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Camilla (mythology)
In Virgil's ''Aeneid'', Camilla of the Volsci is a warrior who fights against the Trojans during the war in Latium. She stars in Book 11, where she leads a battle against the Trojans and is eventually killed. Camilla is the daughter of King Metabus and Queen Casmilla. ''Aeneid'' Camilla appears in books 7 and 11 of the ''Aeneid''. Virgil says that Camilla was so fast on her feet that she could run over a field of wheat without breaking the tops of the plants, or over the ocean without wetting her feet. When Camilla was an infant, her father Metabus was driven from his throne and chased into the wilderness by armed Volsci, holding Camilla in his hands. The river Amasenus blocked his path, and, fearing for the child's welfare, Metabus bound Camilla to a spear. He promised Diana that Camilla would be her servant, a warrior virgin. He then safely threw her to the other side, and swam across to retrieve her. The baby Camilla was suckled by a mare, and once her "first firm steps ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodcut Illustration Of Camilla And Metabus Escaping Into Exile - Penn Provenance Project
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with Chisel#Gouge, gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colours can be printed by keying the paper to a frame around the woodblocks (using a different block for each colour). The art of carving the woodcut can be called ''xylography'', but this is rarely used in English for images alone, although that term and ''xylographic'' are used in connection with block books, which are small books contain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpalyce (daughter Of Harpalycus)
In Greek and Roman mythology, Harpalyce (; ) is a Thracian princess, the daughter of Harpalycus, king of the Amymnei tribe. Harpalyce was trained to be an excellent warrior and made heir to the Amymnian kingdom, but after her father's death she took to the woods and the plundering of oxen from local herdsmen. Mythology Harpalyce was born to Harpalycus and his unnamed wife, who died when she was very young, so Harpalycus made her suckle from cows and mares. Having no other children, Harpalycus made her his heir to the kingdom and trained her in the art of war, and she grew to be a great warrior.Hyginus, ''Fabulae'193/ref> When Neoptolemus and his Myrmidons, returning from Troy, attacked and severely wounded Harpalycus, Harpalyce came to the defence of her father and forced Neoptolemus to flee. In another version, it was the Getae who attacked Thrace. Harpalycus was eventually killed during an insurrection of his people the Amymnei because of his cruelty, and Harpalyce took his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronald Lightbown
Ronald Lightbown (1932–2021) was a noted British art historian and curator, specializing in Renaissance art. He wrote large monographs on the painters Sandro Botticelli and Carlo Crivelli. After a degree from the University of Cambridge, between 1958 and his retirement in 1989 he worked at the Victoria and Albert Museum in London, rising to be the Keeper of its library and then as Keeper of Metalwork. Before John Pope-Hennessy became the museum's director in 1967 (until 1973) they co-wrote the ''Catalogue of Italian Sculpture in the Victoria and Albert Museum'' comprising three volumes (1964). His monographs on the partnership of Donatello and Michelozzo, and on Botticelli became seminal works for their subject. Selected publications * ''Sandro Botticelli'' (2 vols.). Berkeley: University of California Press, 1978.Wilkins, D. G. (1980review in ''Renaissance Quarterly'', 33(1), pp. 100–102/ref> * ''Sandro Botticelli: Life and Work''. New York: Abbeville Press, 1989. . * ''Dona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
107 Camilla
107 Camilla is one of the largest asteroids from the outermost edge of the asteroid belt, approximately in diameter. It is a member of the Sylvia family and located within the Cybele group. It was discovered on 17 November 1868, by English astronomer Norman Pogson at Madras Observatory, India, and named after Camilla, Queen of the Volsci in Roman mythology. The X-type asteroid is a rare triple asteroid with two minor-planet moons discovered in 2001 and 2016, respectively. It is elongated in shape and has a short rotation period of 4.8 hours. Physical characteristics Camilla has a very dark surface and primitive carbonaceous composition. A large number of rotational lightcurves of have been obtained from photometric observations since the 1980s. Best rated results gave a short rotation period of 4.844 hours with a brightness amplitude between 0.32 and 0.53 magnitude. Lightcurve analysis indicates that Camilla's pole most likely points towards ecliptic coordinates ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Mythology
Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of ancient Greek folklore, today absorbed alongside Roman mythology into the broader designation of classical mythology. These stories concern the ancient Greek religion's view of the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world; the lives and activities of List of Greek deities, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures; and the origins and significance of the ancient Greeks' cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of mythmaking itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century&n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bononcini
Giovanni Bononcini (or Buononcini) (18 July 1670 – 9 July 1747) (sometimes cited also as Giovanni Battista Bononcini) was an Italian Baroque composer, cellist, singer and teacher, one of a family of string players and composers. He was a rival to George Frederic Handel. Biography Early years Bononcini was born in Modena, the oldest of three sons. His father, Giovanni Maria Bononcini, was a violinist and a composer, and his younger brother, Antonio Maria Bononcini, was also a composer. An orphan from the age of 8, Giovanni Battista studied in the music school of Giovanni Paolo Colonna at San Petronio Basilica in Bologna (perhaps in 1680 or 1681). In 1685, at the age of 15, he published three collections of instrumental works (in two of which he gave his age as 13). On 30 May 1686, he was accepted as a member of the prestigious Accademia Filarmonica di Bologna. His services were already much in demand: he worked at San Petronio as a string player and singer, published fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camilla (Bononcini)
''Camilla'' was an opera first performed at Drury Lane in London on 30 April 1706. The libretto was based on ''Il Trionfo di Camilla, regina de' Volsci'' by Silvio Stampiglia, translated into English verse by Owen Swiny, Peter Motteux, or others. Authorship of the music for the original is attributed variously to Giovanni Bononcini and to his brother Marc Antonio. Music for the London version was adapted by Nicola Haym. The opera was the first to be sung in a mixture of English and Italian, and it was one of the first London operas in which the castrato Nicolò Grimaldi (known as Nicolini) performed. There were three separate productions of ''Camilla'' in London which together had 111 or 112 performances from 1706 to 1728, making it the most popular and successful work of its period, after ''The Beggar's Opera''. Roles and plot The story is based very loosely on the mythological figure of Camilla in Virgil's ''Aeneid''. The characters are: Camilla, heiress to the throne of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minerva
Minerva (; ; ) is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. She is also a goddess of warfare, though with a focus on strategic warfare, rather than the violence of gods such as Mars. Beginning in the second century BC, the Romans equated her with the Greek goddess Athena.''Larousse Desk Reference Encyclopedia'', Book People, Haydock, 1995, p. 215. Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno. Minerva is a virgin goddess. Her domain includes music, poetry, medicine, wisdom, commerce, weaving, and the crafts. Minerva is often depicted with her sacred creature, an owl usually named the " owl of Minerva" which symbolised her association with wisdom and knowledge, as well as, less frequently, the snake and the olive tree. Minerva is commonly depicted as tall with an athletic and muscular build. She is often wearing armour and carrying a spear. As an important Roman g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uffizi
The Uffizi Gallery ( ; , ) is a prominent art museum adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best-known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance painting, Italian Renaissance. After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous ''Patto di famiglia'' negotiated by Anna Maria Luisa de' Medici, Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1769 it was officially opened to the public, formally becoming a museum in 1865. History The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici, Grand Duke of Tuscany, Cosimo I de' M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), better known as Sandro Botticelli ( ; ) or simply known as Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo shape) and also some portraits. His best-known works are '' The Birth of Venus'' and '' Primavera'', both in the Uffizi in Florence, which holds many of Botticelli's works.. Botticelli lived all his life in the same neig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pallas And The Centaur
''Pallas and the Centaur'' is a painting by the Italian Renaissance painter Sandro Botticelli, c. 1482. It is now in the Uffizi Gallery in Florence. It has been proposed as a companion piece to his '' Primavera'', though it is a different shape. The medium used is tempera paints on canvas and its size is 207 x 148 cm. The painting has been retouched in many places, and these retouchings have faded.Legouix, 113 The life-size figures are from classical mythology and probably form an allegory. There is a centaur on the left, and a female figure holding a very elaborate halberd on the right. She is clutching the hair of the centaur, who was evidently about to shoot from his bow. The female figure was called Camilla in the earliest record of the painting, an inventory of 1499, but in an inventory of 1516 she is called Minerva, the Roman equivalent of Pallas Athene; Pallas remains her usual modern identification, but Camilla has supporters. Arthur Frothingham suggested tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Mulieribus Claris
''De Mulieribus Claris'' or ''De Claris Mulieribus'' (Latin for "Concerning Famous Women") is a collection of biographies of historical and mythological women by the Florentine author Giovanni Boccaccio, composed in Latin prose in 1361–1362. It is the first collection devoted exclusively to biographies of women in post-ancient Western literature. At the same time as he was writing ''On Famous Women'', Boccaccio also compiled a collection of biographies of famous men,'' De Casibus Virorum Illustrium'' (''On the Fates of Famous Men''). The famous women *1. Eve, the first woman in the Bible *2. Semiramis, queen of the Assyrians *3. Opis, wife of Saturn *4. Juno, goddess of the Kingdoms *5. Ceres, goddess of the harvest and queen of Sicily *6. Minerva, Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy *7. Venus, queen of Cyprus *8. Isis, queen and goddess of Egypt *9. Europa, queen of Crete *10. Libya, queen of Libya *11 and 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
