|
Cello Concerto No. 2 (Villa-Lobos)
The Cello Concerto No. 2, W516, was composed by Heitor Villa-Lobos in Rio de Janeiro in 1953. It was commissioned by the cellist Aldo Parisot, to whom the score is dedicated. A reduction for cello and piano was published in Paris by Max Eschig. The concerto was first performed by Parisot with the New York Philharmonic conducted by Walter Hendl Walter Hendl (January 12, 1917April 10, 2007) was an American conductor, composer and pianist. Hendl was born in West New York, New Jersey. He studied at the Curtis Institute of Music and held various conducting and teaching positions throughou ... on 5 February 1955. The orchestra calls for piccolo, two flutes, two oboes, cor anglais, two clarinets, bass clarinet, two bassoons, contrabassoon, four horns, two trumpets, three trombones, tuba, timpani, percussion (tam-tam, side drum, tambourine, suspended cymbal), celesta, harp, and strings. The work is in four movements: References Works cited * External links Cello Concerto #2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has globally become one of the most recognizable South American composers in music history. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2,000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his '' Bachianas Brasileiras'' (Brazilian Bach-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aldo Parisot
Aldo Simoes Parisot (September 30, 1918 – December 29, 2018) was a Brazilian-born American cellist and cello teacher. He was first a member of the Juilliard School faculty, and then went on to serve as a music professor at the Yale School of Music for sixty years (1958 to 2018), the longest-serving member of that school's faculty ever. Early life and musical training Born in Natal, Rio Grande do Norte, Brazil, Parisot began studying cello at age seven with his stepfather, Tomazzo Babini. From Babini, he learned the importance of playing without unnecessary tension—something he credits as the foundation for the rest of his career. At the age of 12 he gave his professional debut as a cellist. From there, he moved on to become principal cellist of the Brazilian Symphony Orchestra in Rio de Janeiro. During one of the concerts, Carleton Sprague Smith, the attaché to the American embassy was in attendance. Upon witnessing Parisot's performance of Brahms's Double Concerto with vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Philharmonic
The New York Philharmonic is an American symphony orchestra based in New York City. Known officially as the ''Philharmonic-Symphony Society of New York, Inc.'', and globally known as the ''New York Philharmonic Orchestra'' (NYPO) or the ''New York Philharmonic-Symphony Orchestra'', it is one of the leading American orchestras popularly called the " Big Five". The Philharmonic's home is David Geffen Hall, at New York's Lincoln Center for the Performing Arts. Founded in 1842, the orchestra is one of the oldest musical institutions in the United States and the oldest of the "Big Five" orchestras. Its 14,000th concert was given in December 2004. History Founding and first concert, 1842 The New York Philharmonic was founded in 1842 by the American conductor Ureli Corelli Hill, with the aid of the Irish composer William Vincent Wallace. The orchestra was then called the Philharmonic Society of New York. It was the third Philharmonic on American soil since 1799, and had as its int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Hendl
Walter Hendl (January 12, 1917April 10, 2007) was an American conductor, composer and pianist. Hendl was born in West New York, New Jersey. He studied at the Curtis Institute of Music and held various conducting and teaching positions throughout his career, including at Sarah Lawrence College, New York Philharmonic, Dallas Symphony Orchestra, Chautauqua Symphony Orchestra, Chicago Symphony Orchestra, Eastman School of Music, and Erie Philharmonic. He also served as the first artistic director of the Ravinia Festival and was a professor of conducting at Mercyhurst College. A supporter of contemporary music, Hendl conducted several premieres and composed incidental music for stage productions. He recorded best-selling albums with RCA Victor, featuring prominent soloists like Jascha Heifetz and Van Cliburn. Hendl died in Pennsylvania after battling heart and lung disease. Biography Hendl was born in West New York, New Jersey, and later went on to study with Fritz Reiner at the Curt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means " joke" or "jest." More rarely, the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, "jesting") has been used. Sometimes the word ''scherzando'' ("joking") is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello Concertos
The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef; the tenor clef and treble clef are used for higher-range passages. Played by a ''cellist'' or ''violoncellist'', it enjoys a large solo repertoire with and without accompaniment, as well as numerous concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music, such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music of the Baroque era typically assumes a cello, viola da gamba or bassoon as part of the basso continuo group alongside chordal instruments s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
