writer reflected on the nature of the culture of Argentina as foll ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Argentine Cinema
Cinema of Argentina refers to the film industry based in Argentina. The Argentine cinema comprises the art of film and creative movies made within the nation of Argentina or by Argentine filmmakers abroad. The Argentine film industry has historically been one of the three most developed in Latin American cinema, along with those produced in Mexico and Brazil. Throughout the 20th century, film production in Argentina, supported by the State and by the work of a long list of directors and actors, became one of the major film industries in the Spanish-speaking world. The Golden Age of Argentine cinema took place between the 1930s and 1950s. Argentina has won eighteen Goya Awards for Best Spanish Language Foreign Film, which makes it the most awarded country. It is also the first Latin American country that has won Academy Awards, in recognition of the films '' The Official Story'' (1985) and '' The Secret in Their Eyes'' (2009). History The beginning In 1896, French photograp ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lito Cruz
Lito Cruz (May 14, 1941 – December 19, 2017) was a prominent Argentine stage director and motion picture actor. Life and work Lito was born Oscar Alberto Cruz in the working-class La Plata suburb of Berisso in 1941, and began performing in local theatres at the age of 15. Graduating from a La Plata secondary school, he continued to pursue his calling in La Plata's growing independent theatre scene. Enrolling at the University of Buenos Aires School of Architecture and Urbanism in 1961, he made time for performances throughout his studies. Following his 1964 graduation, he enrolled at the prestigious University Theatre Institute of Chile (ITUCH) and returned to Buenos Aires in 1968. He was cast by Argentine playwright Roberto Cossa in a short film adaptation of his ''Los taitas'' ("The Uncles") and the following year, co-founded the Experimental Theatre Team of Buenos Aires (ETEBA) with Augusto Fernándes. ETEBA produced an adaptation of Henrik Ibsen's ''Peer Gynt'', ''La ley ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chanteuse
Many words in the English vocabulary are of French origin, most coming from the Anglo-Norman spoken by the upper classes in England for several hundred years after the Norman Conquest, before the language settled into what became Modern English. English words of French origin, such as ''art'', ''competition'', ''force'', ''money'', and ''table'' are pronounced according to English rules of phonology, rather than French, and English speakers commonly use them without any awareness of their French origin. This article covers French words and phrases that have entered the English lexicon without ever losing their character as Gallicisms: they remain unmistakably "French" to an English speaker. They are most common in written English, where they retain French diacritics and are usually printed in italics. In spoken English, at least some attempt is generally made to pronounce them as they would sound in French. An entirely English pronunciation is regarded as a solecism. Som ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Regina Pacini
Regina Isabel Luisa Pacini Quintero (January 6, 1871 – September 18, 1965) was a Portuguese lyric soprano, and First Lady of Argentina as the wife of Marcelo Torcuato de Alvear. Biography Pacini was born on January 6, 1871, in Lisbon, Portugal. Her father was the Italian baritone Pietro Andrea Giorgi-Pacini; her mother was Felisa Quintero. As soprano, Pacini was a major exponent of bel canto. She studied in Paris with Mathilde Marchesi. Her debut performance was in 1888, when she performed as Amina in Bellini's ''La Sonnambula'' at the Lisbon Theatre. Pacini continued to sing at the Lisbon Theatre until 1904. During 1889, Pacini performed internationally, singing in Milan, Palermo and London. In 1890, she first appeared at the Teatro Real to perform ''La Sonnambula.'' She performed at the Teatro Real regularly until 1905. In 1899, Pacini performed at the Teatro Solis, Montevideo, and the Politeama Theatre, Buenos Aires. It was at the Politeama Theatre that she met Marc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marcelo Torcuato De Alvear
Máximo Marcelo Torcuato de Alvear y Pacheco (4 October 1868 – 23 March 1942) served as president of Argentina between from 1922 to 1928. His period of government coincided precisely with the end of the Post-war, postwar world crisis, which allowed him to improve the economy and finances of the country without major setbacks. He also stood out in the development of the automotive industry and the successful Extraction of petroleum, oil exploitation, with which he achieved an economic prosperity unknown until then for Argentina, and that was demonstrated with the great increase achieved in the Gross domestic product, GDP per inhabitant. In 1928, he had reached the sixth position among the highest in the world. In the labor and social sphere, this period was characterized by a process of urban concentration in the Argentine Littoral, Litoral and Greater Buenos Aires, in addition to the establishment of half a million immigrants; there was an increase in the middle class, a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |