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Cello Concerto No. 1 (Shostakovich)
The Cello Concerto No. 1 in E-flat major, Op. 107, was composed in 1959 by Dmitri Shostakovich. Shostakovich wrote the work for his friend Mstislav Rostropovich, who committed it to memory in four days. He premiered it on October 4, 1959, at the Large Hall of the Leningrad Conservatory with the Leningrad Philharmonic Orchestra conducted by Yevgeny Mravinsky. The first recording was made in two days following the premiere by Rostropovich and the Moscow Philharmonic Orchestra conducted by Aleksandr Gauk. Scoring and structure The concerto is scored for solo cello, two flutes (2nd doubling piccolo), two oboes, two clarinets (each doubling B and A), two bassoons (2nd doubling contrabassoon), one horn, timpani, celesta, and strings. The work has four movements in two sections, with movements two through four played without a pause: A typical performance runs approximately 28 minutes in length. Analysis The first concerto is widely considered to be one of the most difficult c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-flat Major
E-flat major is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E-flat harmonic major and melodic major scales are: Scale degree chords The scale degree chords of E-flat major are: * Tonic – E-flat major * Supertonic – F minor * Mediant – G minor * Subdominant – A-flat major * Dominant – B-flat major * Submediant – C minor * Leading-tone – D diminished Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Ludwig van Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a list of horn players, horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of Brass instrument valve, valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kultura (newspaper)
''Kultura'' (; lit. ''Culture''), known as ''Sovetskaya Kultura'' () during the Soviet era, is a Russian newspaper, based in Moscow. The newspaper was previously published twice weekly but is currently a weekly newspaper. Today the newspaper circulates 29,200 copies a week, in all federal subjects of Russia.Official website.About the Newspaper History The newspaper's website states that the newspaper was founded on 6 November 1929, From 1931 the newspaper was published under the name "Soviet Art". Following its merger with "Literary Newspaper", it was published under the name "Literature and Art". In 1953 the newspaper was renamed "Soviet Culture" and became part of the Ministry of Culture of the USSR and the Central Committee of the Trade Union of Culture Workers. In 1973 it became the newspaper of the Central Committee of the Communist Party of the Soviet Union. The newspaper was awarded the Order of the Red Banner of Labor in 1979. In 1991 the name changed from "Soviet Culture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Prokofiev
Sergei Sergeyevich Prokofiev; alternative transliterations of his name include ''Sergey'' or ''Serge'', and ''Prokofief'', ''Prokofieff'', or ''Prokofyev''. , group=n ( – 5 March 1953) was a Russian composer, pianist, and conductor who later worked in the Soviet Union. As the creator of acknowledged masterpieces across numerous music genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from ''The Love for Three Oranges,'' the suite Lieutenant Kijé (Prokofiev), ''Lieutenant Kijé'', the ballet Romeo and Juliet (Prokofiev), ''Romeo and Juliet''—from which "Dance of the Knights" is taken—and ''Peter and the Wolf.'' Of the established forms and genres in which he worked, he created—excluding juvenilia—seven completed operas, seven Symphony, symphonies, eight Ballet (music), ballets, five piano concertos, two violin concertos, a Cello Concerto (Prokofiev), cello concerto, a Symphony-Concerto ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony-Concerto (Prokofiev)
Sergei Prokofiev's Symphony-Concerto in E minor, opus number, Op. 125 (also widely referred to as Sinfonia Concertante) is a large-scale work for cello and orchestra. The Symphony-Concerto was premiered on 18 February 1952 by Mstislav Rostropovich, to whom the work was dedicated. It was originally presented as Prokofiev's Second Cello Concerto, but Prokofiev subsequently revised and changed its title. It is among Prokofiev's final completed works. History Prokofiev began work on what would become the Symphony-Concerto after completing his Cello Sonata (Prokofiev), Cello Sonata in 1949. The work was commissioned by Aleksandr Kholodilin, the head of the music division of the Committee on Artistic Affairs, with the completion date specified as 1 November 1951. The work drew, in part, on material contained in Prokofiev's earlier Cello Concerto (Prokofiev), Cello Concerto, which was premiered in 1938. Drafts of the new work were provided to Rostropovich for technical correction and r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Con Moto
A variety of musical terms is encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1 : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; : Tierce organ stop ; 2 : two feet – pipe organ indication; see ; : pipe organ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegro (music)
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attacca
A variety of musical terms is encountered in Sheet music, printed scores, music reviews, and program notes. Most of the terms Italian musical terms used in English, are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French language, French and German language, German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1 : "sifflet" or one foot organ stop ; I : usually for Violin family, orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadenza
In music, a cadenza, (from , meaning cadence; plural, ''cadenze'' ) is, generically, an improvised or written-out ornamental passage played or sung by a soloist(s), usually in a "free" rhythmic style, and often allowing virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over either the final or penultimate note in a piece, the lead-in (), or the final or penultimate note in an important subsection of a piece. A cadenza can also be found before a final coda or ritornello. Origin Initially, cadenzas were more simple and structured - a performer would add small embellishments such as trills to the end of cadences. These small embellishments of the early cadenza did not affect meter. However, as the improvised embellishments continued, they became longer and more thought out. This made way for the 'composed' cade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegretto
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture. The others are meter, which is indicated by a time signature, and articulation, which determines how each note ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section (music), section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
