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Carlo Scalzi
Carlo Scalzi (c. 1700–after 1738) was an Italian castrato who had an active performance career in major opera houses in Italy from 1718-1738. He was also heard in London in 1733–1734 where he notably created the role of Alceste in the world premiere of George Frideric Handel's ''Arianna in Creta''. The librettist Pietro Metastasio described Scalzi as a "very unique singer" and likened his voice to that of the famous castrato Farinelli. Life and career Nothing is known of Scalzi's early life and the exact year of his birth is unknown. The first definite account of the singer was in 1718–1719 for a series of performances in operas by Alessandro Scarlatti in Rome. From 1719–1722 he was heard in Venice in operas by Giuseppe Maria Orlandini, Carlo Francesco Pollarolo, and Giovanni Porta. He also performed in Reggio Emilia and Modena in 1720. In 1722 Scalzi was once again heard in Rome and in 1722–1723 he performed in Genoa. He then sang in Florence (1723 and 1729), Milan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Vinci
Leonardo Vinci (1690 – 27 May 1730) was an Italian composer known chiefly for his 40 or so operas; comparatively little of his work in other genres survives. A central proponent of the Neapolitan School of opera, his influence on subsequent opera composers such as Johann Adolph Hasse and Giovanni Battista Pergolesi was considerable. Life and career He was born at Strongoli and educated at Naples under Gaetano Greco in the Conservatorio dei Poveri di Gesù Cristo. He first became known for his '' opere buffe'' (comic operas) in Neapolitan dialect in 1719; he also composed many '' opere serie'' (dramatic operas). He was received into the Congregation of the Rosary, a lay religious and burial fraternity, at Formiello in 1728. He died in May 1730. Vinci is rumoured to have been poisoned by a jealous husband in the wake of an ill-advised affair, a story which is given by several reliable authorities without evident contradictions. Music Vinci's ''opere buffe,'' of which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Opera Singers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castrati
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William IV, Prince Of Orange
William IV (Willem Karel Hendrik Friso; 1 September 1711 – 22 October 1751) was Prince of Orange from birth and the first hereditary stadtholder of all the United Provinces of the Netherlands from 1747 until his death in 1751. During his whole life he was furthermore ruler of the Principality of Orange-Nassau within the Holy Roman Empire. Early life William was born in Leeuwarden, Netherlands, the son of John William Friso, Prince of Orange, head of the Frisian branch of the House of Orange-Nassau, and of his wife Landgravine Marie Louise of Hesse-Kassel (or Hesse-Cassel). He was born six weeks after the death of his father. William succeeded his father as Stadtholder of Friesland and also, under the regency of his mother until 1731, as Stadtholder of Groningen. In 1722 he was elected Stadtholder of Guelders. The four other provinces of the Dutch Republic:, Holland, Zeeland, Utrecht and Overijssel had in 1702 decided not to appoint a stadtholder after the death of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne, Princess Royal And Princess Of Orange
Anne, Princess Royal and Princess of Orange (12 January 1759) was the second child and eldest daughter of King George II of Great Britain and his consort Caroline of Ansbach. She was the wife of William IV, Prince of Orange, the first hereditary stadtholder of all seven provinces of the Northern Netherlands. She was Regent of the Netherlands from 1751 until her death in 1759, exercising extensive powers on behalf of her son William V. She was known as an Anglophile, due to her English upbringing and family connections, but was unable to convince the Dutch Republic to enter the Seven Years' War on the side of the British. Princess Anne was the second daughter of a British sovereign to hold the title Princess Royal. In the Netherlands she was styled Anna van Hannover. Early life Anne was born at Herrenhausen Palace, Hanover, five years before her paternal grandfather, Elector George Louis, succeeded to the thrones of Great Britain and Ireland as George I. She was christened ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masque
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Pastor Fido (Handel)
''Il pastor fido'' ("The Faithful Shepherd") ( HWV 8) is an opera seria in three acts by George Frideric Handel. It was set to a libretto by Giacomo Rossi based on the famed and widely familiar pastoral poem of the ' Il pastor fido' by Giovanni Battista Guarini. It had its first performance on 22 November 1712 at the Queen's Theatre in the Haymarket, London. Performance history It was composed in 1712 and first performed on 22 November of the same year under the composer. The opera opened to a largely hostile reception, probably due to disappointment after the success of ''Rinaldo'': one diarist noted critically that "the scene represented only the Country of Arcadia; the Habits ostumeswere old – the Opera short". The roles of Mirtillo and Silvio were originally sung by the castratos Valeriano Pellegrini and Valentino Urbani. The overture is in six movements and is long for its time: it is thought that it may have been originally composed as an unrelated orchestral suite. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acis And Galatea (Handel)
''Acis and Galatea'' ( HWV 49) is a musical work by George Frideric Handel with an English text by John Gay. The work has been variously described as a serenata, a masque, a pastoral or pastoral opera, a "little opera" (in a letter by the composer while it was being written), an entertainment and by the New Grove Dictionary of Music as an oratorio. The work was originally devised as a one-act masque which premiered in 1718. Handel later adapted the piece into a three-act serenata for the Italian opera troupe in London in 1732, which incorporated a number of songs (still in Italian) from Aci, Galatea e Polifemo, his 1708 setting of the same story to different music. He later adapted the original English work into a two-act work in 1739. ''Acis and Galatea'' was the pinnacle of pastoral opera in England. Indeed, several writers, such as musicologist Stanley Sadie, consider it the greatest pastoral opera ever composed. As is typical of the genre, ''Acis and Galatea'' was writte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sosarme
''Sosarme, re di Media'' ("Sosarmes, King of Media", HWV 30) is an opera by George Frideric Handel written in 1732 for the King's Theatre in the Haymarket, London, where it ran for 12 performances. The text was based on an earlier libretto by Antonio Salvi, ''Dionisio, Re di Portogallo'' (Dionisius, King of Portugal), and adapted by an unknown writer. The original setting of Portugal was changed to Sardis in Lydia. Performance history ''Sosarme'' had its premiere on 15 February 1732 and was a great success, as noted by the diary known as "Colman's Opera Register": "In Febry Sosarmes - a New Opera - took much by Hendell - & was for many Nights much crowded to some peoples admiration." It was revived for 3 performances in 1734 with arias from ''Riccardo Primo''. The first revival since 1734 was in 1970 at Abingdon, UK, though the work had been broadcast in full by the BBC in 1955, a performance on which the slightly abridged recording of the same year, under Anthony Lewis (liste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottone
''Ottone, re di Germania'' ("Otto, King of Germany", HWV 15) is an opera by George Frideric Handel, to an Italian–language libretto adapted by Nicola Francesco Haym from the libretto by Stefano Benedetto Pallavicino for Antonio Lotti's opera ''Teofane''. It was the first new opera written for the Royal Academy of Music (1719)'s fourth season and had its first performance on 12 January 1723 at the King's Theatre, Haymarket in London. Handel had assembled a cast of operatic superstars for this season and the opera became an enormous success. The story of the opera is a fictionalisation of some events in the lives of Adalbert of Italy, his mother Willa of Tuscany (called "Gismonda" in the opera), Otto II, and the Byzantine Princess Theophanu, who became the wife of Otto II in a state marriage intended to form an alliance between the Byzantine and Holy Roman empires. Background The German-born Handel, after spending some of his early career composing operas and other pieces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Her Majesty's Theatre
Her Majesty's Theatre is a West End theatre situated on Haymarket, London, Haymarket in the City of Westminster, London. The present building was designed by Charles J. Phipps and was constructed in 1897 for actor-manager Herbert Beerbohm Tree, who established the Royal Academy of Dramatic Art at the theatre. In the early decades of the 20th century, Tree produced spectacular productions of William Shakespeare, Shakespeare and other classical works, and the theatre hosted premieres by major playwrights such as George Bernard Shaw, J. M. Synge, Noël Coward and J. B. Priestley. Since the First World War, the wide stage has made the theatre suitable for large-scale musical productions, and the theatre has accordingly specialised in hosting musical theatre, musicals. The theatre has been home to record-setting musical theatre runs, notably the First World War sensation ''Chu Chin Chow''Larkin, Colin (ed). ''Guinness Who's Who of Stage Musicals'' (Guinness Publishing, 1994) and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
