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Cantigas De Santa Maria
The ''Cantigas de Santa Maria'' (, ; "Canticles of Holy Mary") are 420 poems with musical notation, written in the medieval Galician-Portuguese language during the reign of Alfonso X of Castile, Alfonso X of Castile ''El Sabio'' (1221–1284). Traditionally, they are all attributed to Alfonso, though scholars have since established that the musicians and poets of his court were responsible for most of them, with Alfonso being credited with a few as well. It is one of the largest collections of monophonic (solo) songs from the Middle Ages and is characterized by the mention of the Mary, the mother of Jesus, Virgin Mary in every song, while every tenth song is a hymn. The ''Cantigas'' have survived in four manuscript codices: two at El Escorial, one at Madrid, Madrid's Biblioteca Nacional de España, National Library, and one in Florence, Italy. The E codex from El Escorial is illuminated with colored Miniature (illuminated manuscript), miniatures showing pairs of musicians playin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantigas D'amigo
''Cantiga de amigo'' (, ) or ''cantiga d'amigo'' ( Galician-Portuguese spelling), literally "friend song", is a genre of medieval lyric poetry, more specifically the Galician-Portuguese lyric, apparently rooted in a female-voiced song tradition native to the northwest quadrant of the Iberian Peninsula. According to Rip Cohen, “In 98% of the poems, the speaker is a girl, her mother, the girl’s girlfriend, or a boy (who is given a voice only in dialogues with the girl—which she begins). The girl can speak to any of the other three personae, but they can only address her (there is no directly represented communication between the other three personae: mother, girlfriend and boy do not speak with one another onstage). There are a dozen cantigas with an outside narrative voice, but most of them include words from a girl’s song.” Much has been made of nature symbolism in this genre, but “Erotic symbolism, though it has rightly attracted attention ��is not as common as m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Of The American Musicological Society
The ''Journal of the American Musicological Society'' is a triannual peer-reviewed academic journal and an official journal of the American Musicological Society. It is published by University of California Press and covers all aspects of musicology. It was established in 1948 and was preceded by the annual ''Bulletin of the American Musicological Society'' (1936–1947) and the annual ''Papers of the American Musicological Society'' (1936–1941). Online versions of the journal and its predecessors are available at JSTOR JSTOR ( ; short for ''Journal Storage'') is a digital library of academic journals, books, and primary sources founded in 1994. Originally containing digitized back issues of academic journals, it now encompasses books and other primary source ... and the University of California Press. In 1948, the initial start-up costs were twice the society's treasury balance at the time, requiring that the society more than double its fees. Further reading * Referenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Legend Of Ero Of Armenteira
The legend of Saint Ero of Armenteira. The romanic monastery of Armenteira has always been related to the legend of its founder, the abbot Ero. The miracle of Saint Mary Once upon a time in the 12th century, a knight named Don Ero lived with his wife in his palace in Armenteira, a beautiful natural setting located in the slopes of Mount Castrove, in the Province of Pontevedra (Galicia, Spain). Don Ero and his wife were not able to have children, so they kept asking God to send them some descendants. God answered their prayers with the revelation that they would only have spiritual descent. For this reason they decided to found their own monasteries. Don Ero founded Santa María de Armenteira, right there in his lands. He requested help from Saint Bernard of Clairvaux, the founder of the Cistercian order, who sent him four monks to start the monastery. Years later, he became the abbot of the monastery himself. Ero the Abbot was always begging the Virgin Mary to show him just a li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Codax
Martin Codax or Codaz, Martín Codax () or Martim Codax was a Galician medieval ''joglar'' (non-noble composer and performer, as opposed to a ''trobador''), possibly from Vigo, Galicia in present-day Spain. He may have been active during the middle of the thirteenth century, judging from scriptological analysis. He is one of only two out of a total of 88 authors of ''cantigas d'amigo'' who used ''only'' the archaic strophic form (a rhymed distich followed by a refrain). He employed an archaic rhyme scheme whereby ''i~o / a~o'' were used in alternating strophes. In addition Martin Codax consistently utilised a strict parallelistic technique known as ''leixa-pren'' (see the example below; the order of the third and fourth strophes is inverted in the Pergaminho Vindel but the correct order appears in the Cancioneiro da Biblioteca Nacional in Portugal, and the Cancioneiro da Vaticana). There is no documentary biographical information concerning the poet, dating the work at prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pergaminho Sharrer
The Pergaminho Sharrer (; ; "Sharrer Parchment") is a mediaeval parchment fragment containing seven songs by King Denis of Portugal, with lyrics in the Galician-Portuguese language and musical notation. The fragment was discovered in 1990 by United States, American scholar Harvey L. Sharrer, of University of California, Santa Barbara. Sharrer was analysing documents in the Torre do Tombo archive in Lisbon, when he found the folio in the bookbinding, binding of a 16th-century book. Before Sharrer's discovery, the only known Galician-Portuguese mediaeval manuscript with love (non-religious) songs and musical notation was the Vindel Parchment, which contains seven songs by troubadour Martim Codax. Several songbooks covering the period exist, but all of them lack musical notation except the ''Cantigas de Santa Maria'', which are religious in tone. The text and musical notation of the Sharrer Parchment are fragmentary, due to damage done to the folio during the centuries; but further ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Llibre Vermell De Montserrat
The ''Llibre Vermell de Montserrat'' (, "Red Book of Montserrat") is a manuscript collection of devotional texts containing, amongst others, some late medieval songs. The 14th-century manuscript was compiled in and is still located at the monastery of Montserrat outside Barcelona in Catalonia, Spain. Manuscript The manuscript was prepared in approximately 1399. It originally contained 172 double pages, of which 32 have been lost. Six folios contain music. The title "The Red Book of Montserrat" describes the red binding in which the collection was placed in the 19th century. No composer is identified for any of the songs it contains. The monastery holds the shrine of the Virgin of Montserrat, which was a major site of pilgrimage during the time it was compiled. Music The purpose of the compilation is made clear by its anonymous compiler himself: :''Quia interdum peregrini quando vigilant in ecclesia Beate Marie de Monte Serrato volunt cantare et trepudiare, et etiam in platea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantiga De Amigo
''Cantiga de amigo'' (, ) or ''cantiga d'amigo'' ( Galician-Portuguese spelling), literally "friend song", is a genre of medieval lyric poetry, more specifically the Galician-Portuguese lyric, apparently rooted in a female-voiced song tradition native to the northwest quadrant of the Iberian Peninsula. According to Rip Cohen, “In 98% of the poems, the speaker is a girl, her mother, the girl’s girlfriend, or a boy (who is given a voice only in dialogues with the girl—which she begins). The girl can speak to any of the other three personae, but they can only address her (there is no directly represented communication between the other three personae: mother, girlfriend and boy do not speak with one another onstage). There are a dozen cantigas with an outside narrative voice, but most of them include words from a girl’s song.” Much has been made of nature symbolism in this genre, but “Erotic symbolism, though it has rightly attracted attention ��is not as common as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literature Of Alfonso X
Alfonso X of Castile, also known as Alfonso the Wise, ruled from 1252 until 1284. One of Alfonso’s goals for his kingdom was to lift Castile out of the Dark Ages by producing a united, educated, artistic, and religious population. His desire to bring Castile into the mainstream of high civilization led to a boom of cultural activity, including the production and translation of a great deal of literature. The literature produced during his reign was intended to aid him in achieving his goal by giving the common people of Castile access to great intellectual works. Therefore, all of the prose attributed to Alfonso X’s efforts was written in the language of the common people, Castilian (later evolved to Spanish), rather than Latin, which was the language of prestige at that time. Although the works are generally attributed to Alfonso X, being a king with other business to deal with he did not himself write most of them. Instead, Alfonso’s role was that of choosing works t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence
Florence ( ; ) is the capital city of the Italy, Italian region of Tuscany. It is also the most populated city in Tuscany, with 362,353 inhabitants, and 989,460 in Metropolitan City of Florence, its metropolitan province as of 2025. Florence was a centre of Middle Ages, medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful House of Medici, Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy. The Florentine dialect forms the base of Italian language, standard Italian and it became the language of culture throughout Italy due to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
13th-century Unknown Painters - Cantigas De Alfonso El Sabio - WGA16031
The 13th century was the century which lasted from January 1, 1201 (represented by the Roman numerals MCCI) through December 31, 1300 (MCCC) in accordance with the Julian calendar. The Mongol Empire was founded by Genghis Khan, which stretched from Eastern Asia to Eastern Europe. The conquests of Hulagu Khan and other Mongol invasions changed the course of the Muslim world, most notably the Siege of Baghdad (1258) and the destruction of the House of Wisdom. Other Muslim powers such as the Mali Empire and Delhi Sultanate conquered large parts of West Africa and the Indian subcontinent, while Buddhism witnessed a decline through the conquest led by Bakhtiyar Khilji. The earliest Islamic states in Southeast Asia formed during this century, most notably Samudera Pasai. The Kingdoms of Sukhothai and Hanthawaddy would emerge and go on to dominate their surrounding territories. Europe entered the apex of the High Middle Ages, characterized by rapid legal, cultural, and religious ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
