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Callirhoé
''Callirhoé'' is an opera by the French composer André Cardinal Destouches. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto, by Pierre-Charles Roy, is based on a story from ''The Description of Greece'' by Pausanias (see Coresus). The opera was first performed on 27 December 1712, by the Académie royale de musique at the Théâtre du Palais-Royal in Paris. Destouches reworked the score for a revival on 22 October 1743. This version ends abruptly with the death of Corésus. Roles Synopsis Following the revised version of 1743. Act One Princess Callirhoé, heiress to the kingdom of Calydon, laments her fate. Her parents are forcing her to marry a man she loathes, Corésus, the high priest of Bacchus, when she is really in love with Agénor. The wedding ceremony of Corésus and Callirhoé is interrupted when the latter faints at the altar. Act Two Agénor declares his love for Callirhoé but the couple are surprised by the furious ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Cardinal Destouches
André Cardinal Destouches (sometimes called des Touches) (baptised 6 April 1672 – 7 February 1749) was a French composer best known for the ''opéra-ballet'' ''Les élémens''. Biography Born in Paris, the son of Étienne Cardinal, a wealthy merchant, André Cardinal was educated by Jesuits. With the Jesuit Father Guy Tachard, he went on a mission to Siam for two years, leaving in January 1687, and spending some time at the Cape of Good Hope, arriving in Siam in September. Coming back to France, in September 1688, he spent several months at the academy in the Manège royal, rue de Tournon. In 1692 he joined the army and participated in the invasion of Namur, discovering his musical talent while not occupied by combat. When his father died in August 1694, André Cardinal added "Destouches" to his name in memory of his father's title, Seigneur des Touches et de Guilleville. He quit the army in 1696 to pursue his musical aspirations. Destouches' opera ''Issé'' was perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Concert Spirituel
Le Concert Spirituel is a French ensemble specialising in works of baroque music, played on period instruments. Founded by Hervé Niquet in 1987, it is named after the 18th-century concert series Concert Spirituel. The group performs internationally, playing mostly rarely performed sacred music and operas, and making recordings. Its focus is on French music played at the court of Versailles. History The ensemble is named after Concert Spirituel, the first private concert society in France, founded in the 18th century and dissolved during the French Revolution. The ensemble was founded by Hervé Niquet in 1987, designed to revive the great works of the French repertoire played at the court of Versailles. Le Concert Spirituel collaborates closely with the Centre de musique baroque de Versailles, with a focus on French composers such as Marc-Antoine Charpentier, Jean-Baptiste Lully, André Campra and Joseph Bodin de Boismortier. Le Concert Spirituel often plays sacred music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel-Vincent Thévenard
Gabriel-Vincent Thévenard (10 August 1669 – 24 August 1741) was a French operatic baritone (''basse taille''). Thévenard was born at Orléans or possibly Paris. Arriving in Paris in 1690, he studied under the composer André Cardinal Destouches and went on to become a member of the Académie Royale de Musique. He was notable for playing tragic roles that made use of his skill at declamatory recitatives. He appeared in over 80 tragédie en musique, tragédies en musique and opéra ballet, opéras ballet before finally retiring in 1729. He died in Paris. Roles created *Apollon/Vertumne/l'Automne in Pascal Colasse et Louis Lully's ''Ballet des Saisons'' (Paris, 1695) *Jupiter/Hylas in André Cardinal Destouches, Destouches's ''Issé (opera), Issé'' (Fontainebleau, 1697) *Silvandre/Zuliman in André Campra's L'Europe galante (Paris, 1697) *The title role in Destouches's ''Amadis de Grèce'' (Paris, 1699) *Argapise in Destouches's ''Marthesie, première reine des Amazones'' (P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
''Tragédie en musique'' (, musical tragedy), also known as ''tragédie lyrique'' (, lyric tragedy), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Early works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cécile Chaminade
Cécile Louise Stéphanie Chaminade (8 August 1857 – 13 April 1944) was a French composer and pianist. In 1913, she was awarded the Légion d'Honneur, a first for a female composer. Ambroise Thomas said, "This is not a woman who composes, but a composer who is a woman." Biography Born in Batignolles (a village then outside Paris), Chaminade was raised in a musical family. She received her first piano lessons from her mother. Around age 10, Chaminade was assessed by Félix Le Couppey of the Conservatoire de Paris, who recommended that she study music at the Conservatoire. Her father forbade it because he believed it was improper for a girl of Chaminade's class. Her father did, however, allow Chaminade to study privately with teachers from the Conservatoire: piano with Le Couppey, violin with Martin Pierre Marsick, and music composition with Marie Gabriel Augustin Savard and Benjamin Godard. Chaminade experimented in composition as a young child, composing pieces for her cats ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Charles Roy
Pierre-Charles Roy (1683 — 23 October 1764) was a French poet and man of letters, noted for his collaborations with the composers François Francoeur and André Cardinal Destouches, to produce librettos for several opera-ballets, on classical subjects or pseudo-classical pastiches, for seven tragedies, and for his rivalry with the young Voltaire, who immortalised Roy with some disdainful public words. In an early letter of 1719 to Jean-Baptiste Rousseau, Voltaire says, "I have been so unfortunate under the name of Arouet that I have taken another one especially to be confused no more with the poet Roy." Roy was born and died in Paris. His first opera libretto, ''Philomèle'', was performed at the Paris Opéra on 20 October 1705. By 1718 he had provided texts for seven ''tragédies en musique'' and was being hailed as a successor to Quinault. His involvement with musicians was not always positive: He was involved in a public brawl with composer Rameau after penning a derogator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hervé Niquet
Hervé Niquet (born 28 October 1957) is a French conductor, harpsichordist, tenor, and the director of Le Concert Spirituel, specializing in French Baroque music. Biography Born on 28 October 1957, Hervé Niquet was raised at Abbeville in the department of Somme. He studied harpsichord, composition, conducting, and opera singing. In 1980, he was appointed as the choir master of the Opéra National de Paris. Between 1985 and 1986, Niquet became a member of Les Arts florissants as a tenor, the ensemble that William Christie founded. In 1987, he established his own ensemble named "Le Concert Spirituel" which focuses on French grand motets of the 17th and 18th centuries.Réjean Beaucage; Jane Brierley (translation), (Sept. 3, 2003''Hervé Niquet and la Nouvele Sinfonie''at La Scena Musicale Recordings Accord, Adda * André Campra Vol.1 Te Deum. Motets Niquet (Adda 581250) no reissue * André Campra Vol.II Requiem. Benedictus Dominus. Niquet (Accord) * André Campra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Françoise Journet
Françoise Journet (b. 1675, Lyon – d. 1720, Paris)< was a French tic . Beginning her career at the Lyon Opera, Journet eventually became a pupil of in Paris. In 1699 she appeared as Mélisse in the premiere of ''Amadis de Gréce'' by Destouches and subsequently created a number of important roles in operas by and [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritenor
Baritenor (also rendered in English-language sources as bari-tenor or baritenore) is a portmanteau (blend) of the words "baritone" and "tenor". It is used to describe both baritone and tenor voices. In ''Webster's Third New International Dictionary'' it is defined as "a baritone singing voice with virtually a tenor range". However, the term was defined in several late 19th century and early 20th century music dictionaries, such as ''The American History and Encyclopedia of Music'', as "a low tenor voice, almost baritone 'sic''" In opera Baritenor (or its Italian language">Italian form, ''baritenore'') is still used today to describe a type of tenor voice which came to particular prominence in Rossini's operas. It is characterized by a dark, weighty lower octave and a ringing upper one but with sufficient agility for coloratura singing. Rossini used this type of voice to portray noble (and usually older), leading characters, often in contrast to the higher, lighter voices of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dryad
A dryad (; , sing. ) is an oak tree nymph or oak tree spirit in Greek mythology; ''Drys'' (δρῦς) means "tree", and more specifically " oak" in Greek. Today the term is often used to refer to tree nymphs in general. Types Daphnaie These were nymphs of the laurel trees. Epimelides The Maliades, Meliades or Epimelides were nymphs of apple and other fruit trees and the protectors of sheep. The Greek word ''melas'', from which their name derives, means both apple and sheep. The Hesperides, the guardians of the golden apples, were regarded as this type of dryad. Hamadryad Dryads, like all nymphs, were supernaturally long-lived and, like many, were tied to their homes, but some were a step beyond most nymphs. These were the hamadryads, who were an integral part of their trees, such that if the tree died, the hamadryad associated with it also died. For these reasons, dryads and the Greek gods punished any mortal who harmed trees without first propitiating the tree-nymphs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Antier
Marie Antier (1687 in Lyon – 3 December 1747 in Paris) was a French opera singer (soprano). She was trained in singing and acting by Marthe Le Rochois. She made her debut at the Paris Opera in a revival of ''La vénitienne'' by Michel de la Barre in 1710 or 1711. It has been said that she was particularly adept in her portrayals of enchantresses or magicians in the works of Jean-Baptiste Lully Jean-Baptiste Lully ( – 22 March 1687) was a French composer, dancer and instrumentalist of Italian birth, who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court o .... Over the course of thirty years she appeared in sixty stage works. In some of these works she played multiple parts, resulting in a repertoire of about eighty roles. She was a premier actress of the Academie de Musique (1720) and a court singer (1721). She played the leading roles of French opera from her debut in 1711 until her retir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stéphanie D'Oustrac
Stéphanie is a French feminine given name. Notable people with the name include: *Stéphanie, Hereditary Grand Duchess of Luxembourg (born 1984), Belgian noble; wife of Guillaume, Hereditary Grand Duke of Luxembourg *Princess Stéphanie (other), several people * Stéphanie Arricau (born 1973), French golfer *Stéphanie Atger (born 1975), French politician *Stéphanie Blake (born 1968), author of children's stories * Stéphanie Bouvier (born 1981), short track speed-skater *Stéphanie de Beauharnais (1789–1860), consort of Karl, Grand Duke of Baden *Stéphanie Cohen-Aloro (born 1983), French tennis player *Stéphanie Dixon (born 1984), Canadian swimmer *Stéphanie Dubois (born 1986), Canadian tennis player *Stéphanie Falzon (born 1983), French hammer thrower *Stéphanie Félicité du Crest de Saint-Aubin (1746–1830), French writer and educator *Stéphanie Foretz (born 1981), French tennis player *Stéphanie Jiménez (born 1974), Andorran mountain runner *Stéphanie Lap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
