Camil Ressu

picture info	Camil Ressu Camil Ressu (; 28 January 1880 – 1 April 1962) was a Romanian painter and academic, one of the most significant art figures of Romania. Biography Early life and career Born in Galați, Ressu came from an Aromanians, Aromanian family that migrated to Romania from Macedonia (region), Macedonia at the start of the 19th century. His father, Constantin Ressu was a journalist and had studied law in Brussels. He was also an artist in his spare time. In 1887, Ressu was enrolled at the School of Fine Arts in Bucharest. He continued his studies at the George Enescu University of Arts of Iași, School of Fine Arts in Iași, where he studied with painters Gheorghe Popovici and Gheorghe Panaiteanu Bardasare. In 1902, he finished his studies in Iași, being awarded a silver medal, and left Romania for Paris, seeking to further develop his artistic skills. In Paris, he studied at the Académie Julian. In 1908, Ressu returned to Romania and became interested in social matters, contributing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
picture info	Galați Galați ( , , ; also known by other #Etymology and names, alternative names) is the capital city of Galați County in the historical region of Western Moldavia, in eastern Romania. Galați is a port town on the river Danube. and the sixth-largest of all List of cities and towns on the river Danube, cities on the river Danube. According to the 2021 Romanian census, 2021 census it is the 8th most populous city in Romania. Galați is an economic centre based around the port of Galați, the Galaţi shipyard, naval shipyard, and the largest steel factory in Romania, Galați steel works. Etymology and names The name ''Galați'' is derived from the Cuman language, Cuman word . This word is ultimately borrowed from the Persian language, Persian word Qila, , "fortress". Other etymology, etymologies have been suggested, such as the Serbian language, Serbian . However, the ''galat'' root appears in nearby toponyms, some of which show clearly a Cuman origin, for example Gălățui Lake, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
picture info	Social Democratic Party Of Romania (1910–1918) The Social Democratic Party (, PSD) is the largest political party in Romania. It is also the largest social democratic political party in the country. It was founded by Ion Iliescu, Romania's first democratically elected president at the 1990 Romanian general election. It is a member of the Progressive Alliance (PA), which was founded in 2013, Socialist International (SI), and the Party of European Socialists (PES). As of 2015, the PSD had 530,000 members. PSD traces its origins to the Democratic National Salvation Front (FDSN), a leftist breakaway group established in 1992 from the centre-left National Salvation Front (FSN) established after 1989. In 1993, this merged with three other parties to become the Party of Social Democracy in Romania (, PDSR), also translated as the Social Democracy Party of Romania. The present name was adopted after a merger with the smaller Romanian Social Democratic Party (PSDR) in 2001. Since its formation, it has always been one of the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
	Oscar Han Oscar Han (3 December 1891 – 14 February 1976) was a Romanian sculptor and writer. Biography Han was born in Bucharest on 3 December 1891 to a father of German origin and a mother from Vrancea. From 1909 to 1914, he studied sculpture and drawing at the Academy of Arts in Bucharest (now the National University of Arts) under Dimitrie Paciurea and Frederick Storck. He made his debut in 1911 with the sculpture "Bust of a Girl". Later, Han would return to his alma mater as a professor of sculpture, a post he occupied from 1927 to 1944, and again in 1956. During the First World War, Han was one of several artists commissioned to create works commemorating Romania's armed forces. In the interwar period, he formed the ''Group of Four'' ("Grupul celor patru") artists' collective together with painters Nicolae Tonitza, Francisc Șirato and Ștefan Dimitrescu. Not defined by a strict artistic philosophy, the Group of Four was bound mainly by friendship and collaboration. Han w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
	Ion Jalea Ion Jalea (; 19 May 1887 – 7 November 1983) was a Romanian sculptor, monumentalist, teacher, and member of the Romanian Academy. He fought in the First World War and lost his left hand in battle. Despite this challenge, he continued to sculpt with his right hand for the rest of his life. Biography Artistic studies Jalea was born on 19 May 1887 in the small town of Casimcea, Tulcea County. His family moved in 1893 to the village of Ciocârlia de Jos. Jalea attended the Mircea cel Bătrân High School in Constanța. He went on to continue his studies at the ''School of Arts and Crafts'' (in Romanian, ''Școala de Arte și Meserii'') and, from 1909, at the National University of Arts in Bucharest, where he was the pupil of the renowned Romanian sculptors Frederic Storck and Dimitrie Paciurea. In May 1915, Jalea held his first solo exhibition. In 1916, his artistic education was pursued in Paris at the Académie Julian. During this time, he had the opportunity to work al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
	Cornel Medrea Cornel Medrea (; March 8, 1888–July 25, 1964) was a Romanian sculptor. Biography Artistic studies He was born on March 8, 1888, in Miercurea Sibiului, then in Szeben County, Kingdom of Hungary, now Sibiu County, Romania. After moving with his family to Alba Iulia and attending the local school, he went from 1905–1909 to study at an art school in Zlatna, and in 1909–1912 at the Hungarian University of Fine Arts in Budapest. After spending a year traveling by foot to visit the museums in Vienna, Dresden, Leipzig, and Munich, he returned home. In 1914 he participated in an exhibit in Bucharest, and completed a bust of George Coșbuc, which is displayed in Sibiu. Towards the end of the year he decided to leave Transylvania and moved to Bucharest. Career On November 11, 1933, he was named professor at the Bucharest National University of Arts, filling the position left vacant after the death of Dimitrie Paciurea; Medrea held this position until 1964. In 1955 he was elected ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
picture info	Dimitrie Paciurea Dimitrie Paciurea (; 2 November (1873 or 1875) – 14 July 1932) was a Romanian sculptor Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sc .... His representational and symbolic style contrasts strongly to the more abstract style of his contemporary and co-national Constantin Brâncuși. Born in Bucharest, he attended the Matei Basarab High School. He then studied at the National School of Fine Arts in Bucharest (1890–1894), and later in Paris (1896–1900).Magda Carneci (1996)"Paciurea, Dimitrie (1873–1932), sculptor". ''Grove Art Online''. Oxford University Press. In 1909 he was named professor at the National School of Fine Arts. Paciurea was one of the founders of the Romanian Art Society (1919). His students include Cornel Medrea, Ion Jalea, and Oscar Han. A ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
picture info	Marius Bunescu Marius Bunescu (15 May 1881 – 31 March 1971) was a Romanian painter, organizer of the National Museum of Art, and director of the Anastase Simu Museum. Bunescu was born in Caracal, Romanați County, the son of Ioniță Bunea, a craftsman. His first artistic training was with Dimitrie Hârlescu in Constanța from 1904 to 1906, after which he went to study at the Academy of Fine Arts in Munich, where he worked with Hermann Groeber. He made his debut in 1911 at the Official Salon in Bucharest, and he had his first personal exhibit in 1919, at the Minerva Library. In 1924 he exhibited some of his paintings at the Romanian pavilion, during the Venice Biennale arts festival; he returned for exhibits at the Biennale in 1942 and 1954. He began his long administrative career in 1920, becoming director of the Anastase Simu Museum, and later, after the death of the art collector in 1935, of the Simu Memorial House. In 1921, Bunescu participated in the establishment of the , b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
	Iosif Iser Iosif Iser (21 May 1881 – 25 April 1958; born and died in Bucharest) was a Romanian painter and graphic artist. Born to a History of the Jews in Romania, Jewish family, he was initially inspired by Expressionism, creating drawings with thick, unmodulated, lines and steep angles. After studies in Munich and Paris (with, among others, André Derain), Iser worked for the Socialism, socialist press (''Facla'' and the original version of ''Adevărul''), publishing a large number of caricatures (most of them satirising the King of Romania, Romanian Monarchy). He also started his first series of paintings with Dobrujan themes, usually featuring local Tatars in Romania, Tatar portraits. Around 1920, Iosif Iser adopted a more luminous range of colours, while softening the textures. He continued his "Tatar" themes with his ''Tătăroaică în albastru'' ("Tatar Woman in Blue") and ''Famile de tătari'' ("Tatar Family"). He expanded on another series, one that depicted harlequins. In 195 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
	Ștefan Dimitrescu Ștefan Dimitrescu (January 18, 1886 – May 22, 1933) was a Romanian Post-Impressionism, Post-impressionist painter and draftsman. Biography Born in Huşi, Huși into a modest family, he completed his primary and secondary studies in his hometown. In 1903, deciding to follow his passion for music, he left for Iași, where he took cello classes at the George Enescu University of Arts of Iaşi, Iași Conservatory.Oltean, p.308-309 In summer of 1903, Dimitrescu entered the National School of Fine Arts in the city, studying in the same class as Nicolae Tonitza; the two studied under Gheorghe Popovici and Emanoil Bardasare. After graduation, Dimitrescu painted murals for the Romanian Orthodox Church, Orthodox churches in Agăş, Bacău, Agăș and Asău, Bacău, Asău (Bacău County). Between 1912 and 1913, he studied in Paris, at the Académie de la Grande Chaumière, during which time he was attracted to Impressionism.Drăguţ ''et al.'', p.201 Drafted into the Romanian Army a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
	Nicolae Dărăscu Nicolae Dărăscu (February 18, 1883 – August 14, 1959) was a Romanian painter. He was influenced by Impressionism and Neo-impressionism. Biography Born in Giurgiu, he studied painting at the Academy of Fine Arts in Bucharest between 1902 and 1906, in the class of George Demetrescu Mirea. After graduation, he was awarded a scholarship to the Académie Julian in Paris (which, as an admirer of its former students Nicolae Grigorescu and Ștefan Luchian, he had wanted to attend). He studied under Jean-Paul Laurens and a year later, in 1907 at the École des Beaux-Arts under Luc-Olivier Merson. Dărăscu traveled extensively and lived in the south of France (Toulon and Saint-Tropez, 1908), in Venice (1909), in Romania (in Vlaici, Olt County, 1913, and in Balcic, Southern Dobruja, 1919). He maintained permanent contacts with artists from other European cultures, visiting major art museums and extending his horizons to attempt new forms of artistic expression. Unlike many of his c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
picture info	Nude By Camil Ressu 1971 Romanian Stamp Nudity is the state of being in which a human is without clothing. While estimates vary, for the first 90,000 years of pre-history, anatomically modern humans were naked, having lost their body hair, living in hospitable climates, and not having developed the Craft, crafts needed to make clothing. As humans became Behavioral modernity, behaviorally modern, body adornments such as jewelry, tattoos, body paint and scarification became part of non-verbal communications, indicating a person's social and individual characteristics. Indigenous peoples in warm climates used clothing for decorative, symbolic or ceremonial purposes but were often nude, having neither the need to protect the body from the elements nor any conception of nakedness being shameful. In many societies, both ancient and contemporary, children might be naked until the beginning of puberty. Women may not cover their breasts due to the association with nursing babies more than with sexuality. In the ancient ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
picture info	Resting Reapers By Camil Ressu 1966 Romanian Stamp REST (Representational State Transfer) is a software architectural style that was created to describe the design and guide the development of the architecture for the World Wide Web. REST defines a set of constraints for how the architecture of a distributed, Internet-scale hypermedia system, such as the Web, should behave. The REST architectural style emphasises uniform interfaces, independent deployment of components, the scalability of interactions between them, and creating a layered architecture to promote caching to reduce user-perceived latency, enforce security, and encapsulate legacy systems. REST has been employed throughout the software industry to create stateless, reliable, web-based applications. An application that adheres to the REST architectural constraints may be informally described as ''RESTful'', although this term is more commonly associated with the design of HTTP-based APIs and what are widely considered best practices regarding the "verbs" ( HTTP ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]