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Carafa Chapel
The Carafa Chapel ( it, Cappella Carafa) is a chapel in the church of Santa Maria sopra Minerva, Rome, Italy, known for a series of frescoes by Filippino Lippi. History The chapel, located in the right side of the basilica and dedicated to St. Mary and St. Thomas of Aquino, was built in the late 15th century by will of Cardinal Oliviero Carafa. He was a member of the Dominicans, who at the time administrated the church, and his palace was located nearby. Lorenzo de' Medici of Florence recommended to Cardinal Carafa that he grant the commission to decorate the chapel to Filippino Lippi, then in his thirties. In order to fulfill the order, the artist had to halt the works at the Filippo Strozzi Chapel in Santa Maria Novella, which he had begun in 1487 and which he would complete in 1502. Documents attest Lippi's presence in Rome as early as 27 August 1488, working with his assistant Raffaellino del Garbo. For the painter it was the first large fresco cycle, and his first (and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo De' Medici
Lorenzo di Piero de' Medici (; 1 January 1449 – 8 April 1492) was an Italian statesman, banker, ''de facto'' ruler of the Florentine Republic and the most powerful and enthusiastic patron of Renaissance culture in Italy. Also known as Lorenzo the Magnificent (''Lorenzo il Magnifico'' ) by contemporary Florentines, he was a magnate, diplomat, politician and patron of scholars, artists, and poets. As a patron, he is best known for his sponsorship of artists such as Botticelli and Michelangelo. He held the balance of power within the Italic League, an alliance of states that stabilized political conditions on the Italian peninsula for decades, and his life coincided with the mature phase of the Italian Renaissance and the Golden Age of Florence. On the foreign policy front, Lorenzo manifested a clear plan to stem the territorial ambitions of Pope Sixtus IV, in the name of the balance of the Italian League of 1454. For these reasons, Lorenzo was the subject of the Pazzi conspir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barrel Vault
A barrel vault, also known as a tunnel vault, wagon vault or wagonhead vault, is an architectural element formed by the extrusion of a single curve (or pair of curves, in the case of a pointed barrel vault) along a given distance. The curves are typically circular in shape, lending a semi-cylindrical appearance to the total design. The barrel vault is the simplest form of a vault: effectively a series of arches placed side by side (i.e., one after another). It is a form of barrel roof. As with all arch-based constructions, there is an outward thrust generated against the walls underneath a barrel vault. There are several mechanisms for absorbing this thrust. One is to make the walls exceedingly thick and strong – this is a primitive and sometimes unacceptable method. A more elegant method is to build two or more vaults parallel to each other; the forces of their outward thrusts will thus negate each other. This method was most often used in construction of churches, where sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebus
A rebus () is a puzzle device that combines the use of illustrated pictures with individual letters to depict words or phrases. For example: the word "been" might be depicted by a rebus showing an illustrated bumblebee next to a plus sign (+) and the letter "n". It was a favourite form of heraldic expression used in the Middle Ages to denote surnames. For example, in its basic form, three salmon (fish) are used to denote the surname "Salmon". A more sophisticated example was the rebus of Bishop Walter Lyhart (d. 1472) of Norwich, consisting of a stag (or hart) lying down in a conventional representation of water. The composition alludes to the name, profession or personal characteristics of the bearer, and speaks to the beholder ''Non verbis, sed rebus'', which Latin expression signifies "not by words but by things" (''res, rei'' (f), a thing, object, matter; ''rebus'' being ablative plural). Rebuses within heraldry Rebuses are used extensively as a form of heraldic exp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carafe
A carafe () is a glass container with a flared lip used for serving liquids, especially wine and coffee. Unlike the related decanter, carafes generally do not include stoppers. Coffee pots included in coffee makers are also referred to as ''carafes'' in American English. Usage In France, carafes are commonly used to serve water. To order a ''carafe d'eau'' ("carafe of water") is to request to be served (free) tap water rather than bottled water at a cost. In Greece, in tavernas or similar establishments, carafes are normally used to serve draught wine. See also * Wine accessory * Wine tasting Wine tasting is the sensory examination and evaluation of wine. While the practice of wine tasting is as ancient as its production, a more formalized methodology has slowly become established from the 14th century onward. Modern, professional w ... References External links * Kitchenware Liquid containers Wine accessories Vessels {{word-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Still Life
A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish art, Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoniazzo Romano
Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili (c. 1430 – c. 1510) was an Italian Early Renaissance painter, the leading figure of the Roman school during the latter part of the 15th century. He "made a speciality of repainting or interpreting older images, or generating new cult images with an archaic flavor",Nagel, Alexander, and Wood, Christopher S., ''Anachronic Renaissance'', pp 323-324, 2020, Zone Books, MIT Press, google books/ref> in particular by very often using the gold ground style, which was unusual by this period. Biography Antoniazzo was born in the Colonna '' rione'' of Rome. He was influenced at first by the decorative manner of Benozzo Gozzoli and Beato Angelico, as well as by the local painters of Lazio. His first recorded work is from 1461, a replica (untraced) of the miraculous ''Virgin and Child of St. Luke'' in the Basilica of Santa Maria Maggiore of Rome, for the seignior of Pesaro, Alessandro Sforza. From 1464 he worked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musei Capitolini
The Capitoline Museums ( Italian: ''Musei Capitolini'') are a group of art and archaeological museums in Piazza del Campidoglio, on top of the Capitoline Hill in Rome, Italy. The historic seats of the museums are Palazzo dei Conservatori and Palazzo Nuovo, facing on the central trapezoidal piazza in a plan conceived by Michelangelo in 1536 and executed over a period of more than 400 years. The history of the museum can be traced to 1471, when Pope Sixtus IV donated a collection of important ancient bronzes to the people of Rome and located them on the Capitoline Hill. Since then, the museums' collection has grown to include many ancient Roman statues, inscriptions, and other artifacts; a collection of medieval and Renaissance art; and collections of jewels, coins, and other items. The museums are owned and operated by the municipality of Rome. The statue of a mounted rider in the centre of the piazza is of Emperor Marcus Aurelius. It is a copy, the original being housed on- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Lorenzo Fuori Le Mura
The Basilica Papale di San Lorenzo fuori le mura (Papal Basilica of Saint Lawrence outside the Walls) is a Roman Catholic Minor papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas" (former "patriarchal basilicas"), each of which was assigned to the care of a Latin Church patriarchate. The Basilica was assigned to the Patriarchate of Jerusalem. The Basilica is the shrine of the tomb of its namesake, Saint Lawrence (sometimes spelt "Laurence"), one of the first seven deacons of Rome who was martyred in 258. Many other saints and Bl. Pope Pius IX are also buried at the Basilica, which is the centre of a large and ancient burial complex. History Before the present-day Basilica was constructed, the former estate upon which it sits was once home to a small oratory built by Emperor Constantine I. The Emperor built it over the site on which tradition held that St. Lawrence was b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santi Apostoli, Rome
Santi Dodici Apostoli (Church of the Twelve Holy Apostles; la, SS. Duodecim Apostolorum), commonly known simply as Santi Apostoli, is a 6th-century Roman Catholic parish and titular church and minor basilica in Rome, Italy, dedicated originally to St. James and St. Philip, whose remains are kept here, and later to all Apostles. Today, the basilica is under the care of the Conventual Franciscans, whose headquarters in Rome is in the adjacent building. The Cardinal Priest of the ''Titulus XII Apostolorum'' is Angelo Scola. Among the previous Cardinal Priests are Pope Clement XIV, whose tomb by Canova is in the basilica, and Henry Benedict Stuart. History Built by Pope Pelagius I to celebrate the victory of Narses, the general of the Emperor Justinian, over the Ostrogoths, and dedicated by Pope John III to St. James and Saint Philip the Apostle, the basilica is listed as "Titulus SS Apostolorum" in the acts of the synod of 499. Santi Apostoli was ruined by the eart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melozzo Da Forlì
Melozzo da Forlì (c. 1438 – 8 November 1494) was an Italian Renaissance painter and architect. His fresco paintings are notable for the use of foreshortening. He was the most important member of the Forlì painting school. Biography Melozzo was supposedly from a wealthy family named Ambrosi from Forlì. Nothing is known about his early years. It is only a hypothesisThe theory is credited to Luigi Lanzi. See that he was formed by the Forlivese school of art, then dominated by Ansuino da Forlì; both were influenced by Andrea Mantegna. It has been said, also without confirmation, that he became a journeyman and color-grinder to master painters. His presence was first mentioned in his birthplace in 1460 and again in 1464. Around this period, and together with Antoniazzo Romano, he painted frescoes in the Bessarione chapel in the Basilica dei Santi Apostoli in Rome. Melozzo then moved to Urbino, probably between 1465 and 1474. There he met Piero della Frances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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