Carasaus
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Carasaus
Carasaus (''Floruit, fl. '' 1240–60) was a France in the Middle Ages, French trouvère, five of whose works survive. His career can be dated because he dedicates two ''grand chants'' (''Fine amours m'envoie'' and ''Puis que j'ai chançon meüe'') to Jehan de Dampierre (died 1259) and another (''N'est pas sage qui me tourne a folie'') to Henry III of Brabant (reigned 1248–61). Carasaus also dedicated ''Con amans en desesperance'' to a certain Berengier, yet unidentified. Besides ''Fine amours'', which has pentasyllables, all of Carasaus's works have only heptasyllables and decasyllables. All his melodies are in bar form; but ''Pour ce me sui de chanter entremis'' is also Motive (music), motivic. References *Karp, Theodore"Carasaus."
''Grove Music Online''. ''Oxford Music Online''. Accessed 19 September 2008. {{Trouvère Trouvères 13th-century French composers French male classical composers Year of birth missing Year of death missing ...
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Trouvère
''Trouvère'' (, ), sometimes spelled ''trouveur'' (, ), is the Northern French ('' langue d'oïl'') form of the '' langue d'oc'' (Occitan) word ''trobador'', the precursor of the modern French word '' troubadour''. ''Trouvère'' refers to poet-composers who were roughly contemporary with and influenced by the ''trobadors'', both composing and performing lyric poetry during the High Middle Ages, but while the ''trobadors'' composed and performed in Old Occitan, the ''trouvères'' used the northern dialects of France. One of the first known ''trouvères'' was Chrétien de Troyes ( 1160s–1180s) and the ''trouvères'' continued to flourish until about 1300. Some 2130 ''trouvère'' poems have survived; of these, at least two-thirds have melodies. Etymology The etymology of the word ''troubadour'' and its cognates in other languages is disputed, but may be related to ''trobar'', "to compose, to discuss, to invent", cognate with Old French ''trover'', "to compose something in ...
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Floruit
''Floruit'' ( ; usually abbreviated fl. or occasionally flor.; from Latin for 'flourished') denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are Will (law), wills Attestation clause, attested by John Jones in 1204 and 1229, as well as a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)", even though Jones was born before ...
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France In The Middle Ages
The Kingdom of France in the Middle Ages (roughly, from the 10th century to the middle of the 15th century) was marked by the fragmentation of the Carolingian Empire and West Francia (843–987); the expansion of royal control by the House of Capet (987–1328), including their struggles with the virtually independent principalities (duchies and counties, such as the Normandy#Norman expansion, Norman and County of Anjou, Angevin regions), and the creation and extension of administrative/state control (notably under Philip II of France, Philip II Augustus and Louis IX of France, Louis IX) in the 13th century; and the rise of the House of Valois (1328–1589), including the protracted dynastic crisis against the House of Plantagenet and their Angevin Empire, culminating in the Hundred Years' War (1337–1453) (compounded by the catastrophic Black Death in 1348), which laid the seeds for a more centralized and expanded state in the Early modern France, early modern period and the cr ...
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Grand Chant
The ''grand chant'' (''courtois'') or, in modern French, (''grande'') ''chanson courtoise'' or ''chanson d'amour'', was a genre of Old French lyric poetry">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... lyric poetry devised by the trouvères. It was adopted from the Occitan language, Occitan ''Canso (song), canso'' of the troubadours, but scholars stress that it was a distinct genre. The predominant theme of the ''grand chant'' was courtly love, but topics were more broad than in the ''canso'', especially after the thirteenth century. The monophonic ''grand chant'' of the High Middle Ages (12th–13th centuries) was in many respects the predecessor of the polyphonic ''chanson'' of the Late Middle Ages The late Middle Ages or late medieval period was the Periodization, period of History of Europe, European history lasting from 1300 to 1500 AD. The late Middle Ages followed the High Middle Ages ...
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Jehan De Dampierre
Jehan is a predominantly male given name. It is the old orthography of Jean in Old French, and is rarely given anymore. It is also a variant of the Persian name Jahan in some South Asian languages. People with the given name Jehan * Jahan (name)">Jahan in some South Asian languages. People with the given name Jehan * Jehan Adam (15th century), French mathematician * Jehan Alain">Jehan Adam">Jahan (name)">Jahan in some South Asian languages. People with the given name Jehan * Jehan Adam (15th century), French mathematician * Jehan Alain (1911–1940), French organist and composer * Jahanara Begum (1614–1681), Mughal (Indian) royalty sometimes known as Jehan Begum * Jehan Cauvin (1509–1564), French theologian and founder of Calvinism better known as John Calvin * Jean Cousin the Younger, Jehan Cousin the Younger (circa 1522–1595), French artist * Jehan Daruvala (born 1998), Indian racing driver * Jehan de Lescurel (died 1304), medieval poet and composer also known as ...
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Henry III Of Brabant
Henry III of Brabant ( 1230 – February 28, 1261, Leuven) was Duke of Brabant between 1248 and his death. He was the son of Henry II of Brabant and Marie of Hohenstaufen. He was also a trouvère. The disputed territory of Lothier, the former Duchy of Lower Lorraine, was assigned to him by the King Alfonso X of Castile, a claimant to the German throne. Alfonso also appointed him imperial vicar to advance his claims on the Holy Roman Empire. In 1251, he married Adelaide of Burgundy ( 1233 – October 23, 1273), daughter of Hugh IV, Duke of Burgundy and Yolande de Dreux, by whom he had four children: # Henry IV, Duke of Brabant ( 1251 – aft. 1272) Mentally disabled, and made to abdicate in favor of his brother John on 24 May 1267. # John I, Duke of Brabant (1253–1294) Married first to Marguerite of France, daughter of King Louis IX of France (Saint Louis) and his wife Margaret of Provence, and later to Margaret of Flanders, daughter of Guy, Count of Fland ...
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Decasyllable
Decasyllable (Italian: ''decasillabo'', French: ''décasyllabe'', Serbian: ''десетерац'', ''deseterac'') is a poetic meter of ten syllables used in poetic traditions of syllabic verse. In languages with a stress accent ( accentual verse), it is the equivalent of pentameter with iambs or trochees (particularly iambic pentameter). Medieval French heroic epics (the '' chansons de geste'') were most often composed in 10 syllable verses (from which, the decasyllable was termed "heroic verse"), generally with a regular caesura after the fourth syllable. (The medieval French romance (''roman'') was, however, most often written in 8 syllable (or ''octosyllable'') verse.) Use of the 10 syllable line in French poetry was eclipsed by the 12 syllable alexandrine line, particularly after the 16th century. Paul Valéry's great poem "The Graveyard by the Sea" (Le Cimetière marin) is, however, written in decasyllables. Similarly, South Slavic and in particular Serbian ep ...
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Bar Form
Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the songs of the predecessors, the Minnesang, minnesingers of the 12th to 14th century. In their work, a ''Bar'' is not a single stanza (which they called a ''Liet'' or ''Gesätz''); rather, it is the whole song. The word ''Bar'' is most likely a shortening of ''Barat'', denoting a skillful thrust in fencing. The term was used to refer to a particularly artful song – the type one composes in songwriters' guilds. The AAB pattern does, however, describe each stanza in a Meistersinger's ''Bar'', which is divided into two ''Stollen'' (A), which are collectively termed the ''Aufgesang'', followed by an ''Abgesang''. The musical form thus contains two repetitions of one melody (''Stollen'' – 'stanzas') followed by a different melody (''Abgesang ...
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Motive (music)
In music, a motif () or motive is a short musical idea, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition. The motif is the smallest structural unit possessing thematic identity. History The defines a motif as a "melodic, rhythmic, or harmonic cell", whereas the 1958 maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject. It is commonly regarded as the shortest subdivision of a theme or phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". Grove and Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove adding that it "is most often thought of in melodic terms, and it is this aspect of the motif that is connoted by the term 'figure'." A harmonic motif is a series of chords defined in the abstract, that i ...
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