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Celesta Schiedmayer Mechanism
The celesta () or celeste (), also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idiophone
An idiophone is any musical instrument that creates sound primarily by the vibration of the instrument itself, without the use of air flow (as with aerophones), strings (chordophones), membranes (membranophones) or electricity ( electrophones). It is the first of the four main divisions in the original Hornbostel–Sachs system of musical instrument classification (see List of idiophones by Hornbostel–Sachs number). The early classification of Victor-Charles Mahillon called this group of instruments ''autophones''. The most common are struck idiophones, or concussion idiophones, which are made to vibrate by being struck, either directly with a stick or hand (like the wood block, singing bowl, steel tongue drum, handpan, triangle or marimba) or indirectly, with scraping or shaking motions (like maracas or flexatone). Various types of bells fall into both categories. A common plucked idiophone is the Jew's harp. According to Sachs, idiophones Etymology The word ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celesta Schiedmayer Mechanism
The celesta () or celeste (), also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Bouchor
Maurice Bouchor (18 November 1855 – 18 January 1929) was a French poet. He was born in Paris. He published in succession ''Chansons joyeuses'' (1874), ''Poèmes de l'amour et de la mer'' (1875), ''Le Faust moderne'' (1878) in prose and verse, and ''Les Contes parisiens'' (1880) in verse. His ''Aurore'' (1883) showed a tendency to religious mysticism, which reached its fullest expression in ''Les Symboles'' (1888; new series, 1895), the most interesting of his works. He contributed to the satirical weekly '' Le Courrier français''. Bouchor (whose brother, Joseph-Félix Bouchor, b. 1853, became well known as an artist) was a sculptor as well as a poet, and he designed and worked the figures used in his charming pieces as marionettes, the words being recited or chanted by himself or his friends behind the scenes. These miniature dramas on religious subjects, ''Tobie'' (1889), ''Noel'' (1890) and ''Sainte Cécile'' (1892), were produced in Paris at the Théâtre des Marionnettes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incidental Music
Incidental music is music in a play, television program, radio program, video game, or some other presentation form that is not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the film score or soundtrack. Incidental music is often background music, and is intended to add atmosphere to the action. It may take the form of something as simple as a low, ominous tone suggesting an impending startling event or to enhance the depiction of a story-advancing sequence. It may also include pieces such as overtures, music played during scene changes, or at the end of an act, immediately preceding an interlude, as was customary with several nineteenth-century plays. It may also be required in plays that have musicians performing on-stage. History The phrase "incidental music" is from the German ''Inzidenzmusik'', which is defined in the ''Methuen Drama Dictionary of the Theatre'' as "music that is specifically written fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Chausson
Amédée-Ernest Chausson (; 20 January 1855 – 10 June 1899) was a French Romantic composer. Life Born in Paris into an affluent bourgeois family, Chausson was the sole surviving child of a building contractor who made his fortune assisting Baron Haussmann in the redevelopment of Paris in the 1850s. To please his father, Chausson studied law and was appointed a barrister for the Court of Appeals, but had little or no interest in the profession. He frequented the Paris salons, where he met celebrities such as Henri Fantin-Latour, Odilon Redon, and Vincent d'Indy. Before deciding on a musical career, he dabbled in writing and drawing. In 1879, at the age of 24, he began attending the composition classes of Jules Massenet at the Paris Conservatoire; Massenet came to regard him as "an exceptional person and a true artist". He had already composed some piano pieces and songs. Nevertheless, the earliest manuscripts that have been preserved are those corrected by Massenet. At the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Petipa
Marius Ivanovich Petipa (; born Victor Marius Alphonse Petipa; 11 March 1818) was a French and Russian ballet dancer, pedagogue and choreographer. He is considered one of the most influential ballet masters and choreographers in ballet history. Petipa is noted for his long career as ''Premier maître de ballet'' (First Ballet Master) of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from his originals. He is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote (ballet), Don Quixote'' (1869); ''La Bayadère'' (1877); ''The Talisman (ballet), Le Talisman'' (1889); ''The Sleeping Beauty Ballet, The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''The Awakeni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balletmaster
A ballet master (also balletmaster, ballet mistress, ''premier maître de ballet'' or ''premier maître de ballet en chef'') is an employee of a ballet company who is responsible for the level of competence of the dancers in their company. In modern times, ballet masters are generally charged with teaching the daily company ballet class and rehearsing the dancers for both new and established ballets in the company's repertoire. The artistic director of a ballet company, whether a male or female, may also be called its ballet master. Historic use of gender marking in job titles in ballet (and live theatre) is being supplanted by gender-neutral language job titles regardless of an employee's gender (e.g. ''ballet master'' in lieu of ''ballet mistress'', ''wig master'' as an alternative to ''wig mistress''). History of the position Especially during the early centuries of ballet troupes and ballet companies from the 18th century until the early 20th century, the position of ''fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Freed
Richard Donald Freed (December 27, 1928 – January 1, 2022) was an American music critic, program annotator and administrator. He was noted for the concert program notes he authored for various orchestras and ensembles in the US. Early life Freed was born in Chicago on December 27, 1928. His father immigrated to the United States from Russia and ran a furniture store; his mother was a housewife. He was raised in Tulsa, Oklahoma, where he read about music and records with the 1941 Victor catalog as bedside book. He studied at the University of Chicago where he received his Bachelor of Philosophy degree in 1947. Freed first worked as a contributing editor at the '' Saturday Review''. He went on to be assistant director to Irving Kolodin from 1962 to 1963, and as a staff critic for ''The New York Times'' and ''The Audio Beat'' two years later. Career Freed was an assistant to the director of the University of Rochester's Eastman School of Music (1966–1970) and direct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Voyevoda (symphonic Ballad)
''The Voyevoda'', Op. 78, is a "symphonic ballad" for orchestra, written by Pyotr Ilyich Tchaikovsky in 1891. It is based on Alexander Pushkin's translation of Adam Mickiewicz's poem of that name. Tchaikovsky started work on the piece in September 1890, but did not finish it until close to the premiere over a year later. He was then actively engaged in finishing his last opera ''Iolanta''. The premiere of the ballad, which he conducted, took place on 18 November 1891, in Moscow. He was very dissatisfied with the work; even before the first performance he had decided it was mediocre at best and threatened to destroy the score. After the performance he declared "Such rubbish should never have been written". He carried out his threat the day after the first performance. However, the orchestral parts were retrieved by Alexander Siloti and the score was later reconstructed. Later, Tchaikovsky wrote to his publisher P. Jurgenson, "I do not regret ''The Voyevoda'' - it's got what i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term (tone poem) appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term to his 13 works in this vein, which commenced in 1848. Background While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * String instruments, such as the violin, viola, cello, and double bass * Woodwinds, such as the flute, oboe, clarinet, bassoon, and occasional saxophone * Brass instruments, such as the French horn (commonly known as the "horn"), trumpet, trombone, cornet, and tuba, and sometimes euphonium * Percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, tam-tam and mallet percussion instruments Other instruments such as the piano, harpsichord, pipe organ, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments, and guitars. A full-size Western orchestra may sometimes be called a or phil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Чайковский Танец Феи Драже из балета Щелкунчик
Pyotr Ilyich Tchaikovsky ( ; 7 May 1840 – 6 November 1893) was a Russian composer during the Romantic music, Romantic period. He was the first Russian composer Music of Pyotr Ilyich Tchaikovsky, whose music made a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the classical repertoire, including the ballets ''Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his Piano Concerto No. 1 (Tchaikovsky), First Piano Concerto, Violin Concerto (Tchaikovsky), Violin Concerto, the ''Romeo and Juliet (Tchaikovsky), Romeo and Juliet'' Overture-Fantasy, several Symphonies by Pyotr Ilyich Tchaikovsky, symphonies, and the opera ''Eugene Onegin (opera), Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no public music education system. When an opportunity for such an education arose, he ent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
