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Callistratus (sophist)
Callistratus (), Greek sophist and rhetorician, probably flourished in the 3rd (or possibly 4th) century CE. He wrote (also known by the Latin title , and Greek title ), descriptions of fourteen works of art in stone or brass by distinguished artists. This little work is usually edited with the '' Eikones'' of Philostratus (whose form it imitates). References Bibliography * Editions of the Greek text ** Edition by C. Schenkl and E. Reisch (Teubner series, 1902) ** C. G. Heyne, ''Opuscula Academica'', v. pp. 196–221, with commentary on the ''Descriptiones'' ** A. Fairbanks, Loeb Classical Library The Loeb Classical Library (LCL; named after James Loeb; , ) is a monographic series of books originally published by Heinemann and since 1934 by Harvard University Press. It has bilingual editions of ancient Greek and Latin literature, ... edition (with Philostratus), with English translation (1931) ** Balbina Bäbler and Heinz-Günther Nesselrath, ''Ars et ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second Sophistic
The Second Sophistic is a literary-historical term referring to the Greek writers who flourished from the reign of Nero until c. 230 AD and who were catalogued and celebrated by Philostratus in his ''Lives of the Sophists''. However, some recent research has indicated that this Second Sophistic, which was previously thought to have very suddenly and abruptly appeared in the late 1st century, actually had its roots in the early 1st century. It was followed in the 5th century by the philosophy of Byzantine rhetoric, sometimes referred to as the ''Third Sophistic''. Writers known as members of the Second Sophistic include Nicetes of Smyrna, Aelius Aristides, Dio Chrysostom, Herodes Atticus, Favorinus, Philostratus, Lucian, and Polemon of Laodicea. Plutarch is also often associated with the Second Sophistic movement as well, although many historians consider him to have been somewhat aloof from its emphasis on rhetoric, especially in his later work. The term ''Second Sophistic' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhetoric
Rhetoric is the art of persuasion. It is one of the three ancient arts of discourse ( trivium) along with grammar and logic/ dialectic. As an academic discipline within the humanities, rhetoric aims to study the techniques that speakers or writers use to inform, persuade, and motivate their audiences. Rhetoric also provides heuristics for understanding, discovering, and developing arguments for particular situations. Aristotle defined rhetoric as "the faculty of observing in any given case the available means of persuasion", and since mastery of the art was necessary for victory in a case at law, for passage of proposals in the assembly, or for fame as a speaker in civic ceremonies, he called it "a combination of the science of logic and of the ethical branch of politics". Aristotle also identified three persuasive audience appeals: logos, pathos, and ethos. The five canons of rhetoric, or phases of developing a persuasive speech, were first codified in classical Rome: i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ecphrasis
Ekphrasis or ecphrasis (from the Greek) is a rhetorical device indicating the written description of a work of art. It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description of a scene or, more commonly, a work of art." In ancient times, it might refer more broadly to a description of any thing, person, or experience. The word comes from the Greek ἐκ ''ek'' and φράσις ''phrásis'', 'out' and 'speak' respectively, and the verb ἐκφράζειν ''ekphrázein'', 'to proclaim or call an inanimate object by name'. The works of art described or evoked may be real or imagined; and this may be difficult to discern. Ancient ekphrastic writing can be useful evidence for art historians, especially for paintings, as virtually no original Greco-Roman examples survive. History An early example of ekphrasis comes in Plato's '' Phaedrus'', where Socrates is discussing writing and paint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imagines (work By Philostratus)
''Imagines'' () is the Latin title of two works in ancient Greek by two authors, both named Philostratus, describing and explaining various artworks. The first of these two works called ''Imagines'' consists of two books (one consisting of an introduction and 31 chapters and the other of 34 chapters) are generally attributed to Philostratus of Lemnos, or possibly to his more famous father-in-law Philostratus of Athens. ''Imagines'' ostensibly describes 65 works of art seen by Philostratus in Naples. The entire work is framed in terms of explaining art, its symbols and meaning, to a young audience. The author of the work in the introduction states that the ten-year-old son of his host was the immediate cause of the composition of this work and that the author will structure the book and each of its chapters as if this boy is being addressed. The second ''Imagines'' (consisting of 17 chapters) is by the grandson of Philostratus of Lemnos, known as Philostratus the Younger. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philostratus III
Philostratus of Lemnos (; c. 190 – c. 230 AD), also known as Philostratus the Elder to distinguish him from Philostratus the Younger who was also from Lemnos, was a Greek sophist of the Roman imperial period. He was probably a nephew of the sophist Philostratus of Athens, and is credited with two books formerly attributed to his uncle. Works '' Eikones'' (, ''Images'' or ''Imagines'') is ostensibly a description of 64 pictures in a Neapolitan gallery. Goethe, Welcker, Brunn, E. Bertrand and Helbig, among others, have held that the descriptions are of actually existing works of art, while Heyne and Friederichs deny this. In any case they are interesting as showing the way in which ancient artists treated mythological and other subjects, and are written with artistic knowledge and in attractive language. A second series of ''Imagines'' was produced by his grandson. Philostratus the Younger certainly wrote the 2nd series of ''Eikones'' and in the foreword, thanked Philostrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teubner
The Bibliotheca Teubneriana, or ''Bibliotheca Scriptorum Graecorum et Romanorum Teubneriana'', also known as Teubner editions of Greek and Latin texts, comprise one of the most thorough modern collections published of ancient (and some medieval) Greco-Roman literature. The series consists of critical editions by leading scholars. They now always come with a full critical apparatus on each page, although during the nineteenth century there were ''editiones minores'', published either without critical apparatuses or with abbreviated textual appendices, and ''editiones maiores'', published with a full apparatus. Teubneriana is an abbreviation used to denote mainly a single volume of the series (fully: ''editio Teubneriana''), rarely the whole collection; correspondingly, ''Oxoniensis'' is used with reference to the ''Scriptorum Classicorum Bibliotheca Oxoniensis'', mentioned above as ''Oxford Classical Texts''. The only comparable publishing ventures producing authoritative sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loeb Classical Library
The Loeb Classical Library (LCL; named after James Loeb; , ) is a monographic series of books originally published by Heinemann and since 1934 by Harvard University Press. It has bilingual editions of ancient Greek and Latin literature, with the original Greek or Latin text on the left-hand page and a fairly literal translation on the facing page. History Under the inspiration drawn from the book series specializing in publishing classical texts exclusively in the original languages, such as the Bibliotheca Teubneriana, established in 1849 or the Oxford Classical Texts book series, founded in 1894, the Loeb Classical Library was conceived and initially funded by the Jewish-German-American banker and philanthropist James Loeb (1867–1933). The first volumes were edited by Thomas Ethelbert Page, W. H. D. Rouse, and Edward Capps, and published by William Heinemann, Ltd. (London) in 1912, already in their distinctive green (for Greek text) and red (for Latin) hardco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balbina Bäbler
Balbina Bäbler (, also known as Balbina Bäbler-Nesselrath; Glarus, 7 May 1967) is a Swiss archaeologist and historian, and is a specialist on the Northern Black Sea coastal area. Biography Balbina Bäbler studied at the universities of Bern and Munich. She graduated the course in 1997 with a thesis on "Diligent Thracians and strong Scythians: non-Greek population of Athens of the classical period and their archaeological heritage" (Fleissige Thrakerinnen und wehrhafte Skythen Nichtgriechen im klassischen Athen und ihre archaologische Hinterlassenschaft.). Bäbler is an expert on the archaeological chronology and burial cultures, and was an Honorary Fellow at the University of Exeter from 2002 until 2004. Bäbler worked at the University of Hamburg, Leibniz University Hannover, as well as in the University of Göttingen. She was a research fellow at the Winckelmann-Ausgabe of the Akademie der Wissenschaften und der Literatur in Mainz from 2010 to 2015. She has co-edited severa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
