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Canned Laughter
A laugh track (or laughter track) is an audio recording consisting of laughter (and other audience reactions) usually used as a separate soundtrack for comedy productions. The laugh track may contain live audience reactions or artificial laughter (canned laughter or fake laughter) made to be inserted into the show, or a combination of the two. The use of canned laughter to "sweeten" the laugh track was pioneered by American sound engineer Charles "Charley" Douglass. The Douglass laugh track became a standard in mainstream television in the U.S., dominating most prime-time sitcoms and sketch comedies from the late 1950s to the late 1970s. Use of the Douglass laughter decreased by the 1980s upon the development of stereophonic laughter. In addition, single-camera sitcoms eliminated audiences altogether. Canned laughter is used to encourage the viewer to laugh. History in the United States Radio Before radio and television, audiences experienced live comedy performances in t ...
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7 (seven) is the natural number following 6 and preceding 8. It is the only prime number preceding a cube. As an early prime number in the series of positive integers, the number seven has symbolic associations in religion, mythology, superstition and philosophy. The seven classical planets resulted in seven being the number of days in a week. 7 is often considered lucky in Western culture and is often seen as highly symbolic. Evolution of the Arabic digit For early Brahmi numerals, 7 was written more or less in one stroke as a curve that looks like an uppercase vertically inverted (ᒉ). The western Arab peoples' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the digit more rectilinear. The eastern Arab peoples developed the digit from a form that looked something like 6 to one that looked like an uppercase V. Both modern Arab forms influenced the European form, a two-stroke form consisting of a ho ...
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Ampex
Ampex Data Systems Corporation is an American electronics company founded in 1944 by Alexander M. Poniatoff as a spin-off of Dalmo-Victor. The name ''AMPEX'' is an acronym, created by its founder, which stands for Alexander M. Poniatoff Excellence.AbramsoThe History of television, 1942 to 2000– McFarland, 2003 – , page 286, Chapter 2, footnote 34 "1944 he founded Ampex (the name was created from his initials, AMP, plus "ex" for excellence)" Ampex operates as Ampex Data Systems Corporation, a subsidiary of Delta Information Systems, and consists of two business units. The Silicon Valley unit, known internally as Ampex Data Systems (ADS), manufactures digital data storage systems capable of functioning in harsh environments. The Colorado Springs, Colorado, unit, referred to as Ampex Intelligent Systems (AIS), serves as a laboratory and hub for the company's line of industrial control systems, cyber security products and services and its artificial intelligence/machine learnin ...
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The Stu Erwin Show
''The Stu Erwin Show'' (also known as ''Trouble with Father'') is an American sitcom which aired on ABC from 1950 to 1955. Only four of the series’ five seasons on the network included new episodes; the 1953–54 season consisted entirely of reruns. Synopsis The series' star, Stuart Erwin, played a bumbling high school principal named Stu Erwin. His wife, film ingenue from the late silent and early sound period, June Collyer, played the principal's wife, June Erwin. Although Erwin and Collyer, who were married in 1931, had a son and a daughter, the series presented them as parents of two adolescent daughters played by Sheila James and Ann Todd who was replaced by Merry Anders in the series' final season. One notable aspect of the show was that it featured black actor Willie Best in a regular supporting role. Predating modern single-camera sitcoms, ''The Stu Erwin Show'' originally aired without a laugh track (one was added in its final season), and each episode was around ...
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The Hank McCune Show
''The Hank McCune Show'' is an American television sitcom. Filmed without a studio audience, the series is notable for being the first television program to incorporate a laugh track. The series began as a local program in New York in 1949. NBC placed it on its national primetime schedule at the start of the 1950–51 season. It debuted at 7:00pm Eastern Time on September 9 and was cancelled three months later. It was briefly resurrected as a syndicated program in 1953–54, but without a laugh track. Overview The premise foreshadowed that of ''The Larry Sanders Show'' in that it contained a show within a show. Former radio comedian McCune portrayed a television variety show host named after himself, and each week the character managed to blunder his way into a variety of comic predicaments. The supporting cast included Larry Keating, Charles Maxwell (actor), Charles Maxwell, Frank Nelson (actor), Frank Nelson, Arthur Q. Bryan, Sara Berner, Tammy Kiper, and Florence Bates. Pr ...
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Sitcom
A sitcom (short for situation comedy or situational comedy) is a genre of comedy produced for radio and television, that centers on a recurring cast of character (arts), characters as they navigate humorous situations within a consistent setting, such as a home, workplace, or community. Unlike sketch comedy, which features different characters and settings in each Sketch comedy, skit, sitcoms typically maintain plot continuity across episodes. This continuity allows for the development of storylines and characters over time, fostering audience engagement and investment in the characters' lives and relationships. History The structure and concept of a sitcom have roots in earlier forms of comedic theater, such as farces and comedy of manners. These forms relied on running gags to generate humor, but the term ''sitcom'' emerged as radio and TV adapted these principles into a new medium. The word was not commonly used until the 1950s. Early television sitcoms were often filme ...
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The Red Skelton Show
''The Red Skelton Show'' is an American television comedy/variety show that aired from 1951 to 1971. In the decade prior to hosting the show, Richard "Red" Skelton had a successful career as a radio and motion pictures star. Although his television series is largely associated with CBS, where it appeared for more than sixteen years, it actually began and ended on NBC. During its run, the program received three Emmy Awards, for Skelton as best comedian and the program as best comedy show during its initial season, and an award for comedy writing in 1961. In 1959 Skelton also received a Golden Globe for Best TV Show. Origins: 1950s Red Skelton's network television program began at the start of the 1951 fall season on NBC (for sponsor Procter & Gamble). The MGM agreement with Skelton for television performances did not allow him to go on the air before September 30, 1951. After two seasons on Sunday nights, the program was picked up by CBS in the fall of 1953 and moved to ...
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Pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment, generally combining gender-crossing actors and topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre developed in England in the 18th century, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. The origins of pantomime reach back to ancient Greek classical theatre. It developed partly from the 16th century commedia dell'arte tradition of Italy and partly from other European and British stage traditions, such as 17th-century masques and music hall. An important part of the pantomime, until the late 19th century, was the harlequinade. Modern pantomime is perfor ...
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Sweetening (show Business)
Sweetening is a sound design practice in which additional audio and effects are used to enhance audio already recorded. In the case of a music performance or recording, sweetening may refer to the process of adding instruments in post-production such as those found on " The Sounds of Silence" by folk musicians Simon and Garfunkel. The original acoustic version of the song features just their vocals with one guitar. Producers at Columbia Records, however, felt that it needed a little spicing up to be a commercial hit, and so without the consent of the artists, they added drums, electric bass and electric guitar. David (2004). Studio Stories - How the Great New York Records Were Made. San Francisco: Backbeat Books. Cf. pp.94-97."/> In television, sweetening refers to the use of a laugh track in addition to a live studio audience. The laugh track is used to "enhance" the laughter for television audiences, sometimes in cases where a joke or scene intended to be funny does not draw t ...
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TV Guide
TV Guide is an American digital media In mass communication, digital media is any media (communication), communication media that operates in conjunction with various encoded machine-readable data formats. Digital content can be created, viewed, distributed, modified, listened to, an ... company that provides television program listings information as well as entertainment and television-related news. In 2008, the company sold its founding product, the '' TV Guide'' magazine and the entire print magazine division, to a private buyout firm operated by Andrew Nikou, who then set up the print operation as TV Guide Magazine LLC. Corporate history Prototype The prototype of what would become '' TV Guide'' magazine was developed by Lee Wagner (1910–1993), who was the circulation director of Macfadden Communications Group#Macfadden Publications, MacFadden Publications in New York City in the 1930s – and later, by the time of the predecessor publication's creation, for Co ...
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Camera Angle
The camera angle marks the specific location at which the movie camera or video camera is placed to take a shot. A scene may be shot from several camera angles simultaneously. This will give a different experience and sometimes emotion. The different camera angles will have different effects on the viewer and how they perceive the scene that is shot. There are a few different routes that a camera operator could take to achieve this effect. Angles and their impact Types of angles include the following: * Extreme wide shot * Very wide shot * Wide shot * Medium shot * Two shot * Medium close-up * Close-up * Extreme close-up Where the camera is placed in relation to the subject can affect the way the viewer perceives the subject. Some of these many camera angles are the high-angle shot, low-angle shot, bird's-eye view, and worm's-eye view. A viewpoint is the apparent distance and angle from which the camera views and records the subject. They also include the eye-level sh ...
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Filmmaking
Filmmaking or film production is the process by which a Film, motion picture is produced. Filmmaking involves a number of complex and discrete stages, beginning with an initial story, idea, or commission. Production then continues through screenwriting, Casting (performing arts), casting, pre-production, Principal photography, shooting, Sound recording and reproduction, sound recording, post-production, and screening the finished product before an audience, which may result in a film release and exhibition. The process is nonlinear, in that the filmmaker typically shoots the script out of sequence, repeats shots as needed, and puts them together through editing later. Filmmaking occurs in a variety of economic, social, and political contexts around the world, and uses a variety of technologies and cinematic techniques to make theatrical films, episodic films for television and streaming platforms, music videos, and promotional and educational films. Although filmmaking originally ...
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William Morrow (screenwriter)
William S. Morrow (August 16, 1907 – February 5, 1971) was a comedic screenwriter and producer who wrote scripts for radio, films and television. Career He launched his writing career with Jack Benny in 1938 and for 25 years was Bing Crosby's top writer. He arrived in Los Angeles with Ed Beloin from Chicago to work on Jack Benny's writing staff, and he remained with the comedian until entering the Armed Forces in 1942. During his time with Jack Benny, he wrote for two of Benny’s films, '' Love Thy Neighbor'' (1940) and '' Buck Benny Rides Again'' (1940), as well as for the star vehicle '' Tales of Manhattan'' (1942). Released from the Armed Forces in 1945, he joined Bing Crosby and not only worked on his radio shows but on his films and television shows as well. His first assignment with Crosby was as co-producer and writer for '' Philco Radio Time'' and he continued in this role through the crooner’s subsequent radio series: '' The Bing Crosby – Chesterfield Show'' ...
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