Canon EOS-1D X Mark III
The Canon EOS-1D X Mark III is the company's 20-megapixel full-frame DSLR flagship camera, announced on January 6, 2020, by Canon. It is the successor to the Canon EOS-1D X Mark II, which was released on February 1, 2016. The camera will reportedly be Canon's final flagship DSLR, as the company shifts entirely to mirrorless cameras. Features New features over the Canon EOS-1D X Mark II are: * 5.5k (5472 × 2886) with up to 60 fps (59.94 fps) * Continuous shooting rate of up to 16 frames per second with full autofocus; 20 fps in live view. * 191 AF points support * Dual CFexpress card slots (as opposed to one Compact Flash and one CFast slot in EOS-1D X Mark II) * ISO range up to 102400 (Extended H3 up to 819200) * Support for HDR PQ still photo shooting in High Efficiency Image File Format (HEIF) compliant with Rec. 2100 color space ( PQ transfer function, Rec. 2020 ITU-R Recommendation BT.2020, more commonly known by the abbreviations Rec.&nbs ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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CFexpress
CFexpress is a standard for removable media cards proposed by the CompactFlash Association (CFA). The standard uses PCIe 3.0 interface with 1 to 4 lanes where 1 GB/s data can be provided per lane. NVM Express is also supported to provide low overhead and latency. There are multiple form factors that feature different PCIe lane counts. One of the goals is to unify the ecosystem of removable storage by being compatible with standards already widely adopted, such as PCIe and NVMe. There already is a wide range of controllers, software and devices that uses these standards, accelerating adoption. History On 7 September 2016, the CompactFlash Association announced CFexpress. The specification would be based on the PCI Express interface and NVM Express protocol. On 18 April 2017 the CompactFlash Association published the CFexpress 1.0 specification. Version 1.0 will use the XQD form-factor (38.5 mm × 29.8 mm × 3.8 mm) with two PCIe 3.0 lanes for speeds up to 2 GB/s. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Frame Rate
Frame rate (expressed in or FPS) is the frequency (rate) at which consecutive images ( frames) are captured or displayed. The term applies equally to film and video cameras, computer graphics, and motion capture systems. Frame rate may also be called the , and be expressed in hertz. Frame rate in electronic camera specifications may refer to the maximal possible rate, where, in practice, other settings (such as exposure time) may reduce the frequency to a lower number. Human vision The temporal sensitivity and resolution of human vision varies depending on the type and characteristics of visual stimulus, and it differs between individuals. The human visual system can process 10 to 12 images per second and perceive them individually, while higher rates are perceived as motion. Modulated light (such as a computer display) is perceived as stable by the majority of participants in studies when the rate is higher than 50 Hz. This perception of modulated light as steady ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Canon EOS DSLR Cameras
Canon EOS (Electro-Optical System) is an autofocus single-lens reflex camera (SLR) and mirrorless camera series produced by Canon Inc. Introduced in 1987 with the Canon EOS 650, all EOS cameras used 35 mm film until October 1996 when the EOS IX was released using the new and short-lived APS film. In 2000, the D30 was announced, as the first digital SLR designed and produced entirely by Canon. Since 2005, all newly announced EOS cameras have used digital image sensors rather than film. The EOS line is still in production as Canon's current digital SLR (DSLR) range, and, with the 2012 introduction of the Canon EOS M, Canon's mirrorless interchangeable-lens camera (MILC) system. In 2018 the system was further extended with the introduction of the EOS R camera, Canon's first full frame mirrorless interchangeable lens system. The development project was called "EOS" (Electro Optical System). EOS is also the name of the goddess of dawn in Greek mythology, which further signifie ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chroma Subsampling
Chroma subsampling is the practice of encoding images by implementing less resolution for chroma information than for luma information, taking advantage of the human visual system's lower acuity for color differences than for luminance. It is used in many video and still image encoding schemesboth analog and digitalincluding in JPEG encoding. Rationale Digital signals are often compressed to reduce file size and save transmission time. Since the human visual system is much more sensitive to variations in brightness than color, a video system can be optimized by devoting more bandwidth to the luma component (usually denoted Y'), than to the color difference components Cb and Cr. In compressed images, for example, the 4:2:2 Y'CbCr scheme requires two-thirds the bandwidth of non-subsampled "4:4:4" R'G'B'. This reduction results in almost no visual difference as perceived by the viewer. How subsampling works At normal viewing distances, there is no perceptible loss incurred by ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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YCbCr
YCbCr, Y′CbCr, or Y Pb/Cb Pr/Cr, also written as YCBCR or Y′CBCR, is a family of color spaces used as a part of the color image pipeline in video and digital photography systems. Y′ is the Luma (video), luma component and CB and CR are the B-Y, blue-difference and R-Y, red-difference chrominance, chroma components. Y′ (with Prime (symbol), prime) is distinguished from Y, which is relative luminance, luminance, meaning that light intensity is nonlinearly encoded based on gamma correction, gamma corrected RGB primaries. Y′CbCr color spaces are defined by a mathematical coordinate transformation from an associated RGB primaries and white point. If the underlying RGB color space is absolute, the Y′CbCr color space is an absolute color space as well; conversely, if the RGB space is ill-defined, so is Y′CbCr. The transformation is defined iITU-T H.273 Nevertheless that rule does not apply to DCI-P3#Display P3, P3-D65 primaries used by Netflix with BT.2020-NCL matrix, so ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Color Depth
Color depth or colour depth (see spelling differences), also known as bit depth, is either the number of bits used to indicate the color of a single pixel, or the number of bits used for each color component of a single pixel. When referring to a pixel, the concept can be defined as bits per pixel (bpp). When referring to a color component, the concept can be defined as bits per component, bits per channel, bits per color (all three abbreviated bpc), and also bits per pixel component, bits per color channel or bits per sample (bps). Modern standards tend to use bits per component, but historical lower-depth systems used bits per pixel more often. Color depth is only one aspect of color representation, expressing the precision with which the amount of each primary can be expressed; the other aspect is how broad a range of colors can be expressed (the gamut). The definition of both color precision and gamut is accomplished with a color encoding specification which assigns a di ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Primary Color
A set of primary colors or primary colours (see spelling differences) consists of colorants or colored lights that can be mixed in varying amounts to produce a gamut of colors. This is the essential method used to create the perception of a broad range of colors in, e.g., electronic displays, color printing, and paintings. Perceptions associated with a given combination of primary colors can be predicted by an appropriate mixing model (e.g., additive, subtractive) that reflects the physics of how light interacts with physical media, and ultimately the retina. Primary colors can also be conceptual (not necessarily real), either as additive mathematical elements of a color space or as irreducible phenomenological categories in domains such as psychology and philosophy. Color space primaries are precisely defined and empirically rooted in psychophysical colorimetry experiments which are foundational for understanding color vision. Primaries of some color spaces are ''com ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Transfer Functions In Imaging
This article is about the transfer functions used in pictures and videos and describing the relationship between electrical signal, scene light and displayed light. Definition The opto-electronic transfer function (OETF) is the transfer function having the scene light as input and converting into the picture or video signal as output. This is typically done within a camera. The electro-optical transfer function (EOTF) is the transfer function having the picture or video signal as input and converting it into the linear light output of the display. This is done within the display device. The opto-optical transfer function (OOTF) is the transfer function having the scene light as input and the displayed light as output. The OOTF is the result of the OETF and the EOTF and is usually non-linear. List of transfer functions Linear * Raw formats *Some OETF and EOTF have an initial linear portion followed by a non-linear part (e.g. sRGB and Rec.709). Gamma * Rec. 601, Rec. 7 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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High Efficiency Image File Format
High Efficiency Image File Format (HEIF) is a container format for storing individual digital images and image sequences. The standard covers multimedia files that can also include other media streams, such as timed text, audio and video. HEIF can store images encoded with multiple coding formats, for example both SDR and HDR images. HEVC is an image and video encoding format and the default image codec used with HEIF. HEIF files containing HEVC-encoded images are also known as HEIC files. Such files require less storage space than the equivalent quality JPEG. HEIF files are a special case of the ISO Base Media File Format ( ISOBMFF, ISO/IEC 14496-12), first defined in 2001 as a shared part of MP4 and JPEG 2000. Introduced in 2015, it was developed by the Moving Picture Experts Group (MPEG) and is defined as Part 12 within the MPEG-H media suite (ISO/IEC 23008-12). HEIF was adopted by Apple in 2017 with the introduction of iOS 11. History The requirements and main ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Perceptual Quantization
The perceptual quantizer (PQ), published by SMPTE as SMPTE ST 2084, is a transfer function that allows for HDR display by replacing the gamma curve used in SDR. It is capable of representing luminance level up to 10000 cd/m2 (nits) and down to 0.0001 nits. It has been developed by Dolby and standardized in 2014 by SMPTE and also in 2016 by ITU in Rec. 2100. ITU specifies the use of PQ or HLG as transfer functions for HDR-TV. PQ is the basis of HDR video formats (such as Dolby Vision, HDR10 and HDR10+) and is also used for HDR still picture formats. PQ is not backward compatible with the BT.1886 EOTF (i.e. the gamma curve of SDR), while HLG is compatible. PQ is a non-linear transfer function based on the human visual perception of banding and is able to produce no visible banding in 12 bits. A power function (used as EOTFs in standard dynamic range applications) extended to 10000 cd/m2 would have required 15 bits. Technical details The PQ EOTF (electro-optical trans ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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High-dynamic-range Video
High-dynamic-range television (HDR or HDR-TV) is a technology that improves the quality of display signals. It is contrasted with the retroactively-named standard dynamic range (SDR). HDR changes the way the luminance and colors of videos and images are represented in the signal, and allows brighter and more detailed highlight representation, darker and more-detailed shadows, and a wider array of more intense colors. HDR allows compatible displays to receive a higher quality image source. It does not improve a display's intrinsic properties (brightness, contrast, and color capabilities). Not all HDR displays have the same capabilities, and HDR content will look different depending on the display used. HDR-TV was first used in 2014 to enhance videos, and it is now also available for still pictures. HDR-TV is a part of HDR imaging, an end-to-end process of increasing the dynamic range of images and videos from their capture and creation, to their storage, distribution and displa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Autofocus
An autofocus (or AF) optical system uses a sensor, a control system and a motor to focus on an automatically or manually selected point or area. An electronic rangefinder has a display instead of the motor; the adjustment of the optical system has to be done manually until indication. Autofocus methods are distinguished as active, passive or hybrid types. Autofocus systems rely on one or more sensors to determine correct focus. Some AF systems rely on a single sensor, while others use an array of sensors. Most modern SLR cameras use through-the-lens optical sensors, with a separate sensor array providing light metering, although the latter can be programmed to prioritize its metering to the same area as one or more of the AF sensors. Through-the-lens optical autofocusing is usually speedier and more precise than manual focus with an ordinary viewfinder, although more precise manual focus can be achieved with special accessories such as focusing magnifiers. Autofocus ac ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |