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Cathedral Of Santa Maria Assunta (Chioggia)
Chioggia Cathedral (, ''Cattedrale di Santa Maria Assunta'') is the main place of worship in Chioggia, Italy, in the south of the Venetian Lagoon. It dates from 1627. The interior contains many interesting works of art. History The Cathedral of Chioggia, dedicated to St. Mary of the Assumption, was built on the site of an ancient church dedicated to Mary that probably dated to the 8th century, and is mentioned around 1000 AD. Around that time the people of Chioggia began building a splendid new cathedral. This had a "Ravenna" style basilical layout, with a long nave and two aisles, with a semi-circular apse at the east end. It was long, and wide at the transepts. The cathedral was destroyed by fire on the night of 25–26 December 1623. At the time the fire was said to have been caused by arson. The altarpiece of gold and silver could not be found in the ruins that remained after the fire. The task of rebuilding the cathedral was given to the architect Baldassare Longhena, who ...
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Baldassare Longhena
Baldassare Longhena (1598 – 18 February 1682) was an Italian architect, who worked mainly in Venice, where he was one of the greatest exponents of Baroque architecture of the period. His style is characterized by monumentality, skillful use of light and shadow, and an understanding of Venetian aesthetics. Biography Born in Venice to his father Melchisedecco, a stone-carver who contrived to have Longhena study under the architect Vincenzo Scamozzi. After Scamozzi's death Longhena completed his monumental Procuratie Nuove in St. Mark's Square, a complex of imposing residences and offices for officials of the Venetian Republic that gives the square its appearance today. His best-known work is the elegantly decorated Basilica di Santa Maria della Salute begun in 1631 to thank the Virgin for the city's deliverance from the plague. This two domed church on the peninsula between the Canal Grande and the Zattere is one of the city's best-known landmarks. The main entrance, model ...
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Diocese Of Chioggia
In church governance, a diocese or bishopric is the ecclesiastical district under the jurisdiction of a bishop. History In the later organization of the Roman Empire, the increasingly subdivided provinces were administratively associated in a larger unit, the diocese (Latin ''dioecesis'', from the Greek term διοίκησις, meaning "administration"). Christianity was given legal status in 313 with the Edict of Milan. Churches began to organize themselves into dioceses based on the civil dioceses, not on the larger regional imperial districts. These dioceses were often smaller than the provinces. Christianity was declared the Empire's official religion by Theodosius I in 380. Constantine I in 318 gave litigants the right to have court cases transferred from the civil courts to the bishops. This situation must have hardly survived Julian, 361–363. Episcopal courts are not heard of again in the East until 398 and in the West in 408. The quality of these courts was lo ...
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Chioggia
Chioggia (; , ; ) is a coastal town and (municipality) of the Metropolitan City of Venice in the Veneto region of northern Italy. Geography The town is located on a small island at the southern entrance to the Venetian Lagoon about south of Venice ( by road); causeways connect it to the mainland and to its ''frazione'', nowadays a quarter, of Sottomarina. The population of the ''comune'' is around 50,000, with the town proper accounting for about half of that and Sottomarina for most of the rest. The municipality, located in south of the province, close to the provinces of Padua and Rovigo, borders with Campagna Lupia, Cavarzere, Codevigo, Cona, Correzzola, Loreo, Rosolina and Venice. History Chioggia and Sottomarina were not prominent in antiquity, although they are first mentioned in Pliny as the ''fossa Clodia''. Local legend attributes this name to its founding by a ''Clodius'', but the origin of this belief is not known. The name of the town has changed ...
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Venetian Lagoon
The Venetian Lagoon (; ) is an enclosed bay of the Adriatic Sea, in northern Italy, in which the city of Venice is situated. Its name in the Italian and Venetian languages, ' (cognate of Latin ' ), has provided the English name for an enclosed, shallow embayment of salt water: a lagoon. Location The Venetian Lagoon stretches from the River Sile in the north to the Brenta in the south, with a surface area of around . It is around 8% land, including Venice itself and many smaller islands. About 11% is permanently covered by open water, or canals, as the network of dredged channels are called, while around 80% consists of mud flats, tidal shallows and salt marshes. The Lagoon is the largest wetland in the Mediterranean Basin. It is connected to the Adriatic Sea by three inlets: Lido, Malamocco and Chioggia. Situated at one end of a largely enclosed sea, the lagoon is subject to large variations in its water level. The most extreme are the spring tides known as the ' (Italia ...
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Felix, Fortunatus, And Achilleus
Felix, Fortunatus, and Achilleus were 3rd-century Christian saints who suffered martyrdom during the reign of Caracalla. Felix, a priest, Fortunatus and Achilleus, both deacons, were sent by Irenaeus, to Valence, to convert the locals. It is said that they died . Legends Felix, Fortunatus and Achilleus were sent to Valence, by Saint Irenaeus of Lyon. From a humble lodging wherein they lived a life of much penance they evangelised the town. They also performed many miracles in the area of Valence, and through their preaching many people were converted. This led to their arrest. They were freed from prison, by angels, who told them to destroy all the idols of the temples in Valence. So Felix, Fortunatus, and Achilleus, destroyed images of Mercury, Saturn, and a particularly valuable amber statue of Jupiter. For their actions the three were captured again, had their legs broken, followed by torture on wheels. Having survived all of these torments they were beheaded. Although ...
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Alvise Tagliapietra
Alvise Tagliapietra (1670–1747) was a Venetian baroque sculptor. Tagliapietra was born in Venice in 1670 and died there in 1747. Between 1705 and 1711, he and his studio carved several standing marble figures for the high altar of the Church of Saint Chrysogonus in Zadar. John Julius Norwich writes of the statue of St. Simeon: "This figure's exaggerated ''contrapposto'' and exotic vestments make it a memorable statue." Shortly thereafter, Tagliapietra was one of several Italians commissioned to contribute sculptures to the Catherine Park at Tsarskoye Selo outside of St. Petersburg. Another work attributed to Tagliapietra, but questioned by Norwich, is a Madonna of the Rosary in the Church of Saint Dominic in Split, Croatia. He worked with his sons Ambrogio (b. 1701) and Giuseppe (b. 1711) on the Church of St. George and St. Euphemia in Rovinj, Istria, now in Croatia Croatia, officially the Republic of Croatia, is a country in Central Europe, Central and Southea ...
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Alessandro Tremignon
Alessandro Tremignón (or Tremignàn, Tremiglióne; 1635–1711) was an Italian architect from Padua. Work Tremignon was active in Venice. He was influenced by Baldassare Longhèna. Tremignon adapted the High Baroque structural style of Longhena into a typically Late Baroque style with pictorial effects exemplified by the facade of the San Moisè church. His most famous work is the facade of the San Moisè with its exuberant sculptural decorations. The name of the church of San Moisè (Saint Moses) treats the old-Testament figure of Moses as a saint in the Byzantine manner. It also honors Moisè Venier, who paid for restoration of the church in the tenth century. The facade was designed by Tremignon and mostly sculpted by Heinrich Meyring (Arrigo Meréngo), one of Gian Lorenzo Bernini's pupils. It features grotesque carvings of camels above the main entrance. The main altarpiece, also the work of Tremignon and Meyring, represents ''Mount Sinai with Moses Receiving the Tablets ...
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Nativity Of Jesus In Art
The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the ''Nativity'' or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the "Madonna and Child" or "Virgin and Child". They are not usually representations of the ''Nativity'' specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary, or Jesus. ''Nativity'' pictures, on the other hand, are specifically illustrative, and include many narrative details; they are a normal component of the sequences illustrating both the Life of Christ and the Life of the Virgin. The Nativity has been depicted in many different media, both pictorial and sculptural. Pict ...
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Presentation Of Jesus At The Temple
The Presentation of Jesus is an early episode in the life of Jesus Christ, describing his presentation at the Temple in Jerusalem. It is celebrated by many churches 40 days after Christmas on Candlemas, or the "Feast of the Presentation of Jesus". The episode is described in Luke 2, chapter 2 of the Gospel of Luke in the New Testament. Within the account, "Luke's narration of the Presentation in the Temple combines the purification rite with the Jewish ceremony of the redemption of the firstborn (Luke 2, )." In the Eastern Orthodox Church, the Presentation of Jesus at the temple is celebrated as one of the twelve Great Feasts of the Orthodox Church, Great Feasts, and is sometimes called ''Hypapante'' (, "meeting" in Greek). The Orthodox Churches which use the Julian Calendar celebrate it on 15 February, and the Armenian Church on 14 February. In Western Christianity, the ''Feast of the Presentation of the Lord'' is also known by its earlier name as the ''Feast of the Purific ...
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Palma Il Giovane
Iacopo Negretti (1548/50 – 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ('Young Palma'), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague. Biography Palma was born in Venice. Born into a family of painters, he was the great-nephew of the painter Palma Vecchio ("Old Palma") and the son of Antonio Nigreti (1510/15–1575/85), a minor painter who was himself the pupil of the elder Palma's workshop foreman Bonifacio de' Pitati and who after Bonifazio's death (1553) inherited Bonifacio's shop and clientele; the younger Palma seems to have polished his style making copies after Titian. In 1567, Guid ...
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Roman Catholic Cathedrals In Italy
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of Roman civilization *Epistle to the Romans, shortened to Romans, a letter written by Paul, found in the New Testament of the Christian Bible * Ar-Rum (), the 30th sura of the Quran. Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People * Roman (given name), a given name, including a list of people and fictional characters *Roman (surname ...
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