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Catalogues Of Classical Compositions
This article gives an overview of various catalogues of classical compositions that have come into general use. Opus numbers While the opus numbering system has long been the standard manner in which individual compositions are identified and referenced, it is far from universal, and there have been many different applications of the system. Very few composers gave opus numbers to all of their published works without exception: * Some composers used it for certain genres of music but not for others (for example, in George Frideric Handel, Handel's time, it was normal to apply opus numbers to instrumental compositions but not to vocal compositions such as operas, oratorios, etc.). * Some composers gave opus numbers to some of their early compositions but abandoned the practice after some time (examples include Franz Liszt, Liszt and Paul Hindemith, Hindemith). * Some used it in a very erratic manner or were subject to the wishes of their publishers, who for commercial reasons often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. Opus numbers do not necessarily indicate chronological order of composition. For example, posthumous publications of a composer's juvenilia are often numbered after other works, even though they may be some of the composer's first completed works. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Schmieder
Wolfgang Schmieder (May 29, 1901 – November 8, 1990) was a German music librarian and musicologist. Schmieder was born in Bromberg (now Bydgoszcz, Poland).Eggebrecht, Hans. "Wolfgang Schmieder". ''Oxford Music Online''. 2001, https://doi.org/10.1093/gmo/9781561592630.article.24954. Education and Career Schmieder studied musicology, literary history, and art history at the University of Heidelberg, where he received his doctorate in 1927 and worked as an assistant at the Musicological Institute until 1930. In 1931, he passed the librarianship examination in Leipzig and then worked as a librarian at the Saxon State and University Library Dresden. From 1933 to 1942, he was an archivist and music librarian at the publishing house Breitkopf & Härtel in Leipzig. Schmieder served as the Special Advisor for Music in Frankfurt am Main at the Johann Christian Senckenberg University Library from April 1942 until his retirement in 1963. He lived in Freiburg im Breisgau until his dea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historiography
Historiography is the study of the methods used by historians in developing history as an academic discipline. By extension, the term ":wikt:historiography, historiography" is any body of historical work on a particular subject. The historiography of a specific topic covers how historians have studied that topic by using particular sources, techniques of research, and theoretical approaches to the interpretation of documentary sources. Scholars discuss historiography by topic—such as the historiography of the United Kingdom, of historiography of World War II, WWII, of the Pre-Columbian era, pre-Columbian Americas, of early historiography of early Islam, Islam, and of Chinese historiography, China—and different approaches to the work and the genres of history, such as political history and social history. Beginning in the nineteenth century, the development of academic history produced a great corpus of historiographic literature. The extent to which historians are influence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Raabe
Peter Raabe (27 November 1872 – 12 April 1945) was a German people, German composer and Conductor (music), conductor. Biography Raabe graduated from 3 schools: the Higher Musical School in Berlin; and the universities of Munich University, Munich; and Jena University, Jena. In 1894–98 Raabe worked in Königsberg and Zwickau. In 1899–1903 he worked in the Dutch Opera-House (Amsterdam). In 1907–1920, Raabe was the 1st Court Conductor in Weimar. Raabe performed in the United Kingdom, Belgium, and the Netherlands, among other locations. On 19 July 1935 Raabe superseded Richard Strauss as the president of ''Reichsmusikkammer'', the Nazi State Music Institute. For almost ten years, Raabe directed the music activity of the Third Reich. Raabe wrote the first complete chronology of the works of Franz Liszt. References * ''Who Was Who in the Third Reich. Biographic encyclopedical dictionary,'' Moscow, 2003 External links * {{DEFAULTSORT:Raabe, Peter 1872 births 1945 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humphrey Searle
Humphrey Searle (26 August 1915 – 12 May 1982) was an English composer and writer on music. His music combines aspects of late Romanticism and modernist serialism, particularly reminiscent of his primary influences, Franz Liszt, Arnold Schoenberg and Anton Webern, who was briefly his teacher. As a writer on music, Searle published texts on numerous topics; he was an authority on the music of Franz Liszt, and created the initial cataloguing system for his works. Biography Searle was the son of Humphrey and Charlotte Searle and, through his mother, a grandson of Sir William Schlich. He was born in Oxford where he was a classics scholar before studying—somewhat hesitantly—with John Ireland at the Royal College of Music in London, after which he went to Vienna on a six-month scholarship to become a private pupil of Anton Webern, which became decisive in his composition career. Searle was one of the foremost pioneers of serial music in the United Kingdom, and used hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liszt
Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded. Liszt achieved success as a concert pianist from an early age, and received lessons from the esteemed musicians Carl Czerny and Antonio Salieri. He gained further renown for his performances during tours of Europe in the 1830s and 1840s, developing a reputation for technical brilliance as well as physical attractiveness. In a phenomenon dubbed " Lisztomania", he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who preceded him. During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composers of his time, including Hector Berlioz, Frédér ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the publishing house of the University of Oxford. It is the largest university press in the world. Its first book was printed in Oxford in 1478, with the Press officially granted the legal right to print books by decree in 1586. It is the second-oldest university press after Cambridge University Press, which was founded in 1534. It is a department of the University of Oxford. It is governed by a group of 15 academics, the Delegates of the Press, appointed by the Vice Chancellor, vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, Walton Street, Oxford, opposite Somerville College, Oxford, Somerville College, in the inner suburb of Jericho, Oxford, Jericho. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incipit (music)
The incipit ( ) of a text is the first few words of the text, employed as an identifying label. In a musical composition, an incipit is an initial sequence of notes, having the same purpose. The word ''incipit'' comes from Latin and means "it begins". Its counterpart taken from the ending of the text is the explicit. Before the development of titles, texts were often referred to by their incipits, as with for example ''Agnus Dei''. During the medieval period in Europe, incipits were often written in a different script or colour from the rest of the work of which they were a part, and "incipit pages" might be heavily decorated with illumination. Though the word ''incipit'' is Latin, the practice of the incipit predates classical antiquity by several millennia and can be found in various parts of the world. Although not always called by the name of ''incipit'' today, the practice of referring to texts by their initial words remains commonplace. Historical examples Sumerian In th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anhang (other)
(German for annex (other), annex), often abbreviated as Anh., refers to sections in publications such as the ''Bach-Werke-Verzeichnis'' (BWV), the Köchel catalogue (KV), or the Deutsch catalogue (D): * BWV Anh.: list of lost, doubtful and spurious compositions by, or once attributed to, Johann Sebastian Bach * D Anh. I: List of compositions by Franz Schubert (doubtful and spurious), compositions which are spuriously or doubtfully attributed to Franz Schubert * D Anh. II: List of compositions by Franz Schubert (arrangements), arrangements by Franz Schubert, of compositions by other composers * D Anh. III: List of compositions by Franz Schubert (copies), copies by Franz Schubert, of compositions by other composers {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impromptus (Schubert)
Franz Schubert's Impromptus are a series of eight pieces for solo piano composed in 1827. They were published in two sets of four impromptus each: the first two pieces in the first set were published in the composer's lifetime as Op. 90; the second set was published posthumously as Op. 142 in 1839 (with a dedication added by the publisher to Franz Liszt). The third and fourth pieces in the first set were published in 1857 (although the third piece was printed by the publisher in G major, instead of G as Schubert had written it, and remained available only in this key for many years). The two sets are now catalogued as D. 899 and D. 935 respectively. They are considered to be among the most important examples of this popular early 19th-century genre. Three other unnamed piano compositions (D. 946), written in May 1828, six months before the composer's death, are known as both "Impromptus" and ''Klavierstücke'' ("piano pieces"). The Impromptus are often considered companion pieces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsch Catalogue
''Schubert: Thematic Catalogue of all his Works in Chronological Order'', also known as the Deutsch catalogue, is a numbered list of all compositions by Franz Schubert compiled by Otto Erich Deutsch. Since its first publication in 1951, Deutsch (abbreviated as D or D.) numbers are used for the unique identification of Schubert's compositions. 1951 edition The Deutsch catalogue was first published in London in 1951 by J. M. Dent & Sons, as ''Schubert: Thematic Catalogue of all his Works in Chronological Order, compiled by O. E. Deutsch, in collaboration with Donald R. Wakeling.'' 1978 edition: NSE VIII/4 In 1978, as part VIII Supplement / Volume 4 of the New Schubert Edition (NSE), an updated version of the catalogue was published in German. A few compositions that had been undated in the first edition received a new number (usually followed by a letter), e.g. was renumbered to . Later versions The original 1951 edition (in English) was re-issued several times, for instance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
