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Cartellino
A ''cartellino'' (Italian for "small piece of paper"In modern Italian, ''carta'' means "paper", the diminutive ''cartello'' means "sign", and the double diminutive ''cartellino'' means "tag".) is an illusionistic portrayal of a written note included in painting, mostly with a legend that records the name of the artist, the date, the subject, or some other relevant information about the work. About 500 Renaissance paintings include a ''cartellino'', but the device has been adopted by some later artists. It usually takes the form of a fictive rectangular scrap of parchment or paper – sometimes with frayed edges, creased or torn – which is depicted as being attached with a pin or wax to a surface that lies parallel to the picture plane, perhaps a foreground parapet or a background wall. Often the ''cartellino'' gives the impression of the note being attached to the surface of the painting rather than being part of the artwork itself. This ''trompe-l'œil'' effect may reflect ...
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Wimborne Madonna
The ''Wimborne Madonna'', also known as the ''Madonna del Latte'' ("Madonna of the milk") or '' La Vierge allaitant l'Enfant avec huit anges musiciens'' ("Virgin nursing the Child with eight angel musicians"), is an oil painting by the Italian Renaissance artist Marco Zoppo, dated to 1455. It was owned by Lord Wimborne and displayed at Canford Manor in the 19th century, and has been held by the Louvre in Paris since 1980. The work measures {{cvt, 89, x, 72, cm, in. It was painted on a panel painting, wooden board and Transfer of panel paintings, transferred to canvas in the 18th century. The artist's signature, on a ''cartellino'' to the left at the bottom of the painting, indicates the work was made in 1455 when Marco Zoppo was working in the workshop of Francesco Squarcione in Padua: "OPERA DEL ZOPPO DI SQUARCIONE". A second ''cartellino'' to the right is not legible. The painting depicts the Virgin Mary nursing the Christ Child. Mary is standing behind a marble parapet ...
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Portrait Of Doge Leonardo Loredan
The ''Portrait of Doge Leonardo Loredan'' () is a painting by Italian Renaissance master Giovanni Bellini, dating from . It portrays Leonardo Loredan, the Doge of Venice from 1501 to 1521, in his ceremonial garments with the ''corno ducale'' worn over a linen cap, and is signed on a '' cartellino'' ("small paper"). It is on display in the National Gallery in London. Description This formal portrait depicts Leonardo Loredan in his official state robes as Doge of Venice, with its ornate buttons. The distinctively shaped hat is derived from the hood of a doublet. As with other traditional portraits of the Doge, the composition resembles a Roman sculpted portrait bust. The painting is signed – the Latin form of Giovanni Bellini – on a '' cartellino'' attached to a parapet at the base of the composition. John Pope-Hennessy described Bellini as "by far the greatest fifteenth-century official portraitist", adding that "the tendency towards ideality that impairs his private portr ...
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Hans Holbein Der Jüngere - Der Kaufmann Georg Gisze (Detail)
Hans may refer to: __NOTOC__ People * Hans (name), a masculine given name * Hans Raj Hans, Indian singer and politician ** Navraj Hans, Indian singer, actor, entrepreneur, cricket player and performer, son of Hans Raj Hans ** Yuvraj Hans, Punjabi actor and singer, son of Hans Raj Hans * Hans clan, a tribal clan in Punjab, Pakistan Places * Hans, Marne, a commune in France * Hans Island, administrated by Greenland and Canada Arts and entertainment * ''Hans'' (film) a 2006 Italian film directed by Louis Nero * Hans (Frozen), the main antagonist of the 2013 Disney animated film ''Frozen'' * ''Hans'' (magazine), an Indian Hindi literary monthly * ''Hans'', a comic book drawn by Grzegorz Rosiński and later by Zbigniew Kasprzak Other uses * Clever Hans, the "wonder horse" * ''The Hans India'', an English language newspaper in India * HANS device, a racing car safety device * Hans, the ISO 15924 code for Simplified Chinese characters See also *Han (other) Han may refer to: ...
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Andrea Mantegna
Andrea Mantegna (, ; ; September 13, 1506) was an Italian Renaissance painter, a student of Ancient Rome, Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with Perspective (graphical), perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes, and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of Old master print, prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola Mantegna, Isola di Carturo, Republic of Venice, Venetian Republic close to Padua. He was the second son of a carpenter, Biagio. At the age of 11, he became apprenticed to Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous c ...
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Francisco De Zurbarán
Francisco de Zurbarán ( , ; baptized 7 November 1598 – 27 August 1664) was a Spanish painter. He is known primarily for his religious paintings depicting monks, nuns, and martyrs, and for his still-lifes. Zurbarán gained the nickname "Spanish Caravaggio", owing to the forceful use of chiaroscuro in which he excelled. He was the father of the painter Juan de Zurbarán. Biography Zurbarán was born in 1598 in Fuente de Cantos, Extremadura; he was baptized on 7 November of that year. His parents were Luis de Zurbarán, a haberdasher, and his wife, Isabel Márquez. In childhood he set about imitating objects with charcoal. In 1614 his father sent him to Seville to apprentice for three years with Pedro Díaz de Villanueva, an artist of whom very little is known. Zurbarán's first marriage, in 1617, was to María Paet who was nine years older. María died in 1624 after the birth of their third child. In 1625 he married again to wealthy widow Beatriz de Morales. On 17 January 1 ...
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Portrait Of Georg Giese
''Portrait of Georg Giese'' is a 1532 portrait by Hans Holbein the Younger, now in the Gemäldegalerie, Berlin. It is one of a series of portraits of wealthy Hanseatic merchants made by Holbein in the 1530s. This series of portraits signals the increasing importance of the emerging merchant class, as they took their place on a world stage. Background In the 1530s, the artist Hans Holbein the Younger was commissioned to paint portraits of wealthy members of Hanseatic merchant families who were stationed at their family offices in London's Steelyard. Hans Holbein, the younger painted a series of eight portraits of individual merchants from the Steelyard. These portraits included Georg Giese of Danzig; Hans of Antwerp and Hermann Wedigh (all painted in 1532); Hillebrant Wedigh of Cologne; Unknown member of the Wedigh family; Dirk Tybis of Duisburg; Cyriacus Kale and Derick Born (all painted in 1533); Derick Berck (painted in 1536). Merchant members of the Hanseatic League represen ...
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Hans Holbein The Younger
Hans Holbein the Younger ( , ; ;  – between 7 October and 29 November 1543) was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. He also produced religious art, satire, and Reformation propaganda, and he made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father Hans Holbein the Elder, an accomplished painter of the International Gothic, Late Gothic school. Holbein was born in Augsburg but worked mainly in Basel as a young artist. At first, he painted murals and religious works, and designed stained glass windows and illustrations for books from the printer Johann Froben. He also painted an occasional portrait, making his international mark with portraits of humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditi ...
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Paolo Pino
Paolo Pino (?-?, active between 1534 and 1565) was an Italian painter and art writer. He was born in Venice. A student of Giovanni Gerolamo Savoldo, he wrote the "Dialogo di pittura" (1548), which affirmed the supremacy of the Venetian School over the Florentine School and anticipated some aspects of the Mannerist style. Works Writings * Paintings *''Portrait of a collector'', Musée des Beaux-Arts, Chambéry, France. ''Portrait of Doctor Coignati'' 1534, Uffizi The Uffizi Gallery ( ; , ) is a prominent art museum adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of th ... Sources Bibl. : Gilbert Creighton, « Antique Framework for Renaissance Art Theory : Alberti and Pino », Marsyas 3 (1946). Year of birth missing Year of death missing 16th-century Italian painters Italian male painters Painters from the Republic of Venice ...
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Still-Life With Partridge And Gauntlets
''Still-Life with Partridge and Gauntlets'' is a 1504 painting by the Italian painter Jacopo de' Barbari. It measures and is held by the Alte Pinakothek in Munich. The small oil painting, oil-on-tilia, limewood-panel painting is considered to be one of the earliest examples of a still life painting, and one of the first trompe-l'œil paintings, to be made in Europe since classical antiquity. The painting depicts a dead grey partridge, with two iron Gauntlet (glove), gauntlets, and a crossbow bolt passing through them. The set of objects appears as if it is lying on top of a wooden table or hanging from a nail against a wooden wall. To the lower right is a scrap of paper with the date and the painter's signature, and a drawing of caduceus, a symbol used by Jacopo de' Barbari. It is painted on a panel of Tilia, linden wood, with the background painted to imitate graining, wood grain. The panel may have been made as the back or the hinged cover for a portrait, or as an amusing ...
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Jacopo De' Barbari
Jacopo (also Iacopo) is a masculine Italian given name, derivant from Latin ''Iacōbus''. It is an Italian variant of Giacomo ( James in English). * Jacopo Aconcio (), Italian religious reformer * Jacopo Bassano (1592), Italian painter * Iacopo Barsotti (1921–1987), Italian mathematician * Jacopo da Bologna (), Italian composer * Jacopo Robusti (1518–1594), Italian painter otherwise known as Tintoretto * Jacopo Carucci (1494–1557), Italian painter otherwise known as Pontormo * Jacopo Corsi (1561–1602), Italian composer * Jacopo da Leona (died 1277), Italian poet * Jacopo Peri (1561–1633), Italian composer * Jacopo della Quercia (1438), Italian sculptor * Jacopo Riccati (1676–1754), Italian mathematician * Jacopo Sadoleto (1477–1547), Italian Catholic cardinal Fictional characters: * Jacopo, a key character in the 2002 film version of '' The Count of Monte Cristo'' (and a minor character in the book). * Jacopo Bearzatti, one of the central characters o ...
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Giovanni Bellini
Giovanni Bellini (; c. 1430 – 29 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous colouring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. The Bellini (cocktail), Bellini cocktail is named in his honour. Life Early career Giovanni Bellini was born in Veni ...
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Lenti Madonna
The ''Lenti Madonna, Bache Madonna,'' or ''Madonna and Child'' is a tempera and gold painting that was painted on a wooden panel by the Italian Renaissance artist, Carlo Crivelli, in the early 1470s to the late 1480s. The ''Lenti Madonnas object dimensions, overall, are (14 7/8 x 10 in.) or (37.8x25.4 cm). With the painted surface alone, the painting is (14 3/8 x 9 1/4 in.) or (36.5 x 23.5 cm). This painting is located at the Metropolitan Museum of Art in New York City. The painting is small in size, which can hint to its intended purpose for private devotion for the painting’s original patron. This painting depicts a popular iconographic religious scene of the Virgin Mary holding Baby Jesus close to her chest. Crivelli’s ''Lenti Madonna'' is artistically decorated with biblical symbols that were common for the time it was created. A few common but important objects of symbolism would include: the hanging apples and pickle surroundings Mary’s head, the lone fly, and the Europe ...
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