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Century Type Family
Century is a family of serif type faces particularly intended for body text. The family originates from a first design, Century Roman, cut by American Type Founders designer Linn Boyd Benton in 1894 for master printer Theodore Low De Vinne, for use in ''The Century Magazine''. ATF rapidly expanded it into a very large family, first by Linn Boyd, and later by his son Morris. With ATF no longer operating, a wide variety of variants and revivals with varying features and quality are available. Century is based on the "Scotch" genre, a style of type of British origin which had been popular in the United States from the early nineteenth century and is part of the "Didone" genre of type popular through the entire nineteenth century. Its design emphasizes crispness and elegance, with ball terminals, minimalist brackets, prominent slab serifs, and high contrast between thick and thin strokes. Generous whitespace between the letters is intended to offset the weight of the thick strok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morris Fuller Benton
Morris Fuller Benton (November 30, 1872 – June 30, 1948) was an American typeface designer who headed the design department of the American Type Founders (ATF), for which he was the chief type designer from 1900 to 1937. Many of Benton's designs, such as his large family of related sans-serif or "gothic" typefaces, including Alternate Gothic, Franklin Gothic, and News Gothic, are still in everyday use. Typefaces Benton is credited as America's most prolific designer of metal type, having (with his team) completed 221 typefaces, including revivals of historical models, like Bodoni and Cloister; original designs, such as Hobo, Bank Gothic, and Broadway; and adding new weights to existing faces, such as Century, Goudy Old Style and Cheltenham. Although he did not invent the concept, Benton working at ATF pioneered the concept of families of typeface designs, allowing consistency of appearance in different sizes, widths and weights. This allowed ATF to capitalise on a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German language, German, ) or "Gothic" (although this often refers to blackletter type as well). In German usage, the term Antiqua (typeface class), Antiqua is used more broadly for serif types. Serif typefaces can be broadly classified into one of four subgroups: Serif#Old-style, Old-style, Serif#Transitional, Transitional, Serif#Didone, Didone, and Serif#Slab serif, Slab serif, in order of first emergence. Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with Roman square capitals, inscriptional lettering—words carved into s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Bodoni
Giambattista Bodoni (, ; 16 February 1740 – 30 November 1813) was an Italian Typography, typographer, type-designer, compositor, Printing, printer, and publisher in Parma. He first took the type-designs of Pierre Simon Fournier as his exemplars, but afterwards became an admirer of the more modelled types of John Baskerville; and he and Firmin Didot evolved a style of type called "Modern", in which the letters are cut in such a way as to produce a strong contrast between the thick and thin parts of their body. Bodoni designed many typefaces, each one in a large range of type sizes. He is even more admired as a compositor than as a type designer, as the large range of sizes which he cut enabled him to compose his pages with the greatest possible subtlety of spacing. Like Baskerville, he sets off his texts with wide margins and uses little or no illustrations or decorations. Bodoni achieved an unprecedented level of technical refinement, allowing him to faithfully reproduce lette ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phototypesetting
Phototypesetting is a method of Typesetting, setting type which uses photography to make columns of Sort (typesetting), type on a scroll of photographic paper. It has been made obsolete by the popularity of the personal computer and desktop publishing which gave rise to digital typesetting. The first phototypesetters quickly project light through a film negative of an individual character in a font, then through a lens that magnifies or reduces the size of the character onto photographic paper or film, which is collected on a spool in a light-proof canister. The paper or film is then fed into a processor, a machine that pulls the paper or film strip through two or three baths of chemicals, from which it emerges ready for paste-up or film make-up. Later phototypesetting machines used other methods, such as displaying a digitised character on a CRT screen. The results of this process are then transferred onto printing plates which are used in offset printing. Phototypesetting offe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sol Hess
Sol Hess (born 1886, Philadelphia, PA – d. 1953) was an American typeface designer. After a three-year scholarship course at Pennsylvania Museum School of Industrial Design, he began at Lanston Monotype in 1902, rising to typographic manager in 1922. He was a close friend and collaborator with Monotype art director Frederic Goudy, succeeding him in that position in 1940. Hess was particularly adept at expanding type faces into whole families, allowing him to complete 85 faces for Monotype, making him America's fourth most prolific type designer. While he was with Monotype, Hess worked on commissions for many prominent users of type, including, Crowell-Collier, Sears Roebuck, Montgomery Ward, Yale University Press, World Publishing Company, and Curtis Publishing for whom he re-designed the typography of their Saturday Evening Post.MacGrew, p. 331. Typefaces designed by Sol Hess All faces cut by Lanston Monotype. * Hess Title + Italic (1910) ** ''Hess Title Italic'' (19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Type Foundry
American Type Founders (ATF) Co. was a business trust created in 1892 by the merger of 23 type foundries, representing about 85 percent of all type manufactured in the United States at the time. De Vinne, Theodore Low, ''The Practice of Typography'', Century Company, N.Y.C., 1922, p. 105. The new company, consisting of a consolidation of firms from throughout the United States, was incorporated in New Jersey. The American Type Founders Co. should not be confused with the American Type Founders' Association, also called the Type Founders' Association of the United States. Both institutions are identified by the same acronym, ATF. The ATF Association was formed in 1864 and was responsible for establishing the American point system in 1886 based on 83 picas exactly equal to 35 cm. The ATF Co. was not formed until 1892. All but six of the 23 foundries in the company were members of the ATF Association. The American Type Founders Co. was the dominant American manufacturer of me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Typographical Union
The International Typographical Union (ITU) was a North American trade union for the printing trade of newspapers and other media. It was founded on May 3, 1852, in the United States as the National Typographical Union. It changed its name to the International Typographical Union at its Albany, New York, convention in 1869 after it began organizing members in Canada. The ITU was one of the first unions to admit female members, admitting women members such as Augusta Lewis, Mary Moore and Eva Howard in 1869. Typographers were educated, economically mobile, and in every major urban center with newspapers, and they had the unique possibility to influence publicity in favour of their cause. This led the union to the forefront of improving working conditions. ITU President W. B. Prescott led the ITU in 1897 to win a 48-hour work week and a standard wage scale for all printers. During the Great Depression, the ITU introduced the 40-hour work week across the industry at no cost t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludlow Typograph
A Ludlow Typograph is a hot metal typesetting system used in letterpress printing. The device casts bars, or slugs of type, out of type metal primarily consisting of lead. These slugs are used for the actual printing, and then are melted down and recycled on the spot. It was used to print large-type material such as newspaper headlines or posters. The Ludlow system uses molds, known as Matrix (printing), matrices or mats, which are hand-set into a special composing stick. Thus the composing process resembles that used in cold lead type printing. Once a line has been completed, the composing stick is inserted into the Ludlow machine, which clamps it firmly in place above the mold. Hot type metal, linecasting metal (the same alloy used in Linotype machine, Linotype and Intertype Corporation, Intertype machines) is then injected through the mold into the matrices, allowed to cool, and then the bottom of the slug is trimmed just before it is ejected. The operator then replace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lanston Monotype
Monotype Imaging Holdings Inc., founded as Lanston Monotype Machine Company in 1887 in Philadelphia by Tolbert Lanston, is an American (historically Anglo-American) company that specializes in digital typesetting and typeface design for use with consumer electronics devices. Based in Woburn, Massachusetts, the company has been responsible for many developments in printing technology—in particular the Monotype machine, which was a fully mechanical hot metal typesetter, that produced texts automatically, all single type. Monotype was involved in the design and production of many typefaces in the 20th century. Monotype developed many of the most widely used typeface designs, including Times New Roman, Gill Sans, and Arial. Via acquisitions including Linotype GmbH, International Typeface Corporation, Bitstream, FontShop, URW, Hoefler & Co., Fontsmith, and Colophon Foundry, the company has gained the rights to major font families including Helvetica, ITC Franklin Gothic, Optim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intertype Corporation
The Intertype Corporation produced the Intertype, a hot metal typesetting machine closely resembling the Linotype, and using the same matrices as the Linotype. It was founded in New York in 1911 by Hermann Ridder, of Ridder Publications, as the International Typesetting Machine Company, but purchased by a syndicate for $1,650,000 in 1916 and reorganized as the Intertype Corporation. Originally, most of their machines were rebuilt Linotypes. By 1917, however, Intertype was producing three models of its own machine. Most of the original patents for the Linotype had expired and so the basic works of the Intertype were essentially the same, though incorporating at least 51 improvement patents. The standard Intertype could cast type up to thirty points and they also offered a "Composing Stick Attachment" that allowed their caster to be used to cast headlines up to 60 points. Despite initial liquidity problems, Intertype was quite successful in later years, producing mixer machines ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mergenthaler Linotype Company
The Mergenthaler Linotype Company was a company founded in the United States in 1886 to market the Linotype machine (), a system to cast metal type in lines (linecaster) invented by Ottmar Mergenthaler. It became the world's leading manufacturer of book and newspaper typesetting equipment; outside North America, its only serious challenger for book typesetting was the Anglo-American Monotype Corporation. Starting in 1960, the Mergenthaler Linotype Company became a major supplier of phototypesetting equipment which included laser typesetters, typefonts, scanners, typesetting computers. In 1987, the US-based Mergenthaler Linotype Company became part of the German Linotype-Hell AG; in the US the company name changed to Linotype Co. In 1996, the German Linotype-Hell AG was taken over by the German printing machine company Heidelberger Druckmaschinen AG. A separate business, Linotype Library GmbH was established to manage the digital assets. In 2005, Linotype Library GmbH shortened ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
