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Cecilia Fusco
Maria Cecilia Fusco (10 June 1933 – 26 November 2020)"Latisana piange la soprano Maria Cecilia Fusco" by Paola Mauro, '' Messaggero Veneto'', 28 November 2020 was an Italian operatic soprano and voice teacher. In a long career, she appeared regularly at La Scala in Milan, and leading opera houses in Italy and abroad. Her broad repertoire included works from early Italian opera to premieres of contemporary opera. Life and career Fusco was born in ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latisana
Latisana ( fur, Tisane, locally ) is a town and ''comune'' in the province of Udine, in the Friuli Venezia Giulia region of north-eastern Italy, on the Tagliamento river. History The city was probably a Roman post station (''Mansio Apicilia'') on the Via Annia which connected Concordia to Aquileia. The city is first mentioned in 1072, and became an important river port in the 12 and 13th centuries, especially known for salt trade, under the counts of Gorizia. In the 12th century it became an autonomous commune, annexed by the Republic of Venice in 1420. The trade declined in the late years of the Republic of Venice, and the city was acquired by the Austrian Empire with the Treaty of Campo Formio (1797). In 1814 it became part of the client Kingdom of Lombardy–Venetia and, in 1866, of the newly formed Kingdom of Italy. During the 20th century wars it suffered heavy damage, especially in the bombing of 19 May 1944 that destroyed the historical centre. Further damage was cause ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Von Karajan
Herbert von Karajan (; born Heribert Ritter von Karajan; 5 April 1908 – 16 July 1989) was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, with the Vienna Philharmonic, the Berlin Philharmonic, and during the Second World War he conducted at the Berlin State Opera. Generally regarded as one of the greatest conductors of the 20th century, he was a controversial but dominant figure in European classical music from the mid-1950s until his death. Part of the reason for this was the large number of recordings he made and their prominence during his lifetime. By one estimate, he was the top-selling classical music recording artist of all time, having sold an estimated 200 million records. Biography Early life Genealogy The Karajans were of Greek ancestry. Herbert's great-great-grandfather, Georg Karajan (Geórgios Karajánnis, el, Γεώργιος Καραγιάννης, l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Comunale Di Bologna
The Teatro Comunale di Bologna is an opera house in Bologna, Italy. Typically, it presents eight operas with six performances during its November to April season. While there had been various theatres presenting opera in Bologna since the early 17th century, they had either fallen into disuse or burnt down. However, from the early 18th century, the ''Teatro Marsigli-Rossi'' had been presenting operatic works by popular composers of the day including Vivaldi, Gluck, and Niccolò Piccinni. The ''Teatro Malvezzi'', built in 1651, burned down in February 1745 and this event prompted the construction of a new public theatre, the ''Nuovo Teatro Pubblico'', as the Teatro Comunale was first called when it opened on 14 May 1763. Design and inauguration Despite opposition from other competitors, the architect Antonio Galli Bibiena won the theatre design contract. The theatre's inaugural performance was Gluck's '' Il trionfo di Clelia'', an opera which Gluck had composed for the occas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (Pergolesi)
(P.77) is a musical setting of the sequence, composed by Giovanni Battista Pergolesi in 1736. Composed in the final weeks of Pergolesi's life, it is scored for soprano and alto soloists, violin I and II, viola and (cello and organ). Background Many pieces which were said to have been composed by Pergolesi have been misattributed; the is definitely by Pergolesi, as a manuscript in his handwriting has been preserved. The work was composed for a Neapolitan confraternity, the , which had also commissioned a Stabat Mater from Alessandro Scarlatti. Pergolesi composed it during his final illness from tuberculosis in a Franciscan monastery in Pozzuoli, along with a ' setting, and, as it is said, finished it right before he died. Reception The is one of Pergolesi's most celebrated sacred works, achieving great popularity after the composer's death. Jean-Jacques Rousseau showed appreciation for the work, praising the opening movement as "the most perfect and touching duet to come f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iphigénie En Tauride
''Iphigénie en Tauride'' (, ''Iphigenia in Tauris'') is a 1779 opera by Christoph Willibald Gluck in four acts. It was his fifth opera for the French stage. The libretto was written by Nicolas-François Guillard. With ''Iphigénie,'' Gluck took his operatic reform to its logical conclusion. The recitatives are shorter and they are ''récitatif accompagné'' (i.e. the strings and perhaps other instruments are playing, not just continuo accompaniment). The normal dance movements that one finds in the French '' tragédie en musique'' are almost entirely absent. The drama is ultimately based on the play '' Iphigenia in Tauris'' by the ancient Greek dramatist Euripides which deals with stories concerning the family of Agamemnon in the aftermath of the Trojan War. Performance history ''Iphigénie en Tauride'' was first performed on 18 May 1779 by the Paris Opéra at the second Salle du Palais-Royal and was a great success. Some think that the head of the Paris Opéra, Devismes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Serva Padrona
''La serva padrona'', or ''The Maid Turned Mistress'', is a 1733 intermezzo by Giovanni Battista Pergolesi (1710–1736) to a libretto by Gennaro Federico, after the play by Jacopo Angello Nelli. It is some 40 minutes long, in two parts without overture, and was written as light-hearted staged entertainment between the acts of Pergolesi's serious opera ''Il prigionier superbo''. More specifically each of the two parts, set in the same dressing room, played during an intermission of the three-act opera to amuse people who remained in their seats. Federico's libretto was also set by Giovanni Paisiello, in 1781. Performance history ''La serva padrona'' and the opera seria it punctuates were premiered at the Teatro San Bartolomeo on 5 September 1733, the first performances there after an earthquake the previous year in Naples had closed all theatres. Both were written for the birthday of Holy Roman Empress Elisabeth Christine of Brunswick-Wolfenbüttel a few days earlier. ''Il ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Ballo In Maschera
''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The plot concerns the assassination in 1792 of King Gustav III of Sweden who was shot, as the result of a political conspiracy, while attending a masked ball, dying of his wounds thirteen days later. It was to take over two years between the commission from Naples, planned for a production there, and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In becoming the ''Un ballo in maschera'' which we know today, Verdi's opera (and his libretto) underwent a significant series of transformations and title changes, caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. Based on the Scribe libretto and begun as ''Gustavo III'' set in Sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serse
''Serse'' (; English title: ''Xerxes''; HWV 40) is an opera seria in three acts by George Frideric Handel. It was first performed in London on 15 April 1738. The Italian libretto was adapted by an unknown hand from that by Silvio Stampiglia (1664–1725) for an earlier opera of the same name by Giovanni Bononcini in 1694. Stampiglia's libretto was itself based on one by Nicolò Minato (ca.1627–1698) that was set by Francesco Cavalli in 1654. The opera is set in Persia (modern-day Iran) about 470 BC and is very loosely based upon Xerxes I of Persia. Serse, originally sung by a mezzo-soprano castrato, is now usually performed by a female mezzo-soprano or countertenor. The opening aria, " Ombra mai fu", sung by Xerxes to a plane tree (''Platanus orientalis''), is set to one of Handel's best-known melodies, and is often known as Handel's "Largo" (despite being marked "larghetto" in the score). Composition history In late 1737 the King's Theatre, London, commissioned Handel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Napoli
Jacopo Napoli (August 26, 1911 in Naples – 1994 in Ascea) was an Italian composer of the 20th century. Born in Naples, he studied privately. He taught composition at the Cagliari Cagliari (, also , , ; sc, Casteddu ; lat, Caralis) is an Italian municipality and the capital of the island of Sardinia, an autonomous region of Italy. Cagliari's Sardinian name ''Casteddu'' means ''castle''. It has about 155,000 inhabitan ... music conservatory. He was the director of the Naples conservatory. His compositions include chamber music, songs, the operas ''Miseria e nobiltà'', ''Il malato immaginario'' and ''Un curioso accidente'', as well as the orchestral works ''Preludio di caccia'' and ''La festa di Anacapri''. References Italian classical composers Italian male classical composers Italian opera composers Male opera composers 20th-century classical composers 1911 births 1994 deaths Musicians from Naples 20th-century Italian composers 20th-century Itali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Scala Di Seta
''La scala di seta'' (''The Silken Ladder'' or ''Die seidene Leiter'') is an operatic '' farsa comica'' in one act by Gioachino Rossini to a libretto by Giuseppe Maria Foppa. It was first performed in Venice, Italy, at the Teatro San Moisè on 9 May 1812. The overture has been frequently recorded and continues to be featured in the modern concert repertoire. From 1810 to 1813, the young Rossini composed four Italian ''farse'', beginning with '' La cambiale di matrimonio'' (''The Bill of Marriage''), his first opera, and ending with '' Il Signor Bruschino''. These types of short pieces were popular in Venice at the end of the 18th century and the beginning of the 19th century. The pieces were intimate, with a cast of five to seven singers, always including a pair of lovers, at least two comic parts, and one or two other minor roles. The style called for much visual comedy improvised by the players. As compared to many genres of opera, acting and comedic talent is more import ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariadne Auf Naxos
(''Ariadne on Naxos''), Opus number, Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play ''Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided Le bourgeois gentilhomme (Strauss), incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Staatsoper Stuttgart, Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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