|
Cabaret (1972 Film)
''Cabaret'' is a 1972 American musical period drama film directed and choreographed by Bob Fosse from a screenplay by Jay Presson Allen, based on the 1966 stage musical by John Kander, Fred Ebb, and Joe Masteroff, which in turn was based on the 1951 play '' I Am a Camera'' by John Van Druten and the 1939 novel '' Goodbye to Berlin'' by Christopher Isherwood. It stars Liza Minnelli, Michael York, Helmut Griem, Marisa Berenson, and Joel Grey. Multiple numbers from the stage score were used for the film, which also featured three other songs by Kander and Ebb, including two written for the adaptation. In the traditional manner of musical theater, most major characters in the stage version sing to express their emotions and advance the plot; in the film, however, the musical numbers are almost entirely diegetic and take place inside the club, with the exception of " Tomorrow Belongs to Me", which is not performed in the club or by the club characters, but is still diegetic, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Fosse
Robert Louis Fosse (; June 23, 1927 – September 23, 1987) was an American choreographer, dancer, filmmaker, and stage director. Known for his work on stage and screen, he is arguably the most influential figure in the field of jazz dance in the twentieth century. He received List of awards and nominations received by Bob Fosse, numerous accolades including an Academy Award, a BAFTA Award, three Primetime Emmy Awards, nine Tony Awards, and the Palme d'Or. Fosse started his career acting in the musical productions of ''Call Me Mister'' (1947), ''Billion Dollar Baby'' (1951), and ''Pal Joey (musical), Pal Joey'' (1952). He transitioned into directing and choreographing musical works, winning Tony Awards for Tony Award for Best Choreography, choreographing ''The Pajama Game'' (1954), ''Damn Yankees'' (1955), ''Redhead (musical), Redhead'' (1959), ''Little Me (musical), Little Me'' (1963), ''Sweet Charity'' (1966), ''Pippin (musical), Pippin'' (1972), ''Dancin''' (1978), and ''Big ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kander And Ebb
Kander and Ebb were a highly successful American songwriting team consisting of composer John Kander (born March 18, 1927) and lyricist Fred Ebb (April 8, 1928 – September 11, 2004). Known primarily for their stage musical theatre, musicals, which include ''Cabaret (musical), Cabaret'' and ''Chicago (musical), Chicago'', Kander and Ebb also scored several movies, including Martin Scorsese's ''New York, New York (1977 film), New York, New York''. Their most famous song is Theme from New York, New York, the theme song of that movie. Recorded by many artists, "New York, New York" became a signature song for Frank Sinatra. The team also became associated with two actresses, Liza Minnelli and Chita Rivera, for whom they wrote a considerable amount of material for the stage, concerts and television. History John Kander and Fred Ebb were introduced by their mutual music publisher Tommy Valando in 1962. Kander and Ebb met at Ebb's apartment and decided to test their compatibility as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
45th Academy Awards
The 45th Academy Awards were presented Tuesday, March 27, 1973, at the Dorothy Chandler Pavilion in Los Angeles, California, honoring the best films of 1972. The ceremonies were presided over by Carol Burnett, Michael Caine, Charlton Heston, and Rock Hudson. The ceremony was marked by Marlon Brando's boycott of the Oscars, and his sending of Sacheen Littlefeather to explain why he could not show up to collect his Best Actor award for ''The Godfather''; and by Charlie Chaplin's only competitive Oscar win, for Best Original Dramatic Score for his 20-year-old film ''Limelight'', which was eligible because it did not screen in Los Angeles until 1972. Prior to this ceremony, Chaplin had received 2 Academy Honorary Awards: in 1972 for his lifetime of work; and in 1929 (after having revoked his nominations for Best Director, Actor, and Writing (Original), thereby presenting him with a special award celebrating his multifaceted achievements). With eight wins for ''Cabaret'', adapt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Society Of Film Critics
The National Society of Film Critics (NSFC) is an American film critic organization. The organization is known for its highbrow tastes, and its annual awards are one of the most prestigious film critics awards in the United States. In January 2024, the NSFC had approximately 60 members who wrote for a variety of weekly and daily newspapers along with major publications and media outlets.- History The society was founded in 1966 in the New York City apartment of the '' Saturday Review'' critic Hollis Alpert, one of several co-founding film critics who was refused membership to the New York Film Critics Circle because it preferred critics who worked for mainstream newspapers. His co-founders included Pauline Kael, a writer for ''The New Yorker'', Joe Morgenstern, then a movie reviewer for ''Newsweek'' and Richard Schickel, a film critic for ''Life'' magazine. The society was founded to counteract the influence of ''New York Times'' critic Bosley Crowther, who dominated the New Yo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hollywood Foreign Press Association
The Hollywood Foreign Press Association (HFPA) was a nonprofit organization of journalists and photographers who reported on the American entertainment industry for predominantly foreign media markets. It is best known for founding and conducting the annual Golden Globe Awards ceremony in Los Angeles, California, which honors notable achievements in film and television, from its inception in 1943 until 2023. The HFPA consisted of about 105 members from approximately 55 countries with a combined following of more than 250 million. HFPA was rebranded to Golden Globe Foundation on June 12, 2023. History The association was founded in 1943, by Los Angeles-based foreign journalists who wanted a more organized distributing process for cinema news to non-U.S. markets. The first Golden Globes awardees were for the cinema industry in early 1944 with a ceremony at 20th Century Fox. There, Jennifer Jones was awarded "Best Actress" honors for '' The Song of Bernadette,'' which also w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Board Of Review
The National Board of Review of Motion Pictures is a non-profit organization of New York City area film enthusiasts. Its awards, which are announced in early December, are considered the first major harbinger of the film awards season that culminates in the Academy Awards. Origins The organization, which is now a private organization of film enthusiasts, has its roots in 1909 when Charles Sprague Smith and others formed the New York Board of Motion Picture Censorship to make recommendations to the Mayor's office concerning controversial films. It quickly became known as the National Board of Motion Picture Censorship. In an effort to avoid government censorship of films, the National Board became the unofficial clearinghouse for new movies. The Board's stated purpose was to endorse films of merit and champion the new "art of the people", which was transforming America's cultural life. In March 1916 the Board changed its name to the National Board of Review of Motion Picture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomorrow Belongs To Me
"Tomorrow Belongs to Me" is a song from the 1966 Broadway musical ''Cabaret'' and the 1972 film, sung primarily by a Nazi character. It was written and composed by two Jewish musicians – John Kander and Fred Ebb – as part of an avowedly anti-fascist work; the nationalist character of the song serves as a warning to the musical's characters of the rise of Nazism. Nonetheless, "Tomorrow Belongs to Me" has been adopted by right-wing, neo-Nazi, and alt-right groups as an anthem. In ''Cabaret'' The song appears late in Act I. It is sung by a waiter in the play and a teenage boy in the film, with a crowd joining in as the song progresses. It begins with the tone of a nostalgic German folk song, but develops the character of an intimidating military march as the instrumentation develops and more singers add their voices. In the film, the boy's Hitler Youth uniform is revealed as he sings. Towards the climax, the waiter is seen to wear a swastika armband in the play, and the youth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diegetic Music
Diegetic music, also called source music, is music that is part of the fictional world portrayed in a piece of narrative media (such as a film, show, play, or video game) and is thus knowingly performed and/or heard by the characters. This is in contrast to non-diegetic music, which refers to incidental music or a score that is heard by the viewer but not the characters, or in musical theater, when characters are singing in a manner that they would not do in a realistic setting. Etymology The term refers to diegesis, a style of storytelling. In her 1987 work '' Unheard Melodies'', Claudia Gorbman was influential in establishing the terms "diegetic" and "non-diegetic" (derived from narrative theory) for use in academic film music studies. From there, its usage spread to other disciplines. Film Source music was sometimes used as scores from the earliest days of Hollywood talkies, in some cases—such as '' The Public Enemy'' (1931)—using it to the exclusion of any underscor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Ebb
Fred Ebb (April 8, 1928 – September 11, 2004) was an American musical theatre lyricist who had many successful collaborations with composer John Kander. The Kander and Ebb team frequently wrote for such performers as Liza Minnelli and Chita Rivera. Background He worked during the early 1950s bronzing baby shoes, as a trucker's assistant, and was also employed in a department store credit office and at a hosiery company. He graduated from New York University with a bachelor's degree in English Literature, and also earned his master's degree in English from Columbia University.McKinley, Jess"Fred Ebb, 76, Lyricist Behind 'Cabaret' and Other Hits, Dies"''The New York Times'', September 13, 2004. One of his early collaborators was Philip Springer, and a song they wrote together ("I Never Loved Him Anyhow") was recorded by Carmen McRae in 1956. Another song Ebb wrote with Springer was "Heartbroken" (1953), which was recorded by Judy Garland, the mother of his future protégé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Kander
John Harold Kander (born March 18, 1927) is an American composer, known largely for his work in the musical theater. As part of the songwriting team Kander and Ebb (with lyricist Fred Ebb), Kander wrote the scores for 15 musicals, including ''Cabaret (musical), Cabaret'' (1966) and ''Chicago (musical), Chicago'' (1975), both of which were later adapted into acclaimed films. He and Ebb also wrote the standard "Theme from New York, New York, New York, New York" (officially known as "Theme from ''New York, New York''"). The team received numerous nominations, including eleven for Tony Awards (won four, followed by a Lifetime Achievement Award for Kander), two nominations for Academy Awards, and five for Golden Globe Awards. Early life John Kander, the second son of Harold and Bernice (Aaron) Kander, was born on March 18, 1927, in Kansas City, Missouri. He has stated that he grew up in a loving, middle-class Jewish family and maintained a lifelong close relationship with his older bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historical Drama
A historical drama (also period drama, period piece or just period) is a dramatic work set in the past, usually used in the context of film and television, which presents history, historical events and characters with varying degrees of fiction such as artistic license, creative dialogue or scenes which compress separate events. The biographical film is a type of historical drama which generally focuses on a single individual or well-defined group. Historical dramas can include romance film, romances, adventure films, and swashbucklers. Historical drama can be differentiated from historical fiction, which generally present fictional characters and events against a backdrop of historical events. A period piece may be set in a vague or general era such as the Middle Ages, or a specific period such as the Roaring Twenties, or the recent past. Scholarship In different eras different subgenres have risen to popularity, such as the westerns and sword and sandal films that dominated Nor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Film
Musical film is a film genre in which songs by the Character (arts), characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers". The musical film was a natural development of the musical theater, stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegesis, diegetic audience, as the performer looks directly into the camera and performs to it. With the Sound film, advent of sound in the late 1920s, musicals gained popularity with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
