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Can-can (other)
The can-can (also spelled cancan as in the original French Help:IPA/French, /kɑ̃kɑ̃/) is a high-energy, physically demanding dance that became a popular music-hall dance in the 1840s, continuing in popularity in French cabaret to this day. Originally danced by couples, it is now traditionally associated with a chorus line of female dancers. The main features of the dance are the vigorous manipulation of skirts and petticoats, along with high kicks, Split (gymnastics), splits, and cartwheel (gymnastics), cartwheels. History The can-can is believed to have evolved from the final figure in the quadrille, a social dance for four or more couples. The exact origin of the dance is obscure, but the steps may have been inspired by a popular entertainer of the 1820s, :fr:Charles-François Mazurier, Charles-François Mazurier (1798–1828), well known for his Mime artist, mime and acrobatic dance, including the grand écart or Jump split, jump splits—both popular features of the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lautrec La Troupe De Mlle Eglantine (poster) 1895-6
Lautrec (; ) is a Communes of France, commune in the Tarn (department), Tarn Departments of France, department in southern France. Demography Remarkable sites Lautrec is a member of Les Plus Beaux Villages de France (The Most Beautiful Villages of France) Association, as well as a "Remarkable Site for Taste" thanks to its renowned Lautrec Pink Garlic, pink garlic. Its remarkable sites include: * the village itself, with its 14th century market square * the Saint Remy collegiate church and its sumptuous marble retable * the 17th century windmill, one of the few still working today in the South of France * a clog workshop, recreated after the one that existed there until the early 1960s * the Caussade Gate (13th century) * the Salette Calvary (sanctuary), calvary (altitude 328 m) * the Roman road See also * Famous painter Henri de Toulouse-Lautrec’s family had roots in this village * Communes of the Tarn department * Tourism in Tarn References Communes of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moulin Rouge
Moulin Rouge (, ; ) is a cabaret in Paris, on Boulevard de Clichy, at Place Blanche, the intersection of, and terminus of Rue Blanche. In 1889, the Moulin Rouge was co-founded by Charles Zidler and Joseph Oller, who also owned the Olympia (Paris), Paris Olympia. The original venue was destroyed by fire in 1915, reopening in 1925 after rebuilding. Moulin Rouge is southwest of Montmartre, in the Paris district of Quartier Pigalle, Pigalle on Boulevard de Clichy in the 18ème arrondissement, Paris, 18th ''arrondissement'', and has a landmark red windmill on its roof. The closest métro station is Blanche (Paris Métro), Blanche. Moulin Rouge is best known as the birthplace of the modern form of the can-can dance. Originally introduced as a seductive dance by the courtesans who operated from the site, the can-can dance revue evolved into a form of entertainment of its own and led to the introduction of cabarets across Europe. Today, the Moulin Rouge is a tourist attraction, offerin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Dancer
A ballet dancer is a person who practices the Art (skill), art of classical ballet. Both females and males can practice ballet. They rely on years of extensive training and proper technique to become a part of a professional ballet company. Ballet dancers are at a high risk of injury due to the demanding technique of ballet. Training and technique Ballet dancers typically begin training at an early age as young as three or four if they desire to perform professionally and often take part in international competitions such as Youth America Grand Prix, YAGP and Prix de Lausanne. At these events, scholarships are being granted to the most talented dancers, enabling them to continue their training at renowned ballet schools around the world, such as the Stuttgart Ballet, John Kranko Schule in Germany and the Académie de Danse Classique Princesse Grace in Monaco. Pre-professional ballet dancers can audition to enroll at a vocational ballet school such as Royal Ballet School, The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Comique (Boston)
Theatre Comique (1865–1869) of Boston, Massachusetts, was located at no. 240 Washington Street. Personnel included Jason Wentworth, William H. Crisp, James S. Maffitt, George Maffitt, B.F. Lowell, Wm. H. Daly, orchestra leader Aug. Muller, and maitre de ballet Signor Constantine. Among the performances: slack rope and acrobatics by Martini Chiriski and the Levantine Brothers; Mlle. Augusta, danseuse; "Aladdin" with Kate Pennoyer and W.H. Bartholomew; dancing by Betty Regl; Snow Brothers (William and Benjamin Snow); Morlacchi Ballet Troupe; Wilson Brothers (Louis and George Wilson); Ada Harland; and Jarrett & Palmer's " Forty Thieves."American Broadsides and Ephemera, Series 1 It occupied the building formerly known as Andrews Hall, Barnum's Aquarial Gardens, and the Boston Aquarial and Zoological Gardens The Boston Aquarial and Zoological Gardens (October 1860 – June 1862) in Boston, Massachusetts, featured a public aquarium and zoo. It was located in the Financial Dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppina Morlacchi
Giuseppina Antonia "Josephine" Morlacchi Omohundro (October 8, 1836 – July 23, 1886) was an Italian American ballerina, dancer, and actress. She introduced the can-can to the American stage. Biography Morlacchi was born in Milan in 1836 and attended dance school at La Scala at the age of six. She debuted on the stage in 1856 at Teatro Carlo Felice in Genoa. In a short time, she became a well-known dancer, touring the continent and England. In Lisbon, she met noted artist and manager Don Juan (John) De Pol, who persuaded her to go to America and perform in his ''DePol Parisian Ballet''. In October 1867, she made her American debut at ''Banvard's Museum'' in New York City, performing ''The Devil's Auction''. She became an immense success, and DePol took the show to Boston. During her rise to fame, DePol insured her legs for $100,000 (equal to $ today), after which newspapers claimed that Morlacchi was 'more valuable than Kentucky'. On January 6, 1868, the company played at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battement
In ballet, battement is an alternating side-to-side movement of the working leg. Battements are typically performed in multiples, quickly and in rapid succession so that the working foot appears to be fluttering or vibrating. They are usually executed in front, to the side or in back The word ''battement'' is of French origin, meaning "beat". Variations Battements are performed or executed in a variety of modes or configurations, for example: * battement développé is usually a slow ''battement'' in which the leg is first lifted to ''retiré'' position, then fully extended (or "unfolded") passing through ''attitude'' position. *battement fondu is a ''battement'' (usually slower) from ''fondu (ballet), fondu'' (both knees bent, working foot on the ''cou-de-pied'' of the supporting leg) position and extends until both legs are straight. Upon completion, the working leg may be ''Glossary of ballet#À terre, à terre'' or ''en l'air'' (touching the floor or raised). * battement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Ballet
Because ballet became formalized in France, a significant part of ballet terminology is in the French language. A À la seconde () (Literally "to second") If a step is done "à la seconde", it is done to the side. 'Second position'. It can also be a balance extending one foot off the ground in ‘Second Position’. À la quatrième () One of the directions of body, facing the audience (''en face''), arms in second position, with one leg extended either to fourth position in front (''quatrième devant'') or fourth position behind (''quatrième derrière''). À terre () Touching the floor; on the floor. Adagio Italian, or French ''adage'', meaning 'slowly, at ease.' # Slow movements performed with fluidity and grace. # One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements. # The section of a '' grand pas'' (e.g., '' grand pas de deux''), often referred to as ''grand adage'', that features dance part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bal Tabarin (Paris)
Bal Tabarin was the name of a cabaret located at 36, rue Victor-Massé in the 9th ''arrondissement'', Paris, France. It was opened in 1904 by the composer and orchestra leader Auguste Bosc (1868–1945). It was an immediate success. In 1928 Pierre Sandrini (son of the prima ballerina Emma Sandrini and artistic director of the Moulin Rouge) and Pierre Dubout took over the establishment. Sandrini introduced ballet to his floor shows, and dress designs by Erté transformed them into spectacular tableaux. There was a new show every year, each with a theme, such as ''The Planets'' or ''The Symphony''; some were inspired by historical figures such as Cleopatra and Madame de Pompadour. During the occupation of Paris it was frequented by German officers. At this time the South African dancer Florence Waren performed there. Unknown to the Germans, she was Jewish, but she was still interned for several months as an enemy alien. On her release she returned to the Bal Tabarin and paired up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fin De Siècle
"''Fin de siècle''" () is a French term meaning , a phrase which typically encompasses both the meaning of the similar English idiom '' turn of the century'' and also makes reference to the closing of one era and onset of another. Without context, the term is typically used to refer to the end of the 19th century. This period was widely thought to be a period of social degeneracy, but at the same time a period of hope for a new beginning. The "spirit" of ''fin de siècle'' often refers to the cultural hallmarks that were recognized as prominent in the 1880s and 1890s, including ennui, cynicism, pessimism, and "a widespread belief that civilization leads to decadence." The term is commonly applied to French art and artists, as the traits of the culture first appeared there, but the movement affected many European countries. The term becomes applicable to the sentiments and traits associated with the culture, as opposed to focusing solely on the movement's initial recogni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second French Empire
The Second French Empire, officially the French Empire, was the government of France from 1852 to 1870. It was established on 2 December 1852 by Louis-Napoléon Bonaparte, president of France under the French Second Republic, who proclaimed himself Emperor of the French as Napoleon III. The period was one of significant achievements in infrastructure and economy, while France reasserted itself as the dominant power in Europe. Historians in the 1930s and 1940s disparaged the Second Empire as a precursor of fascism, but by the late 20th century it was re-evaluated as an example of a modernizing regime. Historians have generally given the Second Empire negative evaluations on its foreign policy, and somewhat more positive assessments of domestic policies, especially after Napoleon III liberalised his rule after 1858. He promoted French business and exports. The greatest achievements included a railway network that facilitated commerce and tied the nation together with Paris a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valentin Le Désossé
Valentin le Désossé ("Valentin the Boneless"; 26 February 1843 – 4 March 1907) was the stage name of Jacques Renaudin, a French can-can dancer who was a star of the Moulin Rouge in the 1890s as the partner of Louise Weber, known as La Goulue (The Glutton). Star of the Moulin Rouge Not much is known about the life of Jacques Renaudin. He may have been the son of a notary from Sceaux, a commune in the southern suburbs of Paris, and it is thought that, as an adult, he worked as a wine merchant by day. It is certain, however, that at night he danced at the Moulin Rouge, the famed cabaret in the Pigalle district of Paris, near Montmartre. There he formed a partnership with La Goulue, dancing the ''chahut'', a form of the can-can. As a team, they were the toast of ''tout le monde'' in ''fin de siècle'' Paris. Renaudin was tall and slender, with an aquiline nose and a prominent chin, which gave him a distinctive profile, and long arms and legs, which gave him an elongated silho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
