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Camera Coverage
Camera coverage, or coverage, is the amount and kind of footage shot used to capture a scene in filmmaking and video production. The film editor uses coverage in post-production to assemble the Final cut (film editing), final cut. Coverage in cinematography The coverage technique involves shooting from more positions than will be used in the final film, allowing the director to choose shots during the editing process. This avoids the need to bring back cast and crew for later Pick-up (filmmaking), pickups and reshoots if the director is unsatisfied with the results from the camera positions that were originally planned. Even meticulously preplanned, storyboarded, and rehearsed films may find a need for coverage. Coverage also allows the editor to take control of a performance, adjusting the timing so that the audience's needs (rather than those of the director or actor) are met. There are generally four types of cinematography: *The master scene method: The scene is shot from begin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Footage
In filmmaking and video production, footage is raw, unedited material as originally filmed by a movie camera or recorded by a digital video camera, which typically must be film editing, edited to create a motion picture, digital video, video clip, television show, or similar completed work. Footage can also refer to sequences used in film and video editing, such as special effects and archive material (for special cases of this, see stock footage and B roll). Since the term originates in film, footage is only used for recorded images, such as film stock, videotapes, or digitizing, digitized clips. For live television feeds, the signals from video cameras are instead called ''sources''. History The origin of the term "footage" comes from early 35mm movie film, 35 mm silent film, which is traditionally measured in foot (length), feet and frame (film), frames. The fact that film was measured by length in cutting room floor, cutting rooms, and that there are 16 frames (4-perf film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Studio System
A studio system is a method of filmmaking wherein the production and distribution of films is dominated by a small number of large movie studios. It is most often used in reference to Hollywood motion picture studios during the early years of the Golden Age of Hollywood from 1927 (the introduction of sound motion pictures) to 1948 (the beginning of the demise of the studio system), wherein studios produced films primarily on their own filmmaking lots with creative personnel under often long-term contract, and dominated exhibition through vertical integration, i.e., the ownership or effective control of distributors and exhibition, guaranteeing additional sales of films through manipulative booking techniques such as block booking. During the Hollywood Golden Age, eight companies constituted the major studios that promulgated the Hollywood studio system. Of these eight, five were fully integrated conglomerates known as the original Big Five, combining ownership of a production ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Establishing Shot
An establishing shot in filmmaking and television production sets up, or establishes, the context for a scene by showing the relationship between its important figures and objects. It is generally a long or extreme-long shot at the beginning of a scene indicating where, and sometimes when, the remainder of the scene takes place. Establishing shots were more common during the classical era Classical antiquity, also known as the classical era, classical period, classical age, or simply antiquity, is the period of cultural European history between the 8th century BC and the 5th century AD comprising the interwoven civilization ... of filmmaking than they are now. Today's filmmakers tend to skip the establishing shot in order to move the scene along more quickly, or merely mention the setting in on-screen text (as is done in the ''Law & Order'' franchise). In addition, the expositional nature of the shot may be unsuitable to scenes in mysteries, where details are intentio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Long Take
In filmmaking, a long take (also called a continuous take, continuous shot, or oner) is Shot (filmmaking), shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking (stage), blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term "Wide shot, long shot", which refers to the use of a long-focus lens and not to the duration of the take. The length of a long take was originally limited to how much film the Camera magazine, magazine of a Movie camera, motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take. Early examples When filming ''Rope (film), Rope'' (1948), Alfred Hitchcock intended for the film to have the effect of one long continuous take, but the camera magazines available could hold not more than 1000 feet of 35 mm movie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Film Transition
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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The New York Times
''The New York Times'' (''NYT'') is an American daily newspaper based in New York City. ''The New York Times'' covers domestic, national, and international news, and publishes opinion pieces, investigative reports, and reviews. As one of the longest-running newspapers in the United States, the ''Times'' serves as one of the country's Newspaper of record, newspapers of record. , ''The New York Times'' had 9.13 million total and 8.83 million online subscribers, both by significant margins the List of newspapers in the United States, highest numbers for any newspaper in the United States; the total also included 296,330 print subscribers, making the ''Times'' the second-largest newspaper by print circulation in the United States, following ''The Wall Street Journal'', also based in New York City. ''The New York Times'' is published by the New York Times Company; since 1896, the company has been chaired by the Ochs-Sulzberger family, whose current chairman and the paper's publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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180-degree Rule
In filmmaking, the 180-degree rule is a guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always Screen direction, frame right of the second character. Moving the camera over the axis is called ''jumping the line'' or ''crossing the line''; breaking the 180-degree rule by shooting on all sides is known as shooting in the round. The 180-degree rule enables the viewer to visually connect with unseen movement happening around and behind the immediate subject and is particularly important in the narration of battle scenes. Examples In a dialogue scene between two characters, a straight line can be imagined running through the two characters. If the camera remains on one side of this line, the spatial relationship between the two characters will be consistent from shot to shot. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Shot Reverse Shot
Shot/reverse shot (or shot/countershot) is a film technique where one character is shown looking at another character (often off-screen), and then the other character is shown looking back at the first character (a or ). Since the characters are shown facing in opposite directions, the viewer assumes that they are looking at each other. Context Shot/reverse shot is a feature of the "classical" Hollywood style of continuity editing, which deemphasizes transitions between shots such that the spectator perceives one continuous action that develops linearly, chronologically, and logically. It is an example of an eyeline match. References Sources Cinematography Film editing Cinematic techniques Television terminology {{film-term-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Point-of-view Shot
A point-of-view shot (also known as POV shot, first-person shot or subjective camera) is a film scene—usually a short one—that is shot as if through the eyes of a character (the subject). The camera shows what the subject's eyes would see. It is usually established by being positioned between a shot of a character looking at something, and a shot showing the character's reaction (see shot reverse shot). The POV technique is one of the foundations of film editing. Subjectives A POV shot need not be the strict point-of-view of an actual single character in a film. Sometimes the point-of-view shot is taken over the shoulder of the character (third person), who remains visible on the screen. Sometimes a POV shot is "shared" ("dual" or "triple"), i.e. it represents the joint POV of two (or more) characters. Point-of-view, or simply p.o.v., camera angles record the scene from a particular player's viewpoint. The point-of-view is an objective angle, but since it falls between t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Medium Shot
In a movie a medium shot, mid shot (MS), or waist shot is a camera angle shot from a medium distance. Use Medium shots are favored in sequences where dialogues or a small group of people are acting, as they give the viewer a partial view of the background, such as when the shot is 'cutting the person in half' and also show the subjects' facial expressions in the context of their body language. Medium shots are also used when the subject in the shot is delivering information, such as news presenters. It is also used in interviews. It is the most common shot in movies, and it usually follows the first establishing shots of a new scene or location. A normal lens that sees what the human eye sees is usually used for medium shots. Definition The medium shot shows equality between subjects and background. The dividing line between what constitutes a long shot and medium shot is not definite, nor is the line between medium shot and close-up. In some standard texts and professio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Close-up
A close-up or closeup in filmmaking, television production A television show, TV program (), or simply a TV show, is the general reference to any content produced for viewing on a television set that is broadcast via over-the-air, satellite, and cable, or distributed digitally on streaming plat ..., photography, still photography, and the comic strip medium is a type of shot (filmmaking), shot that tightly film frame, frames a person or object. Close-ups are one of the standard shots used regularly with medium and long shots (cinematic techniques). Close-ups display the most detail, but they do not include the broader scene. Moving toward or away from a close-up is a common type of zooming (filmmaking), zooming. A close up is taken from head to neck, giving the viewer a detailed view of the subject's face. History Most early filmmakers, such as Thomas Edison, Auguste and Louis Lumière and Georges Méliès, tended not to use close-ups and preferred to frame their s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Dailies
In filmmaking, dailies or rushes are the raw, film editing, unedited footage shot during the making of a motion picture. The term "dailies" comes from when movies were all shot on film because usually at the end of each day, the footage was developed, synchronization, synced to sound, and printed on film in a batch (in the future telecined onto videotape or disk) for viewing the next day by the director, selected actors, and film crew members. With the advent of digital filmmaking, "dailies" were available instantly after the take and the review process was no longer tied to the overnight processing of film and became more asynchronous. Now some reviewing may be done at the shoot or even on location, and raw footage may be immediately sent electronically to anyone in the world who needs to review the takes. For example, a director may review takes from a second unit while the crew is still on location or producers can get timely updates while travelling. Dailies serve as an indic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |