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Celtic Solstice
''Celtic Solstice'' is an album by Paul Winter, released in 1999 through the record label Living Music. In 2000, the album earned him a Grammy Award for Best New Age Album. Track listing # "Triumph" (Halley, Spillane, Winter) – 7:06 # " Golden Apples of the Sun" (W. B. Yeats, Travis Edmonson) – 6:25 # "Hollow Hills" (Spillane) – 1:55 # "O'Farrell's Welcome to Limerick" (traditional) – 4:36 # "Dawnwalker" (Halley, Spillane) – 6:43 # "My Fair and Faithful Love/Blarney Pilgram" (Maclean, traditional) – 5:23 # "Sweet Comeraghs" (Faoli·in) – 3:55 # "After the Fleadh/Running Through the Woods With Keetu" (Fahy, Madden) – 6:45 # "The Minister's Adieu" (Thomas) – 2:09 # "Farewell to Govan" (Cunningham) – 2:58 # "Golden Apples of the Sun (Reprise)" – 7:06 # "Dawnwalker (Reprise)" (Halley, Spillane) – 2:32 Personnel * Paul Winter – soprano saxophone * Joanie Madden – flute and whistle * Davy Spillane – uilleann pipes * Jerry O'Sullivan – uilleann pipes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Winter
Paul Winter (born August 31, 1939) is an American saxophonist, composer, and bandleader. He is a pioneer of world music and earth music, which interweaves the voices of the wild with instrumental voices from classical, jazz and world music. The music is often improvised and recorded in nature to reflect the qualities brought into play by the environment. Early life Winter was born in Altoona, Pennsylvania, United States. He studied piano and clarinet, then fell in love with saxophone in the fourth grade. He started the Little German Band with his schoolmates when he was twelve, then a Dixieland band, and a nine-piece dance band known as The Silver Liners. He became enthralled by big bands and bebop bands of the 1950s. After graduating from Altoona Area High School in 1957, he spent the summer on a tour of state fairs in the Midwest with the conductor and members of the Ringling Brothers Circus Band. Paul Winter Sextet At Northwestern University, he majored in English and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Music Of Ireland
Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a genre of folk music that developed in Ireland. In ''A History of Irish Music'' (1905), W. H. Grattan Flood wrote that, in Gaelic Ireland, there were at least ten instruments in general use. These were the ''cruit'' (a small harp) and '' clairseach'' (a bigger harp with typically 30 strings), the ''timpan'' (a small string instrument played with a bow or plectrum), the ''feadan'' (a fife), the ''buinne'' (an oboe or flute), the ''guthbuinne'' (a bassoon-type horn), the ''bennbuabhal'' and ''corn'' ( hornpipes), the ''cuislenna'' (bagpipes – see Great Irish warpipes), the ''stoc'' and ''sturgan'' ( clarions or trumpets), and the ''cnamha'' ( bones).''A History of Irish Music: Chapt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celtic Music In The United States
Irish, Scottish and Welsh music have long been a major part of American music, at least as far back as the 18th century. Beginning in the 1960s, performers like the Clancy Brothers became stars in the Irish music scene, which dates back to at least the colonial era, when many Irish immigrants arrived. These included many Scots-Irish Presbyterians, whose music was most "closely related to a Lowland Scottish style" . The most significant impact of Celtic music on American styles, however, is undoubtedly that on the evolution of country music, a style which blends Anglo-Celtic traditions with "sacred hymns and African American spirituals". Country music's roots come from "Americanized interpretations of English, Scottish and Scots-Irish traditional music, shaped by containing vestiges of (19th century) popular song, especially (minstrel songs)" . Celtic-Americans have also been influential in the creation of Celtic fusion, a set of genres which combine traditional Celtic musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karan Casey
Karan Casey (born 1969) is an Irish folk singer, and a former member of the Irish band Solas. She resides in Cork, Ireland. Early years Casey was born in Ballyduff Lower, Kilmeaden, County Waterford, Ireland. Her family encouraged her to sing in the house, in a church choir and at school. At Waterford Regional Technical College she studied piano then took music at University College Dublin in 1987. Having learned to copy Ella Fitzgerald's scat singing, she performed in a Dublin bistro several nights per week while still a student. At the Royal Irish Academy of Music she studied classical music and sang in a jazz band, then a folk-ballad band, then another jazz band. She also fell under the influence of Dublin folk singer Frank Harte. During this time she also formed her own band, called "Dorothy". Emigration to the USA In 1993, Casey moved to New York City, to study jazz at Long Island University. When she began to frequent Irish traditional sessions in New York, she starte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jamey Haddad
Jamey George Haddad (born July 2, 1952 in Cleveland, Ohio) is an American percussionist who works primarily in the fields of jazz and world music and specializes in hand drums. Biography Haddad is of Lebanese ancestry. From the age of four, he began playing Lebanese percussion instruments, such as the goblet drum. He later studied music at the Berklee College of Music in Boston, Massachusetts. He lived in New York City for over 20 years. In 2002, he and his family moved to Shaker Heights, Ohio. He teaches at the Oberlin Conservatory of Music in Oberlin, Ohio. He is also artistic director of the Friday's at 7 series at Cleveland's Severance Hall. This series features the Cleveland Orchestra and a secondary performance of folk artists from around the world. Music career For five years, Haddad studied Carnatic music, a form of Indian classical music, with Ramnad Raghavan. He received a Fulbright Fellowship, which allowed him to study South Indian Carnatic music, including the mrida ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodhrán
The bodhrán (, ; plural ''bodhráin'' or ''bodhráns'') is a frame drum used in Irish music ranging from in diameter, with most drums measuring . The sides of the drum are deep. A goatskin head is tacked to one side (synthetic heads or other animal skins are sometimes used). The other side is open-ended for one hand to be placed against the inside of the drum head to control the pitch and timbre. One or two crossbars, sometimes removable, may be inside the frame, but this is increasingly rare on modern instruments. Some professional modern bodhráns integrate mechanical tuning systems similar to those used on drums found in drum kits. It is usually with a hex key that the bodhrán skins are tightened or loosened depending on the atmospheric conditions. History Seán Ó Riada declared the bodhrán to be the native drum of the ancient Celts (as did bodhrán maker Paraic McNeela), suggesting that it was possibly used originally for winnowing or wool dying, with a musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austin McGrath
Austin is the capital city of the U.S. state of Texas, as well as the seat and largest city of Travis County, with portions extending into Hays and Williamson counties. Incorporated on December 27, 1839, it is the 11th-most-populous city in the United States, the fourth-most-populous city in Texas, the second-most-populous state capital city, and the most populous state capital that is not also the most populous city in its state. It has been one of the fastest growing large cities in the United States since 2010. Downtown Austin and Downtown San Antonio are approximately apart, and both fall along the Interstate 35 corridor. Some observers believe that the two regions may some day form a new "metroplex" similar to Dallas and Fort Worth. Austin is the southernmost state capital in the contiguous United States and is considered a " Beta −" global city as categorized by the Globalization and World Cities Research Network. As of 2021, Austin had an estimated pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bakithi Kumalo
Bakithi Kumalo (; born 10 May 1956) is a South African bassist, composer, and vocalist. Kumalo is most known for his fretless bass playing on Paul Simon's 1986 album ''Graceland'', in particular the bass run on "You Can Call Me Al". Biography and career Bakithi Kumalo was born in the Soweto township of Johannesburg, surrounded by relatives who loved music and actively performed. He got his first job at the age of seven filling in for his uncle's bass player. Kumalo worked as a session musician in South Africa during the 1970s and early 1980s, eventually becoming a top session bassist and accompanying international performers during their South African tours. In 1985, Kumalo was introduced to Paul Simon by producer Hendrick Lebone during the sessions for Simon's ''Graceland'' album. Kumalo traveled with Simon to New York to finish the sessions, and after the accompanying concert tour, "spent several years commuting between Soweto and New York City" before permanently settling in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zan McLoed
Zan or ZAN, may refer to: Geography * Zhan, Kurdistan, Iran, also known as Zān * Zhan, Lorestan, Iran, also known as Žān * Zan, Tehran, a village in Tehran Province, Iran Ethnicity and language * Zans, the Zan People, people who speak the Zan languages * Zan Gula language, an Adamawa language of Chad * Zan language, a proposed collective term for the Megrelian and Laz languages in 7th Century Caucasus People * Zan, a soca singer winner of International Soca Monarch in Trinidad in 2006 Given name * Zan Abeyratne, backing singer in ''Models'' * Žan Benedičič (born 1994) Slovenian soccer player * Žan Celar (born 1999) Slovenian soccer player * Zan Ganassa (1540–1584) Italian actor * Zan Wesley Holmes Jr, U.S. minister * Žan Jakše, Slovenian canoeist * Žan Kranjec (born 1992) Slovenian alpine skier * Žan Marolt (1964–2009) Bosnia-Herzegovina actor * Zan Perrion, Canadian pickup artist, founder of the Ars Amorata philosophy * Zan Rowe (born 1978) Australian rad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triple Harp
The triple harp is a type of multi-course harp employing three parallel rows of strings instead of the more common single row. One common version is the Welsh triple harp (Welsh: ''telyn deires''), used today mainly among players of traditional Welsh folk music. Italian ''arpa tripla'' The triple harp originated in 16th-century Italy. To enable chromatic playing required by late-Renaissance music, a second row of strings containing the pentatonic scale (the accidentals) was added in parallel to the first row, which contained the diatonic scale. These harps were called ''arpa doppia'' or double harp and allowed for fully chromatic playing for the first time in the history of the harp. Later, a second diatonic row of strings was added on the other side of the pentatonic row of strings, creating the ''arpa tripla'' or triple harp. Double and triple harps continued to be the norm throughout the Baroque era in Italy, Spain, and France and were employed both as solo and continuo in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celtic Harp
The Celtic harp is a triangular frame harp traditional to the Celtic nations of northwest Europe. It is known as in Irish, in Scottish Gaelic, in Breton and in Welsh. In Ireland and Scotland, it was a wire-strung instrument requiring great skill and long practice to play, and was associated with the Gaelic ruling class. It appears on Irish coins, the coat of arms of the Republic of Ireland, Montserrat, Canada as well as the flag of Montserrat. Early history The early history of the triangular frame harp in Europe is contested. The first instrument associated with the harping tradition in the Gaelic world was known as a . This word may originally have described a different stringed instrument, being etymologically related to the Welsh crwth. It has been suggested that the word / (from / , a board) was coined for the triangular frame harp which replaced the , and that this coining was of Scottish origin. A notched piece of wood which some have interpreted to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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